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Dear White People

  • 2014
  • R
  • 1 Std. 48 Min.
IMDb-BEWERTUNG
6,2/10
26.922
IHRE BEWERTUNG
Tyler James Williams in Dear White People (2014)
A satire that follows the stories of four black students at an Ivy League college where a riot breaks out over a popular 'African American' themed party thrown by white students. With tongue planted firmly in cheek, the film explores racial identity in 'post-racial' America while weaving a universal story of forging one's unique path in the world.
trailer wiedergeben2:33
12 Videos
99+ Fotos
SatireComedyDramaRomance

Das Leben von vier schwarzen Studenten an einem Ivy League College.Das Leben von vier schwarzen Studenten an einem Ivy League College.Das Leben von vier schwarzen Studenten an einem Ivy League College.

  • Regie
    • Justin Simien
  • Drehbuch
    • Justin Simien
  • Hauptbesetzung
    • Tyler James Williams
    • Tessa Thompson
    • Kyle Gallner
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    6,2/10
    26.922
    IHRE BEWERTUNG
    • Regie
      • Justin Simien
    • Drehbuch
      • Justin Simien
    • Hauptbesetzung
      • Tyler James Williams
      • Tessa Thompson
      • Kyle Gallner
    • 93Benutzerrezensionen
    • 133Kritische Rezensionen
    • 79Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 13 Gewinne & 28 Nominierungen insgesamt

    Videos12

    Trailer #2
    Trailer 2:33
    Trailer #2
    Trailer #1
    Trailer 1:08
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    Trailer #1
    Trailer 1:08
    Trailer #1
    Breakout Performances Before They Were 2021 Sundance Stars
    Clip 2:32
    Breakout Performances Before They Were 2021 Sundance Stars
    Clip
    Clip 0:53
    Clip
    Clip
    Clip 1:01
    Clip
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    Clip 1:05
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    Fotos130

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    Topbesetzung59

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    Tyler James Williams
    Tyler James Williams
    • Lionel Higgins
    Tessa Thompson
    Tessa Thompson
    • Samantha White
    Kyle Gallner
    Kyle Gallner
    • Kurt Fletcher
    Teyonah Parris
    Teyonah Parris
    • Colandrea 'Coco' Conners
    Brandon P Bell
    Brandon P Bell
    • Troy Fairbanks
    • (as Brandon Bell)
    Brittany Curran
    Brittany Curran
    • Sofia Fletcher
    Justin Dobies
    Justin Dobies
    • Gabe
    Marque Richardson
    Marque Richardson
    • Reggie
    Malcolm Barrett
    Malcolm Barrett
    • Helmut West
    Dennis Haysbert
    Dennis Haysbert
    • Dean Fairbanks
    Peter Syvertsen
    Peter Syvertsen
    • President Fletcher
    Brandon Alter
    Brandon Alter
    • George
    Kate Gaulke
    Kate Gaulke
    • Annie
    • (as Katie Gaulke)
    Brian James
    • Martin
    Keith Myers
    Keith Myers
    • Mitch
    Bryan Daniel Porter
    Bryan Daniel Porter
    • Gordon
    • (as Bryan Porter)
    Terry Hempleman
    • Professor Bodkin
    Naomi Ko
    • Sungmi
    • Regie
      • Justin Simien
    • Drehbuch
      • Justin Simien
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen93

    6,226.9K
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    Empfohlene Bewertungen

    5Ketzel

    Doesn't Deliver on Promising Trailer

    I am glad that this film addresses the important issue of racism on college campuses, and I have no disagreement with its political or social justice messages. Any sincere attempt by a filmmaker to make these experiences visible to the broader public is a good thing.

    As a white educator who actually attended and later taught at top- tier colleges, I had been looking forward to experiencing a new sharp creative critique of American racism on college campuses as promised by the film's trailer.

    This film utterly failed in its attempts to entertain or provoke. It did not provide me even with the typical pleasures of cinema, let alone fresh insight into its subject. It was little more than a leaden slow-moving soap opera with a contrived plot, oddly dressed characters and unconvincing dialogue. In my experience of elite campuses, it is the rare Ivy student (of any race) who routinely dresses like a junior business executive and uses this sort of pretentious speech pattern. Watching this film was like watching a Western in which all the characters had British accents and wore kimonos.

    For readers who seek moving and insightful films on racism, I highly recommend Spike Lee "joints" which provide viewers with superior entertainment, dialogue, characters, plot, provocation and insight.
    3charlimopps

    Lame

    The first 20min was OK... I thought it was going to be funny. Then it gets laughably silly, campy and pretentious. The actors are caricatures of real people. At first you think in the next scene you'll suddenly find more depth and things will come into focus, but no... In the end it's got this sad "Stick to your own people, stop trying to pretend to be white/black if you're not" message which really makes me feel sad for whomever wrote this. What a dark little world they live in. The bits about colleges throwing black-face parties all the time are even a bit ridiculous. The movies based in some fictional ivy league school, but the examples they give are all of tiny colleges no-ones ever heard of. I'm not saying there isn't a race problem in this country, there is for sure. But what this movie is portraying is wildly exaggerated. This is the kind of movie the real racists watch and say "That doesn't happen! It's all made up!" and they're right.
    3djderka

    Boring and overdone

    There are plenty of other black films out there that really entertain and sometimes make a point about race perceptions and relations. (see last paragraph)

    The filmmakers scripted a real life situation, A racial Halloween Party in Texas...how boring can you get. Whites in black face... zzzzz..huh, oh I fell asleep. Why make a movie about one incidence of jerky white guys.

    Then the movie turns into a black Dinner with White People where people chat on and on.

    If you are into b/w dialogue just listen to the audio. Nothing to see here except a few very hot sorority girls. The filmmakers must have said, 'let's bring in comments on 'the weave'. Sorry Chris Rock did an entire documentary and it was great.

    Was Dear White People a class project? What was the point. "Hey some fraternity dudes can be assholes." Big surprise.

    Rent Hollywood Shuffle by Robert Townsend and then check out the reset of his film. He is good.
    7cherold

    Quite good, but pales in comparison with the TV series

    I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.

    The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.

    The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.

    Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.

    The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
    3Reno-Rangan

    Is it about the student politics or racism?

    Actually, I don't understand this film, I mean the story, what it intended to tell us. Maybe it's for Americans only. I thought it could be some underrated cool comedy, but what I just saw was definitely not expected. I kind of felt it was a student politics and if it stayed like that way I would have had no problem. But they said it is a comedy and I did not get any, in between it became a racism thing. I never understood this American racism, why they're making it so complicated. Especially the condition of the US is not looking good right now and this film pours a more oil to it. I'm neither white nor black or an American, and sorry I did not find it a good film. Even more, I don't get, how a television series is getting ready to follow-up it. So no offense for those who liked it, seems I'm in a wrong place. I just rated and reviewed what I felt it deserves, other than that I'm not against the film. I'm out of here!

    3/10

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    Handlung

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    • Wissenswertes
      Sam makes a student film that is critical of what she sees as white people's widespread fear of Barack Obama and titles it "Rebirth of a Nation." This is a reference not only to D.W. Griffith's notoriously racist 1915 Civil War movie Die Geburt einer Nation (1915) but also to something that filmmaker Spike Lee experienced while he was a first-year student at NYU's graduate film school. After being required to watch Griffith's film and objecting to the fact that his professors taught it only as a milestone in the technical development of cinema with no attention paid to its racism and its legacy of helping to relaunch the KKK, Lee made a student short film titled The Answer (1980) that responded to The Birth of a Nation himself. "The Answer" so offended many of his NYU professors that Lee was nearly expelled from NYU, but was ultimately saved by a faculty vote.
    • Patzer
      When Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
    • Zitate

      Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.

      Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.

    • Crazy Credits
      The end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
    • Verbindungen
      Featured in Number One on the Call Sheet: Black Leading Women in Hollywood (2025)
    • Soundtracks
      45 Drum Break
      Performed by The Co-Stars

      Written by Neely Dinkins Jr. (as Neely Dinkins)

      Vito Colapietro Courtesy of Atom Factory Music Licensing

    Top-Auswahl

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    FAQ20

    • How long is Dear White People?Powered by Alexa

    Details

    Ändern
    • Erscheinungsdatum
      • 4. Dezember 2014 (Brasilien)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • Official site
    • Sprache
      • Englisch
    • Auch bekannt als
      • Sevgili Beyaz Irk
    • Drehorte
      • University of Minnesota, Minneapolis, Minnesota, USA
    • Produktionsfirmen
      • Code Red
      • Duly Noted
      • Homegrown Pictures
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 4.404.154 $
    • Eröffnungswochenende in den USA und in Kanada
      • 347.959 $
      • 19. Okt. 2014
    • Weltweiter Bruttoertrag
      • 4.633.961 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 48 Minuten
    • Farbe
      • Color
    • Sound-Mix
      • Dolby

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