Dale, Kurt und Nick beschließen, ihr eigenes Unternehmen zu gründen, aber die Dinge laufen nicht wie geplant, wegen eines cleveren Investors, was das Trio veranlasst, ein haarsträubendes und... Alles lesenDale, Kurt und Nick beschließen, ihr eigenes Unternehmen zu gründen, aber die Dinge laufen nicht wie geplant, wegen eines cleveren Investors, was das Trio veranlasst, ein haarsträubendes und fehlgeleitetes Entführungsprogramm durchzuführen.Dale, Kurt und Nick beschließen, ihr eigenes Unternehmen zu gründen, aber die Dinge laufen nicht wie geplant, wegen eines cleveren Investors, was das Trio veranlasst, ein haarsträubendes und fehlgeleitetes Entführungsprogramm durchzuführen.
- Auszeichnungen
- 1 Gewinn & 6 Nominierungen insgesamt
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Horrible Bosses starts back up again with Nick (Bateman), Kurt (Sudeikis) and Dale (Day) with their new invention: the Shower Buddy. They are trying to make their way into the working world again, but they are now they're own bosses. They don't have to deal with the bull they dealt with their former bosses.
They thought they were getting a good deal with Burt Hanson (Christoph Waltz), an investor to start up their business, only to get sucker-punched and lost everything to Hanson. They have no other options to get back the patent to their invention but to kidnap Hanson's son Rex (Chris Pine) for a handsome fee.
With Rex in on the kidnapping, they think they have a solid plan, but of course, things turn upside down and once again Nick, Kurt and Dale are on their own to make things right again before they end up behind bars.
The cast was amazing as always, and Jennifer Aniston returning as Julia, Dale's former boss was hilarious as always. I like to see her in roles like this because she carries comedy very well. Pine was great as well, playing the undermining, crazy, spoiled brat Rex Hanson.
This film truly held its own as a sequel. They didn't do much of outrageous situations for laughs. It was just right. It was just as funny as the first one, if not funnier. I was really surprised because I know how I can be when it comes to sequels. My mother even enjoyed herself with this film, and it takes a lot to keep her interests.
I would see this again because 1. I liked it and 2. I saw it at a screening and missed a few things, but I wouldn't seeing it again, even if I didn't miss a thing.
By the standards of the average comedy movie, it's not bad. I laughed a few times, which is more than can be said about a lot of comedy sequels. Like in the first film, Aniston and Sudeikis are the highlight for me. Both are brilliant in their roles. 'Horrible Bosses 2' isn't as bad as some would have you believe, but there's a clear lack of ideas here.
Exhibit B: This cast is simply fantastic. Reprising their roles as Nick (Jason Bateman) the straight man, Kurt (Jason Sudeikis) the womanizer, and Dale (Charlie Day) the fool, the three stars of this film bounce lines off one another like bumper cars to increasingly hilarious effect. Bateman shines brightest and that speaks volumes on his talent considering he's been playing variations of this role for nearly his entire career without the shtick showing any signs of wear – at least as far as this film is concerned. Sudeikis and Day get to play human cartoon characters the entire film and it simply just works. Also back is Jamie Foxx as the criminal consigliere, "Motherf***er Jones." While this character did nothing for me the first go-round, this time I find myself enjoying his dimwitted power plays and Big Gulp inflected sit- downs. Jennifer Aniston also returns as her sex-addicted dentist from the first film and gets to appear in the funniest scene of Horrible Bosses 2. Newcomers Chris Pine and Christoph Waltz also bring a welcome exaggerated Big Business brass ballsiness element to the film's central plot that just makes the story that much more relevant. Speaking of the plot
Exhibit C: This story is conducive to comedy as well as being socially relevant. Nick, Kurt and Dale have created a product that Christoph Waltz agrees to help manufacture. Once the order has been completed, Waltz's character then cancels the order in a strategy that will allow him to purchase the product at pennies on the dollar once our three heroes have to claim bankruptcy. In a climate where we are mistrusting of the unscrupulous 1%, this plot has a sort of resonance that hits home with modern movie goers. I'm also fairly certain that more folks can relate to being screwed over by their boss (or the boss's conniving underling) than they can to their mega-hot co-worker trying to seduce them against their will. Basically, this film corrects every issue I had with the first one in that it unifies the protagonists motivations with the audience's desire for them to stick it to the man. It reaches across the aisle and finds a middle ground we can all agree on – and then it amps it up to mach speed by way of kidnap, hostage taking and much worse.
With all this praise you might think I'm ready to call this a modern comedy classic. I'm not. Horrible Bosses 2 has problems. It's not shy to rely on gross-out gags, it has no shame in reprising jokes from the first film (albeit sparingly so), and it might as well have been directed by Apple CEO Tim Cook because, as Erik Walkuski of ScreenCrush noted in a tweet, Horrible Bosses 2 looks like it was filmed on an iPhone. That is to say there is no personality to the look of the film. It just is. While that's not a major concern for a comedy, it does leave a bit to be desired in the aesthetics department.
I present my case that Horrible Bosses 2 is a win for everyone. Hollywood will make a nice payday while being able to say, "See! People want more of the same" without a hint of irony to be found. Audiences will get to laugh for a straight 110 minutes in the company of characters they already know they like spending time with based on the success of the first film. And although this could mean "more of the same" is all we're ever going to get, I'd like to put a positive spin on things and hope that maybe someone behind the scenes is paying attention. Maybe, just maybe, someone will pick up on the fact that this film is better than the first because it's actually just better in every sense of the word. Probably not though. *a football hits me in the groin and a laugh track explodes from an unknown dimension*
After they fail to get an investment from a very successful business man,Nick,Kurt and Dale decide to kidnap his son to receive the money they need to run the business.
Best Performance: Jason Sudekis Worst Performance: Lindsay Sloane
Wusstest du schon
- WissenswertesJason Sudeikis stated in an interview that they wanted to put a gag in the film, where Jamie Foxx's character says to Nick, Kurt, and Dale, "You crackers got to go. I have three other crackers coming in," and as the trio get up to leave, the three characters from The Hangover movies would come in and sit at the booth. They finally decided against it, because it would take the audience out of the movie. Zach Galifianakis and Ed Helms (Alan and Stu from The Hangover films) later heard about this, and thought the idea was hilarious.
- PatzerAt the sex addiction meeting Julia's pantyhose change to leggings and back.
- Zitate
[from trailer]
Dave Harken: [Nick, Dale and Kurt are visiting Dave in prison] Hello Nick, guy who saved my life, guy who fucked my wife.
- Crazy CreditsJust like in the first movie, outtakes and bloopers are shown at the beginning of the closing credits.
- Alternative VersionenJust like the first movie, the word "Fuck" has been muted on TV Broadcasts.
- SoundtracksPolice On My Back
Written by Eddy Grant
Performed by The Clash
Courtesy of Sony Music Entertainment (UK) Ltd
By arrangement with Sony Music Licensing
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Quiero matar a mi jefe 2
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 42.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 54.445.357 $
- Eröffnungswochenende in den USA und in Kanada
- 15.457.418 $
- 30. Nov. 2014
- Weltweiter Bruttoertrag
- 107.645.357 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1