Sanctuary: A Witch's Tale
- Fernsehserie
- 2024–
IMDb-BEWERTUNG
6,1/10
1767
IHRE BEWERTUNG
Es geht um eine britische Kleinstadt namens Sanctuary, in der das tägliche Leben durch Mordvorwürfe erschüttert wird, nachdem ein Junge nach einem Unfall tot aufgefunden wird.Es geht um eine britische Kleinstadt namens Sanctuary, in der das tägliche Leben durch Mordvorwürfe erschüttert wird, nachdem ein Junge nach einem Unfall tot aufgefunden wird.Es geht um eine britische Kleinstadt namens Sanctuary, in der das tägliche Leben durch Mordvorwürfe erschüttert wird, nachdem ein Junge nach einem Unfall tot aufgefunden wird.
- Auszeichnungen
- 3 Nominierungen insgesamt
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Empfohlene Bewertungen
I think the intrigue is there - it's not Broadchurch by any means but it's an okay crime show. All in all, this is a solid six or seven, in my opinion, as in it would get a passing grade for decent British crime/mystery TV with or without witchcraft. It treats witchcraft as mundane and commonplace, which is interesting in itself. The characters are pretty interesting, and there is enough world-building. It doesn't need all the special effects to be a decent show, and it doesn't need to be groundbreaking. Exaggerated 1 and 2/10 star reviews do this site a disservice and make it unusable over time.
I enjoyed this quite a bit. The show starts with a death and a set of prejudicial and/or false conclusions. Yes, people behave irrationally, but they stay well within the confines of normal human ignorance and lack of critical thinking. The magic aspect of it is fine. The story would work just as well if you replaced the word "witch" with any other misunderstood group that's the target of bigotry and discrimination. With the magic theme we get some special effects and an enhanced feeling of uncertainty. It's a good choice.
Revelations are made at an optimal pace. Often in crime shows the "twists" elicit a yawn, an eye-roll and a complete lack of surprise. However, in this show i felt more of an: "Ohhh....interesting." They keep these coming throughout the series. For me, this is a win.
By the time you get to the last episode, the tension is remarkably high. The situation seems hopeless....
Let's pretend for a moment that the fit of utter stupidity didn't occur.
...Unexpected but totally plausible things happen and the show ends satisfactorily. In the denouement some additional revelations are made which totally add value to the story and tie up some loose ends that you didn't know were loose. Well done.
Let's go back to that fit of utter stupidity. Everything I wrote above is sincere. The ending is good. The shark-jump is irrelevant. But, at 39:45 into the last episode, it's there. I actually laughed out loud. I won't spoil it (because I want people to read the review), so here are some comparable things you might see in a sillier series:
1. A person gets a pillow held over their face for seven seconds and is suddenly dead.
2. A car drives over a sharp rock and explodes into a ball of fire.
3. A person drops a toothpick onto a table and it ricochets around the room to stab somebody fatally in the heart.
It's that bad. Anybody who knows anything about objects that might be on a stage would have called BS on this event. Is this a 1980's B-movie? Why did they include it? The rest of the show was great. Why do something completely unnecessary and ridiculous? It ranks in the top two of the most ludicrous things I've ever seen in a "serious" show.
Why?
That being said: despite the one jarringly obvious forehead-slapping error, I think it's a really good show -- neatly wrapped. There are no breadcrumbs for a second season. But, if there were one, I would totally watch it.
Revelations are made at an optimal pace. Often in crime shows the "twists" elicit a yawn, an eye-roll and a complete lack of surprise. However, in this show i felt more of an: "Ohhh....interesting." They keep these coming throughout the series. For me, this is a win.
By the time you get to the last episode, the tension is remarkably high. The situation seems hopeless....
Let's pretend for a moment that the fit of utter stupidity didn't occur.
...Unexpected but totally plausible things happen and the show ends satisfactorily. In the denouement some additional revelations are made which totally add value to the story and tie up some loose ends that you didn't know were loose. Well done.
Let's go back to that fit of utter stupidity. Everything I wrote above is sincere. The ending is good. The shark-jump is irrelevant. But, at 39:45 into the last episode, it's there. I actually laughed out loud. I won't spoil it (because I want people to read the review), so here are some comparable things you might see in a sillier series:
1. A person gets a pillow held over their face for seven seconds and is suddenly dead.
2. A car drives over a sharp rock and explodes into a ball of fire.
3. A person drops a toothpick onto a table and it ricochets around the room to stab somebody fatally in the heart.
It's that bad. Anybody who knows anything about objects that might be on a stage would have called BS on this event. Is this a 1980's B-movie? Why did they include it? The rest of the show was great. Why do something completely unnecessary and ridiculous? It ranks in the top two of the most ludicrous things I've ever seen in a "serious" show.
Why?
That being said: despite the one jarringly obvious forehead-slapping error, I think it's a really good show -- neatly wrapped. There are no breadcrumbs for a second season. But, if there were one, I would totally watch it.
It's not awful; a bit heavy on the "Harper Valley" small-town drama and teen angst (..especially for what looks to be a British-produced series), but it's still developing characters and story. It doesn't kick straight in like a "Penny Dreadful" but it held my interest.
For only one episode the acting is very passable, writing as well, and I like that they don't give up the whole season in the first ep. Post-episode previews are flashy, but this first one is subtle on the special and practical effects so not a whole lot of "eye-candy" on the way in. It may be that they're going out of the way a bit in terms of suspending disbelief, but it's still a fun watch so far.
For only one episode the acting is very passable, writing as well, and I like that they don't give up the whole season in the first ep. Post-episode previews are flashy, but this first one is subtle on the special and practical effects so not a whole lot of "eye-candy" on the way in. It may be that they're going out of the way a bit in terms of suspending disbelief, but it's still a fun watch so far.
Welcome to the enchanting and magical hamlet known as Sanctuary, a place supposedly dedicated to providing solace and haven for witches against persecution. Basking in the town's benevolence is the presence of a lone witch family, as the beacon of all magical prowess. Not just any ordinary witch family, mind you; the illustrious Fenn family is one where the manifestation of witch power appears to have escaped both the character's mother and daughter. Yes, you heard it right - leaving the protagonist, Sarah Fenn, as the sorcerous elite, and the official representative of witchforce and witchdom in a town, that has a grand total of one officially registered witch. Bravo, Sarah!
Of course, the makers decided to christen both the town and the series with the grandiose title "Sanctuary", because nothing says magical refuge like a place with just one witch, right? But wait, there's more! In this modern benevolent utopia, anyone can casually point fingers at anyone else, accusing them of witchcraft. It's like a community potluck, but instead of bringing casseroles, you bring accusations of spellcasting. How quaint!
And then there is the real star of the show - Abigail Whithall, the grieving mother, the narcissistic friend, the cheating wife, the blackmailing neighbour, what-have-you. Her performance is so stellar that it makes you want to enroll in an anger management class to cope with the desire to repeatedly punch her in the face. Ah, the wonders of brilliant acting - or as I like to call it, facial-punch-worthy theatrics.
Cheers to the magical-bewitching world of Sanctuary!
Of course, the makers decided to christen both the town and the series with the grandiose title "Sanctuary", because nothing says magical refuge like a place with just one witch, right? But wait, there's more! In this modern benevolent utopia, anyone can casually point fingers at anyone else, accusing them of witchcraft. It's like a community potluck, but instead of bringing casseroles, you bring accusations of spellcasting. How quaint!
And then there is the real star of the show - Abigail Whithall, the grieving mother, the narcissistic friend, the cheating wife, the blackmailing neighbour, what-have-you. Her performance is so stellar that it makes you want to enroll in an anger management class to cope with the desire to repeatedly punch her in the face. Ah, the wonders of brilliant acting - or as I like to call it, facial-punch-worthy theatrics.
Cheers to the magical-bewitching world of Sanctuary!
So supposedly this entire town is a dedicated sanctuary for witches, has been for generations, and only... one witch lives there? Huh?
In this alternate reality witchcraft is an accepted fact, yet it's not clear how exactly this town is any kind of "sanctuary" when there's plenty of witches living outside it who seem to be doing just fine, better than the one inside it actually. Plus, theres a disturbing number of townsfolk ready to start up the bonfires and dig out their dunking stools the first time someone whispers that witchcraft is to blame for any sort of tragedy.
I'm guessing that there's some kind of "bad" witchcraft at play making everyone behave this way, otherwise just about the entire town deserves whatever horrors come their way.
Sarah, the main witch, has no real moral backbone. She performs various spells to "help" friends, but lacking consent and with questionable outcomes. Some real "Harry Potter" love spell vibes here that we're supposed to be OK with. She keeps engaging in behaviors that are foolish at best, and life threatening at worst.
Her primary nemesis is delightfully evil in regard to their machinations and how they manipulate people. Best character on the show.
One episode left, that will determine how worthwhile the series is overall. Just slightly better than average so far.
In this alternate reality witchcraft is an accepted fact, yet it's not clear how exactly this town is any kind of "sanctuary" when there's plenty of witches living outside it who seem to be doing just fine, better than the one inside it actually. Plus, theres a disturbing number of townsfolk ready to start up the bonfires and dig out their dunking stools the first time someone whispers that witchcraft is to blame for any sort of tragedy.
I'm guessing that there's some kind of "bad" witchcraft at play making everyone behave this way, otherwise just about the entire town deserves whatever horrors come their way.
Sarah, the main witch, has no real moral backbone. She performs various spells to "help" friends, but lacking consent and with questionable outcomes. Some real "Harry Potter" love spell vibes here that we're supposed to be OK with. She keeps engaging in behaviors that are foolish at best, and life threatening at worst.
Her primary nemesis is delightfully evil in regard to their machinations and how they manipulate people. Best character on the show.
One episode left, that will determine how worthwhile the series is overall. Just slightly better than average so far.
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- WissenswertesBased on the 2020 novel Sanctuary: A Novel of Suspense, Witchcraft, and Small Town Secrets by V.V. James.
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