Koma

As soon as I heard Coma was out on video I had to put it in my Blockbuster at Home queue. After watching it I think it was way below par for Ridley Scott. I know some people have called it a 'mini series' but at almost 3 hours of pointless characters it is anything but mini. I definitely liked the original version better and after talking to a few guys in my office at DISH I know I am not the only person that holds that sentiment. About half way through Coma I took it to the to the Blockbuster store down the street for a free exchange. I paid to watch a movie that night and I am happy I didn't have to do it twice at least.

Sometimes it is wise just to let a dead dog lay. As I remember, the first version of Coma wasn't very good. This one is about the same. Overblown to distraction by the Scott Brothers, the TV "mini-series" version features good actors going to waste and almost nothing new.

Yeah, there is a big super tech conspiracy tacked on to the original plot, but even that was tame next to 21st century TV series like Dr. Who or Fringe. Lauren Ambrose was excellent in the lead, but deserves better, and it was a joy to see Ellen Burstyn working, even in a sort of Boris Karloff role. James Woods was good. Geena Davis, Joe Morton and Richard Dreyfuss - what were you thinking?

I watched it On Demand and, like another reviewer here, was grateful that Fast Forward was not disabled.

Susan Wheeler (Lauren Ambrose) is a medical student starting at her late grandfather's Peach Tree Memorial Hospital. Dr. Mark Bellows (Steven Pasquale), Dr. Theodore Stark (James Woods), and Dr. Agnetta Lindquist (Geena Davis) are some of the senior faculty. Mrs. Emerson (Ellen Burstyn) cares for the coma patients.

A&E remade the 1978 movie based on the 1977 novel into a 4 hour TV mini-series. It's important to note that the paranoia of the era worked great to infuse the original with atmosphere. However this one is much more of a thriller. The biggest logic problem in this one is that it's no longer the '70s. It just seems that somebody would just sue in today's world. But if you're willing to accept that, there is some good thrills to be had here.

COMA is a 2012 television miniseries based on the Robin Cook medical thriller of the same name. If it seems familiar, that's because Michael Crichton already directed an adaptation in the form of a movie back in 1978. It was a great little film, and the miniseries seems destined to pale in comparison.

Not that this new COMA is bad; it turns out to be quite decent, especially by TV movie standards. The reason it works is that it focuses throughout on the developing suspense and conspiracy situation, which means that it's never less than involving. Yes, there are problems with the direction and the acting, not to mention plenty of hulking plot holes, but the crucial thing is that COMA remains watchable from beginning to end.

Very nearly, anyway; the last twenty minutes or so falls down with a silly, sci-fi scenario which goes against all that's come before. It's something that belongs in a SyFy Channel movie, not this, but at least it's only at the very end that things fall apart.

The young actors in this production aren't bad, but the most fun comes from 'spot the star' in the older cast members. James Woods, Richard Dreyfuss, Ellen Burstyn, Joe Morton and Geena Davis are all present, and there's fun to be had from guessing which of them is involved. It certainly helps to pass the time, anyway.

One would have thought that something produced by Ridley Scott, who directed Alien and Blade Runner, would have been tightly knit. It wasn't. The movie totally drags during the first half and the first hour of the second half. This, like the original, should have been a two-hour film. I was bothered from the start when during the first commercial break, there were cast interviews revealing what was going to happen. The only thing really interesting were the special effects towards the end. Fortunately, I recorded it and was able to use fast forward or I, too, might have lapsed into a coma from having to sit through all of the initial tedium.