Christmas at the Drive-In

I often say that this kind of movie does not deal well with reality. This premise is one of the more ridiculous in that way that I can remember. So let's try to get over it.

Now the premise is that two old high school flames have to work together on a Christmas (sort of) project. That is one of the more common ones. In other words, the story is just a platform to allow a romance to develop.

There is some decent dialogue including some funny lines. The acting is good. Based on the set-up, the lead protagonists should be about as antagonistic as they could be. While there is some residual friction over business matters and personal history, they get awfully friendly awfully fast and soon the friction turns to nostalgia. Danica McKellar and Neal Bledsoe do have very good chemistry.

There are some little mysteries that unveil later in the movie. Early on, both Sadie and Holden tell their side of their breakup in high school, but it's obvious that something is missing. About half way through we learn more about both backstories since high school.

I said let's try to get over it. Unfortunately, the movie keeps bringing the ridiculous premise up, like rubbing it in the viewer's face. It is central to the story all the way through. And the miracle is even more ridiculous. I really wish the premise hadn't been so stupid. I might have been able to see this as a slightly above average movie despite being entrenched in overused tropes and with no real surprises. But as is, the ridiculous story just takes away too much.

"Christmas at the Drive-In" delivers the predictable Hallmarkish (But actually on the Great American Family Channel) charm, complete with a "Big Bad Developer" (who inherited the very drive-in he wants to sell) versus a determined local hero. The stakes? The titular drive-in, recently designated a historical site but facing demolition. Our heroine, a lawyer returning home after a career setback, champions its preservation - a mission that felt somewhat lacking given the drive-in's apparent lack of business and staff.

While the film adheres to the familiar formula, the leads unfortunately lack chemistry, despite their shared history from elementary school and a past romance. Their relationship past and current, just didn't give me the feels. Honestly, I struggled to understand the drive-in's inherent worth; its saving grace seemed more the heroine's vision than any existing community need. That said, the transformation of the drive-in into a festive event space - complete with Christmas trees, blankets, and warm cider - was visually appealing, and I did appreciate the heroine's creative ideas for revitalizing the space. Ultimately, while the film offers a cozy holiday viewing experience, the thin plot and unconvincing romance hold it back from true greatness. It's a perfectly acceptable holiday movie for those who enjoy the genre, but don't expect to be blown away.

One last thing: The tropes always present in these holiday movies include the couple decorating or baking cookies together, and then sharing a dance-usually to a holiday song. Another holiday gem, *A Lot Like Christmas*'s couple's dance to "Jingle Bells," is one of the cutest holiday movie dances ever. This movie's swing dance to "Hark! The Herald Angels Sing" wasn't bad; I enjoyed it.

It's not that this movie is offensively bad, it just would be fully forgettable, were it not for the improbable premise: fight for saving a "historic drive-in" over jobs for regular folk? Where the supposed antagonist is for no reason made to help his rival?

However, it was refreshing that there were no cartoon bad guys as such. And I liked both of the leads and enjoyed watching them. It just didn't seem believable they would be a couple: one with that bad boy energy and the other one rather wholesome. Sure, sometimes the whole opposites attract situation creates great sizzle, but here the leads felt more like bickering and bantering siblings.

One big issue for me is that I enjoy, nay, demand beautiful visual and set design in Christmas movies - somehow this just wasn't visually very impressive. It was a bit bland a little unwarm, and e.g. The shop with Christmas decors looked more like a Goodwill store.

So: if you're looking for sumptuous Christmas movie with fiery romantic chemistry, keep on driving.

This was a light hearted and fun little movie that I really enjoyed.

Danica and Neal Bledsoe have a great on screen chemistry. They were both very good in this movie as well as the rest of the cast.

The premise may seem far fetched and maybe it is, but everything they did to try and save the drive-inn from making cake pops to putting up all kinds of beautiful festive decorations, I found lovely and charming.

I did take off a few points because something kept sticking in my craw, did she not say she came home to help his dad get historical status for the Drive-in? If that were the case than he could not sell it nor could they demolish it! Also the ever handsome Neal Bledsoe's hair annoyed me they dyed his gorgeous dark/salt and pepper hair some kind of yellowish brown and it appeared he didn't comb his hair through the entire filming of the movie. This may sound superficial to some but it was very distracting to me and it detracted from his very good looks.

This was a fun little movie if you don't take it too seriously, a great way to relax and wallow away a few hours. I would definitely watch again!!

Meet Sadie (Danica McKellar) a failing lawyer, who has returned to her home town to find out that the drive-in cinema which she used to love going to is closing down. And Sadie gets determined to save it and prove that it's a good way to bring the community together. When she proposes that the Drive In should be saved to the major and his friends they give her 'til Christmas to prove that it's worth keeping open.

But as the days go by Sadie soon finds out this drive in is not gonna be saved overnight and it's gonna take more than just a few ideas about how to keep people warm whilst they're watching a film outside to stop it from closing down.

At first I almost turned this film off because the acting is not that great and it didn't make me laugh much but as the film went on, I got more and more interested in how or if Sadie is going to be save her local cinema. And I think that's because I enjoy going to the cinema and it upset me a bit when they closed during the COVID pandemic and in the end I found it watchable and I might watch it again next Christmas...if I can't find anything else on TV or Netflix.

I also liked this film because it was only 87 minutes and didn't drag on for too long, but I think the length of this film could have been more appealing if they had made it more kid friendly, perhaps by having a few child actors and then it could have attracted families with children that are too young to sit still throughout a long film.