Tasher Desh

Directed by Qaushiq Mukherjee (of the 2010 cult film Gandu the loser fame) this film, stands true to its word, being a quirky take on the play of the same name written by Rabindranath Tagore. The film's narrative has great shades of surrealism, fantasy and neo noir which as an impressive graph of development where two stories go hand in hand and they intersect at the pre climax , plus after few scenes with hardly any dialogues, the film takes a sweet boost and the rest is assured, drawing inspirations from Satyajit Ray's film "Goopy Gyen Bagha Byen" and the director's own previous work. The best part of the film lies in the cinematography by Manu Dacosee and the director himself, where every frame is a pure work of art and noir, the music score by Neel and Miti Adhikari and Q which takes on the Rabindra Sangeet with a tinge of some loud Western music making every song worth listening, then even editing by Nikon is great that well compliments the narrative, the performances by Tilotama Shome, Joyraj, Anubrata, Imaad Shah and Rii Sen. The film is a must watch for cinema lovers. My rating would be: 4/5. 

One thing is certain: this film doesn't hold back on experiments, no matter how eccentric. The avant-garde style is very unlikely of mainstream Bengali cinema, which nowadays is a rat race of making box office hits.

Rabindranath is a sensitive topic to us Bengalis, and naturally we tend to have a rather conservative stance. This transgressive film crosses the boundary of the "acceptable", venturing into the wild world of experimentalism, mending Tagore in ways that wreck havoc on our traditional mindset, forcing us to reformulate the notion of him and his body of work. The surreal nature of the film may obscure some the plot, yet it adds to the element of mystery shrouding the protagonists and their goals. This film unabashedly criticizes facism through its core message of anarchy that blooms within the women. Though explicitly political in nature, it never ignores the human element; culminated in the last scene of making love.

Even through its rooted in imagination, yet it is strangely realistic as it brings Tagore out of the books applies in a modern sociopoltical context. The cards depict a facist society, where every citizen is a soldier, bestowed the duty of protecting the state at the cost of losing their individuality. This is a feminist critique of totalitarianism.

I don't know where the fascist aspect of government was coming from in the film's description but I suspect they were trying to be politically correct. This was about a primitive society being run along the lines of primitive beliefs. This film may be contemporary, but the society and the politics is 2000 years old in the film. The only social justice aspect of this might have originated in religion.

The film did not rise to my expectations. Not having read the original poem this movie is based on, means I have nothing to compare it to. That said, I can comfortably state that the production was off. The editing was terrible. Colour management was non-existent. Shots were taken and combined without artistic merit. The photography was terrible. In short, I can go on but won't. I've seen better grade school shoots that presented greater talent and mustered higher artistic merit.

I have decided not to comment on the story as I could only get half way through the movie. Suffice it to say, there are three story lines. Nothing happened in any of them except to show a mentally deranged hopeful play producer in one and a bored prince in another. The third up to that point had no story but might have held some historical significance had there been any context applied to those scenes. As there was no attempt made to manage the expectations of the audience, I will never know.

I actually really like psychedelic movies and programs. When done properly, they raise the production values and artistic merit of the project substantially. This film had none of that. Cuts were tossed into the air and edited together based on how they landed on the floor.

Everything about this film is a complete misrepresentation of what it really is and about. I don't appreciate poor editing skills as being represented as a psychedelic art work. Frankly, that's contemptible. Contrasting timelines is not an unusual method of stylizing elements to a story. There was zero story logic for doing it here.

This was a sadly unprofessional attempt at movie making. No modestly qualified experts were involved in production, only amateurs.

I had the luck to see this film a few years ago with my partner, and then later we both couldn't remember what it was called. Fortunately a friend reminded me, and I'm so pleased. This has become a new favorite. An exciting storyline full of symbolism (both meaningful and for the sake of unique imagery), a dreamlike atmosphere, excellent cinematography and makeup reminiscent of German expressionism. It's dizzyingly psychedelic, and at times confusing, but not disorganized or pointlessly random. There's a lot of little threads to follow, but all the noticeable themes leave plenty of room for your own perspective. It's not your typical movie by a long shot, and if you're not into surrealism, the joy I felt for this film might be lost on you. In any case, we've got creative storytelling combined with fine acting and beautifully strange imagery. If you're in the mood for something decidedly different, but you've already watched Twin Peaks again and crave something "refreshingly trippy"--- definitely take a stroll into The Land of Cards.

The film has been described as a "trippy adaptation" of the Rabindrath Tagore's play. Music and poetry is main soul of the film ,thats reason film move on without boring. You'd either love 'Tasher Desh' or hate it, but you can definitely not ignore it.

The narration has three layers bursting with lessons of life, regarding rules, hopes, desires and fate.It's a story about society and culture, of brotherhood and winds of destiny, of acceptance and revolution. It's a journey of twosomes and foursomes, of abstract and reality.

For those who do not understand Bengali, one needs patience for the film to grow on you to decipher what's happening on screen. And by the time the final song rolls out with patriotic gusto with lyrics that screech: "Break every barrier, let your mind break free/ Do you have the courage? It's a long way to freedom, be free, be pure", and you will probably understand and appreciate 'Tasher Desh'. Or else, as one of the characters say at the very beginning of the film, "You will never understand. Nothing is real. In reality, everything is a fantasy, fiction." Accept the film the way it is. Director Q's treatment of the film is very non-figurative, dramatic and musical like in a music video. It is a grand tour of illusion.