IMDb-BEWERTUNG
6,4/10
30.797
IHRE BEWERTUNG
1988 wird das Leben eines Teenagers ins Chaos gestürzt, als seine Mutter verschwindet.1988 wird das Leben eines Teenagers ins Chaos gestürzt, als seine Mutter verschwindet.1988 wird das Leben eines Teenagers ins Chaos gestürzt, als seine Mutter verschwindet.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 4 Nominierungen insgesamt
Alix Madigan
- Lie Detector Results Officer on Answering Machine
- (Synchronisation)
Asenshion Amun
- Extreme Goth Club Dancer
- (Nicht genannt)
Molly Berg
- Secretary
- (Nicht genannt)
Empfohlene Bewertungen
This movie was more about a teenager's obsessing with her breasts and sex ,then about her missing mother! Her mother's missing and given their history she assumed mom left dad, meanwhile all she can think about is sex with the detective that's on the case of her missing mother, and screwing her boyfriend who no longer desires her , which we find out why later on in the movie. For the movie to supposedly be about a woman gone missing it sure did not focus on it. It focused more on the girl coming of age and her desires, if that's the case it should have been titled A Coming of Age ,college years later she's literally sitting around her friends before she actually gets the idea that maybe, just maybe her mom didn't run away after all, maybe something did happen to her? Maybe dad is responsible? Just for her friends to tell her hey, we've been telling you that for years now! Really Columbo?
"I was 17 when my mother disappeared. Just as I was becoming nothing but my body, she stepped out of hers and left it behind." Kat (Woodley) is about to graduate high school and has great friends, a loving father and a mother (Green) who is very unstable and bitter. One day her mother goes missing and no one knows what happened. Little by little Kat and her father begin to move on. During Kat's return home during a college break the mystery comes up again but this time Kat wants to know what really happened. This is a great movie and I highly recommend this. There are enough aspects to this that keep you guessing and interested the entire time. The only bad thing I can say about this is that it was released a few weeks too late. Had this come out before I saw Gone Girl I think I would have liked it more. The idea is fairly similar but I though Gone Girl was better. That movie had me guessing the entire time and I was wrong every time. I love movies like that. This one had me guessing too but I was able to stay ahead of it just enough to where I wasn't as surprised like I was with Gone Girl. That said though I do highly recommend this movie and is one to check out for sure. Overall, a great movie that is hurt a little by the amazingness of Gone Girl being released the week before. I give this an A-.
After I watch a movie I sometimes come in here to see what others have to say. I'm not sure why I started doing that but I did. If the movie wasn't the best but I still feel like it was better than the very low rating it kinda makes me want to try to give it a better score. Unless I feel like it really deserves it. I guess the low rating might be why I don't even remember hearing about it when it came out. Maybe nobody was talking about it, I guess. After I read some of the reviews I still feel like it wasn't as bad as most think it was. I don't think it was bad at all to be honest. Obviously it's not getting any big nominations at the Oscar's but that's ok too. It held my attention all the way to the end and I was actually a little surprised by certain events. I'm not one sitting here trying to figure out a movie the whole time I'm watching either. I try to just let it play out however it plays out on it's own instead of beating it to the punch. So this is only my opinion as a normal 42 year old non professional IMDb user.
Rebellious teenager Kat Connors is only 17 when in 1988 her mother disappears in a blink, leaving her alone with her dull pushover of a father. Initially indifferent to the situation Kat soon has to reflect, and come to terms with her mother's absence while she comes of age and succumbs to her own primal sexual urges. Unorthodox, uneven mix of coming-of-age teen drama and police procedural doesn't mesh cohesively, especially with some fanciful dream sequences thrown in, plus there's a disconnect between the acting styles of Woodley, who brings a real authenticity to her role, and Green, who's unnerving and a bit too over-the-top. There's enough of the family dysfunction, youthful debauchery, and verbal diarrhea to keep a viewer invested, but the ending, which is meant to be shocking, instead just lacks conviction or impact. **
Kat is a 17-year-old girl in the suburbs, growing up in the late 1980s and observing her parents' dysfunctional marriage at close hand while trying to cope with first love, relationships, sex and friendships - all the growing pains that being 17 involves. When her mother disappears one day, the police think she's probably run off, perhaps with a boyfriend; Kat thinks her mother just got so fed up with her boring, empty, perfect-housewife life that she finally left it to find something better. Kat herself doesn't know how she feels about that; truly, she doesn't really feel much of anything, especially because her mother had recently been so intrusive in her life. Her father seems meek and lost after her mother leaves, but both of them will eventually have to pick up the pieces and go on. If only Kat would stop having those disturbing dreams about where her mother might be....
This is really far more of a coming-of-age story than it is anything else; aside from some dream images, there's very little that would fit the term "fantastical," even though I saw it at Montreal's Fantasia Festival. There is some very fine acting, from Eva Green as the mother, Shailene Woodley as Kat, Christopher Meloni as Kat's father and Thomas Jane as a police detective, and both writer/director Gregg Araki (from the novel by Laura Kasischke) and the cast do a very good job of capturing that confusing stage of adolescence, where one is not quite fully grown up but is certainly not at all a child anymore either. I very much enjoyed the film, even if Fantasia is an odd place to see it!
This is really far more of a coming-of-age story than it is anything else; aside from some dream images, there's very little that would fit the term "fantastical," even though I saw it at Montreal's Fantasia Festival. There is some very fine acting, from Eva Green as the mother, Shailene Woodley as Kat, Christopher Meloni as Kat's father and Thomas Jane as a police detective, and both writer/director Gregg Araki (from the novel by Laura Kasischke) and the cast do a very good job of capturing that confusing stage of adolescence, where one is not quite fully grown up but is certainly not at all a child anymore either. I very much enjoyed the film, even if Fantasia is an odd place to see it!
Wusstest du schon
- WissenswertesGregg Araki based the look of Kat Connor on Winona Ryder's style from the late 1980s.
- PatzerWhen Kat visits Theo's apartment the first time, Kat's beer bottle jumps between being on the table and being in her hands.
- Zitate
Detective Scieziesciez: Once there was this... obese man. Some sick fuck had doused him with gasoline and then lit him on fire. And by the time we got to the body, two days later, he was still burning.
Kat Connor: What?
Detective Scieziesciez: Guy had so much body fat he's like a human candle.
- SoundtracksSea, Swallow Me
Written by Harold Budd, Elizabeth Fraser, Robin Guthrie (as Robin A. Guthrie) and Simon Raymonde (as Simon Philip Raymonde)
Performed by Cocteau Twins and Harold Budd
Top-Auswahl
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- Una señal en la tormenta
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Box Office
- Bruttoertrag in den USA und Kanada
- 33.821 $
- Eröffnungswochenende in den USA und in Kanada
- 6.302 $
- 26. Okt. 2014
- Weltweiter Bruttoertrag
- 469.701 $
- Laufzeit1 Stunde 31 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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