Carry-On

Could we be slowly getting back to the good ol days of mid-90s action thriller's...? I really think we are getting close, it's just the quality isnt quite there just yet. To sustain the level of tension and suspenseful moments throughout takes time, patience and a really tightly paced script. This one has its moments...

As a Netflix produced Christmas time thriller, it was OK... Coming in at 2hrs it maybe overstays it welcome just a tad, however the simple plot, good actors, and one central location for the most part gives it some good points. This was actually a really good late adternoon viewing and you don't need to know anything plot wise going in, or even have seen the trailer or thumbnail on your Netflix homepage. Best to just hit play and let the story unfold as you get into the characters, and their motivations.

I don't think anything could ever top the original speed from 1994, however these types of genre films are very important to any movie fan, especially those who lived through the 90s...

Give this one a go...

As formulaic a film as you will find. That doesn't mean it's bad. It just means that while this is competently made, it doesn't exhibit an original thought at any point. It's sort of a Die Hard with somewhat of a wimp as the hero. I can't say I've been a big fan of Taron Egerton, our hero here, but his career did seem to take a new and startlingly terrific new direction with Rocketman and the fine mini-series Black Bird, but now there is this?! He does okay here, but it's not the best career move I can think of. Our hero's villain is played by the usually well liked Jason Bateman, but he doesn't fit this role to me and Sofia Carson, speaking of AI, does indeed look like something created by a computer. Danielle Deadwyler does what she's supposed to do well enough, but this is just a paycheck role for someone this talented. Theo Rossi is on the villain's team and stuck in a van wasted for most of the pic, but when he is finally let loose, he is gleefully evil and the most enjoyable of all to watch. The film is as far-fetched as Die Hard, just much lesser thrills, humor and excitement. It does contain some suspense and it is quite watchable and also reminiscent of Die Hard, it all takes place at Christmas!

This movie has a great premise, great actors, great characters. Unfortunately, the longer the movie goes on, the more frustrating it gets. The characters continue to make decisions that make ZERO sense. The plot also falls apart quickly everything is so quickly able to be solved if the characters used any common sense.

I figured it would be an mindless action thriller. It is an action thriller, but it's hard to be mindless with how obvious the characters are making bad decision after bad decision. Too many to be even remotely believable.

Again, all the actors did a great job with their characters, there are just so many obvious flaws in the story and plot that the movie became frustrating as it end on.

Let's be real...does anyone expect a Netflix original to be anything special these days? Not every movie has to stun with its plot and characters, and Carry-On certainly doesn't do that. The crime in this movie is completely and totally unrealistic, but who really cares? I never got the impression that this movie took itself very seriously, especially when you consider Jason Bateman is playing a villain. I generally enjoy action packed thrillers, and the fight/conflict scenes in this movie deserve some more recognition. The fighting choreography was interesting 9especially since this takes place in an airport) and the main characters aren't making stupid decision after stupid decision. Was this a great movie? Absolutely not. But OK movies exist and can still be fun if you're looking for something new to watch.

Carry On is a deeply disappointing film riddled with flaws that make it unbearable to watch. The acting is abysmally poor, with every actor delivering lines in a stiff, unnatural manner that drains all emotion from the scenes. Emotional moments feel forced, and the performances lack any depth, making it impossible to connect with the characters. The script is equally weak, with a plot that meanders aimlessly and offers no focus or clarity. Scenes feel disconnected, and the pacing drags on unnecessarily. Combined with poor direction and an overall lack of effort, Carry On becomes an absolute waste of time, energy, and patience.