Ein Mann aus New Jersey, der sich seiner Familie, Freunden und der Kirche verschrieben hat, entwickelt unrealistische Erwartungen beim Anschauen von Pornos und arbeitet daran, Glück und Inti... Alles lesenEin Mann aus New Jersey, der sich seiner Familie, Freunden und der Kirche verschrieben hat, entwickelt unrealistische Erwartungen beim Anschauen von Pornos und arbeitet daran, Glück und Intimität mit seiner potenziellen wahren Liebe zu finden.Ein Mann aus New Jersey, der sich seiner Familie, Freunden und der Kirche verschrieben hat, entwickelt unrealistische Erwartungen beim Anschauen von Pornos und arbeitet daran, Glück und Intimität mit seiner potenziellen wahren Liebe zu finden.
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Where a typical Hollywood romance would end, Don Jon just gets started. This is not a romantic comedy, this is a character-study within an anti-romantic comedy with great performances by an excellent cast in perfectly written roles. Tony Danza and Glenne Headly, as Jon's parents, provide some of the film's biggest laughs while Julianne Moore's character gives the story genuine heart. Joseph Gordon-Levitt proves to be just as talented behind-the-camera as he is in-front of it.
Don Jon does more in one small, 90-minute film than most 2 hour big films have ever accomplished. There is much to learn about relationships in this little tale yet it's never preachy and it keeps the laughs coming. This isn't the kind of film couples will feel comfortable or even want to see but it's the film they need to see. It's sincere and honest truth, no fluff.
Joseph Gordon Levitt plays Don Jon (and directs), a deplorable man living in New Jersey. Don Jon has the cringeworthy qualities of modern day pick-up artists: he is unchaste, disrespectful of the women he watches and meets in real life, and views sex as a wholly selfish endeavor (expects oral, does not like to give it). His friend group refers to women as numbers (she's an 8), "things" (using words like "it"), or disrespectful nicknames ("ponytail"). When Jon meets Barbara (Scarlett Johansson), he falls in love with what he calls "the most beautiful 'thing' I've ever seen." Barbara expects more of her men: she expects to be wooed, doesn't sleep with him right away, and flips out when she catches him watching porn. Barbara herself is not without her flaws; most of all, she is certainly naive, expecting a selfish dude-bro like Jon to respect monogamy being one mind-boggling assumption she makes.
Don Jon explores more than just porn addiction; it also explores nature v. Nurture. Jon himself claims his addiction is normal for men (obviously believing it to be in his nature), but we see glimpses of his home life (where his father continuously disrespects women in front of his wife) and friend circle (where his friends are incapable of treating women like people rather than objects to be conquered). Don Jon also hints at Barbara being conditioned to want the "perfect" relationship based on her obsession with romance movies, which few men (but in particular someone like Jon) could hope to compete with. When Esther (Julianne Moore) character comes into the focus of the story, the movie's once unlikable protagonist finally begins to see hope. Esther is arguably the most important character of all, helping Jon to realize his porn addiction is the main source of his poor sexual performance, and helping him mature from a porn-sick little boy into a man with some amount of promise.
While Don Jon covers a lot of territory and themes that most movies wouldn't dare touch, it doesn't quite make any daring or definitive conclusions. It also manages to be triggering to the same audience it is trying to reach. I am a former porn addict myself, and there are enough flashes of what appears to be actual porn in the film that could threaten the sobriety of any current or former addict. Be warned! Otherwise, Don Jon is a fairly good drama (I would not call it romantic or a comedy by any stretch of the imagination given its serious and bleak themes) about the addiction that is the least spoken about in modern society, and I recommend it to current addicts or the victims of addicts.
Stories of sex addiction aren't new, having been dealt with most recently in 2011's Shame, but Don Jon feels different. Jon loves porn; he says it many times in voice-over and is consistently shown getting up in the middle of the night to go watch porn after just having sex in real life. He doesn't see it as an addiction, saying "It's porn. It's not heroin," as his excuse. To show the media influence on sex, the film opens by crosscutting many sexualized commercials, film scenes, and television clips over the credits, while actual pornography clips are spliced throughout. But unlike Shame, which treats this topic in an intense, dramatic way, Jon keeps it light, funny, and tries to show how easy it is for someone to unknowingly fall into this addiction in today's sex- obsessed culture.
The film also tackles an exploration of today's relationships. Barbara's own "porn" is romantic Hollywood films that Jon hates. These films have influenced Barbara's ideas on dating (she yells at him to stop cleaning his apartment because it's not sexy) and enforced her beliefs that typical gender roles are the only means to a happy relationship. This film speaks truths about ideas young people may have about dating in today's culture, and while spinning these topics in a mostly comedic light, it is still interesting to consider how much media pertains to our understanding of the world.
Don Jon succeeds in most areas, and one large part is due to its cast. Tony Danza is really funny as Jon's father and Scarlett Johansson (and her hilarious Jersey accent) steals every scene she in. The film offers up a good amount of laughs, and the purposeful repetitive narrative works in showing Jon's changing lifestyle. Most of the film is so upbeat and fast that the last twenty minutes may feel like its dragging, but it can be considered necessary due to Jon's slowed-down new lifestyle.
The fact that this is the first film by writer-director Gordon-Levitt is extremely impressive. Don Jon flies at a mostly fast pace, has a fun cast, and gives a great commentary on sex, relationships, and addiction.
The film marks Levitt's first time writing and directing a feature- length film, and it makes one hell of an impression, especially because he tackles the lead role as well. Don Jon is one of those movies that has plenty of laughs and a few heartfelt moments, and it's certainly entertaining. But it also touches on a few interesting social issues. I think I'll just go ahead and say it, but Joseph Gordon-Levitt gives away a few trade secrets, much to the horror of men everywhere: Don Jon touches on that dreadfully embarrassing fact that every guy is terrified will come out. What secret is that? Well, it's probably best to put it in the words of the protagonist, Jon, himself: "Every guy looks at porn, every day."
Well, that last part might be a bit of an exaggeration, but Don Jon does bring up the point that pornography has become so readily available through the internet and even television that it's just simply within arm's reach at every single second of every single day, and every guy now and then reaches out to take a handful. However, society still treats it as something shameful and embarrassing, rather than a fact of life.
Don Jon doesn't treat the use of pornography as something that should destroy relationships or cause significant others to fly off the handle in fits of jealousy. In fact, the movie seems to indicate, it's a habit that's probably pretty healthy. That isn't to say that Jon has a healthy habit, as he's reduced to having to look at pornography constantly throughout the day, even after sex, but you know, that's an extreme example.
Then again, maybe it isn't. Maybe the film offers a bit of a warning about how a little pornography is perfectly normal, but a lot can create a monster. Too much porn can make it so that it's nearly impossible to connect with someone else on a meaningful level. After all, watching too much sex can create expectations that are as unrealistic as the ones the romantic comedies create.
What really impressed me about Don Jon, though, are the performances that Levitt pulls out of his co-stars. I've honestly never seen Scarlett Johansson give a better performance than she did as Jon's trashy New Jersey girlfriend, Barbra. She's absolutely despicable as she slowly begin to reveal her true intentions and tries to paint Jon as the bad guy when she discovers his addiction. On top of that, Tony Danza gives a side-splitting performance as Jon's hot-headed father who gets into dick-measuring contest with his son every Sunday night (figurative, people, come on).
However, the most impressive of them all is Levitt himself, who has repeatedly proved that he is one hell of an actor and one who has earned my trust as a moviegoer. The role is something so far from what I would have ever pictured him portraying, but he pulls it off beautifully as he plays the scumbag good-guy stereotype.
Now for the hard part. I really enjoyed Don Jon. It strikes as a solid balance between art and entertainment, it's filled with lots of laughs and it touches on a sensitive topic in a way that doesn't seem preachy. The ending is a little weak, but everything up until that is golden. However, I'm not sure if it's what one would call a date movie, since it will probably lead to inquisitive stares during a quiet car ride home afterward. And honestly, that's really too bad. For the people that are willing to embrace the fact that everyone looks at porn, this movie is well worth the price of admission. However, I'm not sure if most of its value comes from the first viewing. It's no Shame, but there's really no shame in that.
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- WissenswertesPornHub, a real-life pornography video website Jon goes on, supplied videos for production.
- Patzer(at around 22 mins) When Jon is driving, his speedometer is at 0 the entire time.
- Zitate
[last lines]
Don Jon: This fuckin' lady! Now I don't usually like it when a girl looks me right in the eye, and this girl does that a lot. But I don't know what it is about her, when she does it, I don't mind. I just look right back at her, and pretty soon, I'm hard as a fuckin' rock. It's like she knows what I'm thinkin', or I know what she's thinkin'. I don't know, it's a two-way thing. Fuckin' love it! And I don't mean love like, oh I love her or wanna marry her, definitely not thinkin' about all that shit. And she's not either... she can't. I guess I just mean love like, you know like... we're making love. And while we're doing it, all the bullshit does fade away, and it's just me and her right there, and yeah I do lose myself in her. And I can tell she's losing herself in me. And we're just fuckin'... lost together.
- Alternative VersionenAccording to the Trivia link for this movie, the "Original cut of the film ran for 93 minutes on its Sundance premiere. When the film was given a wide release on September 2013, three minutes were cut from the film. Most of the removed materials were the porn videos Jon watches, some extended one night stand scenes and an extended first love scene between Barbara (Scarlet Johansson) and Jon."
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #22.7 (2013)
- SoundtracksBout That Life
Written by DeYon Dobson, L. Young (as Lawrence Young) and Antoine Vick
Performed by Toine feat. L. Young
Courtesy of Yon Ti Entertainment
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Don Jon: Was Frauen wollen und Männer brauchen
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 3.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.477.704 $
- Eröffnungswochenende in den USA und in Kanada
- 8.677.009 $
- 29. Sept. 2013
- Weltweiter Bruttoertrag
- 39.439.355 $
- Laufzeit1 Stunde 30 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1