Töte zuerst! - Der israelische Geheimdienst Schin Bet
Füge eine Handlung in deiner Sprache hinzuA documentary featuring interviews with all surviving former heads of Shin Bet, the Israeli security agency whose activities and membership are closely held state secrets.A documentary featuring interviews with all surviving former heads of Shin Bet, the Israeli security agency whose activities and membership are closely held state secrets.A documentary featuring interviews with all surviving former heads of Shin Bet, the Israeli security agency whose activities and membership are closely held state secrets.
- Für 1 Oscar nominiert
- 7 Gewinne & 12 Nominierungen insgesamt
Empfohlene Bewertungen
There is a lot of good and interesting information that is presented in this film, but of course, not all history and the whole complexity of the conflict could have been brought on screen in a documentary that lasts about 90 minutes. Lacking facts will certainly expose the film to critics from all directions, but these critics would be to some extent unfair. In fact for the Israeli audiences there is nothing completely new here, investigative reporting in the Israeli press, TV documentary movies, and books written by political experts and historians have exposed sometimes in much more details different aspects of the stories presented in this film. What is new and different is the candid manner the makers of the movie succeed to make the six different personalities who successively lead the service talk about the events that took place in the last 45 years, their meaning, their implications. Attentive spectators who also know the differences between the views and positions of the six leaders will perceive also the differences between their opinions and their approaches into presenting the facts, but overall a fascinating perspective is built by getting together their testimonies and the history of the area in the period between the Six Days War and today, the initial euphoria, the lost opportunities, the achievements and the mistakes in the fight against terror, the moral dilemmas and the price of the occupation, the human risks and morality of lack of morality of some of the methods – all come together in a perspective which is amplified by the coherent message delivered by each one of the speakers. If you search for information in this film you will not get the whole picture, and I am quite sure that the film will be much better understood from this point of view by Israelis than by audiences abroad. If you look for the historic trends and for indications about things to come, it's mandatory viewing, and it does not look like good news, but rather like a very strong warning signal from people who were in the middle of the policy making and security actions of Israel.
I believe that this film should be seen by as many people as possible and debated in Israel. Best would be probably a screening on prime time TV, but I am not optimistic about this happening soon as prime time TV in Israel seems to be almost fully booked by (i)reality shows. At least, by now The Gatekeepers is distributed commercially and the audiences seem to be interested. However, the more echoes may come from abroad, especially as the film is a candidate for the Oscar in the documentary category, certainly if it also wins the award. The editing of the film is smart, the combination between historical footage and computerized effects puts even more life into the illustrations, and the permanent images of the big screens as a symbol of the technology used to permanently supervise the territories is haunting. I have seen however much more sophisticated technical means put at work in documentaries. 'The Gatekeepers' is eventually a talking heads movie and is important because of the stories that the talking heads tell and the message that they deliver.
All said and done it was a powerful challenge to Israeli and American faith in violence to solve polotical conflicts.
If the Arab-Israeli conflict interests you, then take a close look at The Gatekeepers, a first-rate documentary about Shin Bet, the Israeli security agency primarily responsible for Israel's complicated relationship with Palestine, for both good and bad.
Director Dror Moreh has the six former heads of the agency speak as candidly as is possible for men were cautious in the extreme about safety and negotiation, causing death, destruction, and reconstruction to people who just can't seem to settle their differences.
As a one-time head avers in the quote above, for the leaders of the agency, founded in 1949 immediately after Israel declared its independence, the decisions of Shin Bet most often depended on the tactic rather than the strategy. Such a mode led to the Bus 300 affair in 1984 with Israeli operatives beating two Arab bus hijackers to death upon orders from Avaraham Shalom, head of the agency at that time. The decision, according to him, was a matter of not having to deal with the terrorists in arrest. And you thought drones were cold.
Ruthless and efficient as Shin Bet is, it couldn't stop Israeli Prime Minister Yitzah Rabin's assassination in 1995, even when it knew the identity of the assassin beforehand. Yet the documentary's thrust, ruled as it is by seasoned intelligence officers who lack self-recrimination, is that the agency did what it had to do and was on the whole successful protecting Israel.
As the film moves toward its end and the elderly leaders ruminate, one states he has moved toward the left in his old age, suggesting that decisions to accept collateral damage to civilians were necessary but regrettable. As I watch in fascination, I could only think how nice to be able to live with oneself and shift on the political spectrum with barely a scratch.
The Gatekeepers, deservedly nominated for a 2012 Oscar, does what a good doc should do—lets the subjects talk for themselves and thereby cleanly exalt and exonerate themselves without directorial intrusion (except in the editing room, of course).
Closer to the truth of the occupation's collateral damage, Shalom evaluates himself and his fellow leaders: "We have become cruel to ourselves but mainly to the occupation."
I was surprised to see that these former Shin Bet heads had a much more nuanced view of the conflict than I expected. Of course, they have been defending Israel and they are still Israeli citizens and they still stand behind decisions that they have made and that have cost Palestinian lives. In that sense they are "pro-Israel". On the other hand some of them openly discussed the possibility of a Palestinian state, they spoke of Palestinians in a much more humane way than many Israeli's do and they were openly critical of Israel's security policy in the past decades, both from a human and from a professional, security perspective.
One of the interviewees for example said that one people's terrorist is the other people's freedom fighter, which is not only very true, but it also shows that these people, through their history in Shin Bet have attained a different way of looking at the conflict. I found that a very surprising and interesting aspect of the movie.
I saw the film at the International Documentary Festival in Amsterdam (IDFA). The maker of the movie was present at the screening and he took questions from the audience after the screening. There was one Israeli woman in the audience that condemned the maker of being anti-Israeli and painting a too positive picture of the Palestinians and right after that there was a Dutch man in the audience accusing the maker of painting a too pro-Israeli picture. It just shows the incredible sensitivity around the subject. I myself was wondering "which side is he on" when the movie started. The movie however doesn't really show the views of the film maker, but the views of the former heads of Shin Bet, which is an entirely new perspective, because most movies about this conflict are created from a certain political standpoint.
I think the maker has done a very good job at getting these six important people to participate in his documentary, because the views of these people are important and hard to ignore. It is not a movie that was inspired by right-wing or left-wing sentiments, it was an unbiased movie that shows the views of the six people that were on the forefront of this war for many years. I am very surprised to see what the reactions to this movie will be in Israel. I highly recommend it to anyone interested in the Israeli-Palestinian conflict.
Wusstest du schon
- WissenswertesIn an interview at a film festival Dror Moreh indicated that he would like a 5-part TV series in order to show the rest of the footage.
- PatzerIn the opening scene, the coordinates on satellite or UAV video feed are either in the East Pacific or the West Pacific depending on whether one takes the longitude to be East or West respectively.
- Zitate
Avraham Shalom: Gradually there was an increase... To put it cynically, luckily for us, terrorism increased. Why do I say that? Because now we had work and we stopped dealing with the Palestinian state. Understood? As soon as we stopped dealing with the Palestinian state and started dealing with terrorism, terror became more sophisticated. So did we. Suddenly we had a lot of work in Gaza and the West Bank, and overseas, too, so we forgot about the Palestinian issue.
- VerbindungenFeatured in Maltin on Movies: Warm Bodies (2013)
Top-Auswahl
- How long is The Gatekeepers?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- The Gatekeepers
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 2.415.727 $
- Eröffnungswochenende in den USA und in Kanada
- 61.552 $
- 3. Feb. 2013
- Weltweiter Bruttoertrag
- 2.573.616 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1