Die Chronik einer 1.100-Meilen langen Solo-Wanderung, die eine Frau unternimmt, um eine kürzlich erlittene persönliche Tragödie zu verarbeiten.Die Chronik einer 1.100-Meilen langen Solo-Wanderung, die eine Frau unternimmt, um eine kürzlich erlittene persönliche Tragödie zu verarbeiten.Die Chronik einer 1.100-Meilen langen Solo-Wanderung, die eine Frau unternimmt, um eine kürzlich erlittene persönliche Tragödie zu verarbeiten.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 13 Gewinne & 70 Nominierungen insgesamt
- Joe
- (as Ray Mist)
- Therapist
- (as Randy Schulman)
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At first, it's hard to understand Cheryl, she definitely does not strike you as a someone who could do this. She bit off more than she can shew, it's clearly naive of her. But as Cheryl is struggling on her hike flashbacks of her life before the Pacific Crest Trails are peppered throughout the movie and like anyone you're getting to know she starts to make sense. You get to understand what she's been through, who she is, and what motivated her to do this. It's a challenge that she brought on herself for herself, something she needed.
And just like that a 115 minutes passes, during which you were taken on physical and soul searching journey with amazing landscapes, and a flawed but strong woman. Reese Witherspoon carries that film beautifully, she layered her performance with sensibility and a quiet strength that suited the character. I didn't totally relate to Cheryl but I wasn't completely impervious to her ordeal, I also have dreams and life-goals to achieve.
On a side note, it was recently pointed out to me I had never seen Wild as the female lead version of Into The Wild. I've never finished Sean Penn & Emile Hirsh's hiking movie but from what I remember Into The Wild was much more wild and raw the dude wasn't on a hiking trail but in the wilderness. These two movies only compare in the drives these two characters have to undertake their journey.
Wild is a beautiful movie about personal growth and living in one's truth. @wornoutspines
At first Cheryl seems like a woman unable to let go of her now ex-husband, beginning a journey with more baggage than is necessary. It might almost be easy to throw this story into the bin of sappy chick-flicks when that inability to get closure on a relationships end is actually fronting as more of an act of remorse and regret. She messed up. And there is no way to repair the damage without an ugly scar.
The further she goes the more she dives into the series of events that lead her to such a devastating circumstance of sex and drugs. The loss of her mother is far too much for her to feel. The depth of such pain can sometimes strip a human being from feeling anything at all. The tears flow from her face but those tears are not falling for grief, they drop from the overwhelming numbing the death has caused.
Cheryl's emotions are lost in a wild and desolate space that is pain and grief, which is so perfectly mirrored with the vast, open landscape she is now physically wondering through. And both her emotions and the land are the same: it wont change immediately and things will be tough but if one keeps going forward one will come out of it. And better for it. Cheryl just needed that physical aspect to make the connection with her emotions. The self-loathing and destructive life she was living was the equivalence of her just lying down on the sandy path and dying right there.
It's a fairly event-less film where a woman just goes through some fairly tough terrain but somehow the flashes to her past spliced in with the turmoil of her present moves the story along swimmingly.
If you're a fan of deeply emotional story lines this one might very well be worth the watch.
I like Witherspoon just fine in Walk The Line, but it was all mostly surface-level. She was fun, but any lasting impact? Not at all. She's truly fantastic here, and she will get a very deserved nomination tomorrow. Now, everyone knows how much I'd been rooting for Laura Dern for a nomination. I hadn't seen it, but she's one of my favorite actresses. But so many reports of her role being super small, almost a cameo. Her role technically is super small, less than 10 minutes for sure, but the relationship between her and Witherspoon is the central relationship at the core here. Dern's presence is felt throughout to an incredible degree. And she really does have a meaty role for such short screen time. It reminds me of Jessica Chastain in The tree Of Life and also to Patricia Arquette in Boyhood, perfect depiction of that feeling of compassion and motherly love that is eternal. Dern is one of those actors that can move me with so little, so I don't think this was at all anything difficult for her, but either way, she manages to become such an undeniable, powerful part of the film. The editing is part of the reason that central relationship works, but the scenes Dern gets to convey her entire character are flawlessly acted and, so beautifully ethereal. I had feared for a while there that it would be such a small role she'd make no lasting impact, but of course she'd make an impact. It's Laura Dern after all.
One of the minor miracles of "Wild" is how subtly it explores not just the trials and dangers one would encounter in such a hike, but specifically how those trials and dangers are heightened, or at least are of a different nature, for a woman. Only once in the film is it overtly addressed, but before that scene late in the film, the director and Witherspoon have already conveyed without words how perilous such an adventure could be for a young woman, for whom every encounter with a strange man carries with it the possibility of sexual predation, even if it doesn't materialize (which, the film acknowledges, in most cases it doesn't). At the same time, the film restores one's faith a little bit in humanity, suggesting that most people are decent and kind and willing to help, no strings attached.
Witherspoon and Dern were both justly Oscar nominated for their performances, and the gorgeous Pacific West scenery deserved an award of its own.
Grade: A
Wusstest du schon
- WissenswertesThe young Cheryl is portrayed by Cheryl Strayed's daughter Bobbi Strayed Lindstrom.
- PatzerThe film is set in 1995 (see the Jerry Garcia death newspaper headline) yet Cheryl is reading Gone Girl (published in 2012). This is a cross-promotion for the Reese Witherspoon-produced Gone Girl - Das perfekte Opfer (2014).
- Zitate
[last lines]
Cheryl: [voiceover] It took me years to be the woman my mother raised. It took me 4 years, 7 months and 3 days to do it, without her. After I lost myself in the wilderness of my grief, I found my own way out of the woods.
[pause]
Cheryl: And I didn't even know where I was going until I got there, on the last day of my hike. Thankyou, I thought over and over again, for everything the trail had taught me and everything I couldn't yet know.
[pause]
Cheryl: Now in 4 years, I'd cross this very bridge. I'll marry a man in a spot almost visible from where I was standing. Now in 9 years, that man and I would have a son named Carver and a year later, a daughter named after my mother, Bobbi. I knew only that I didn't need to eat with my bare hands anymore. That seeing the fish beneath the surface of the water would be enough, that it was everything. My life, like all lives, mysterious, irrevocable, sacred, so very close, so very present, so very belonging to me. How wild it was, to let it be?
- Crazy CreditsThere are photos of the real Cheryl Strayed on her actual walk shown during the credits.
- SoundtracksEl Condor Pasa (If I Could)
Written by Paul Simon, Jorge Milchberg & Daniel Alomía Robles
Performed by Simon & Garfunkel
Also Performed by Reese Witherspoon (uncredited)
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Top-Auswahl
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Details
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 37.880.356 $
- Eröffnungswochenende in den USA und in Kanada
- 606.810 $
- 7. Dez. 2014
- Weltweiter Bruttoertrag
- 52.501.541 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1