Collide

Problems aside i thought this movie was pretty entertaining. Nicholas hoult and felicity jones had good chemistry in their characters. Hoult plays casey. A man that works for.geran and steels cars. One day in a bar he meets julliete and the two of them hit it off. Things skip a head in time to them sleeping together and eventually living together. But she has a medicle condition she kept secet and dosent have money, so casey has to go back to his old life. I felt that kingsley and hopkins performances here were a little lackluster but they brought some fun to it. The car chase was good and the quick action was well done. Overall collide was pretty entertaining, maybe could be better but still good.

This is not a movie with deep meaning, a complex plot or redeeming value but was surprisingly enjoyable. The primary characters were not glamorous but rather down to earth which lent a certain innocence and believability. I thought their acting was excellent and sustained the movie through to the end. The bad guys deserve kudos. Ben Kingsley and Anthony Hopkins played quirky drug lords which they pulled off really well in a low key manner. These are often the most difficult characters to pull off in a movie, often being overly done but not here. The secondary bad guys were superbly cast and relentless in the chase which kept the tension level high through the entire movie. Plot wise this was a basic caper gone wrong and chase movie with a surprising twist at the end. Wreakage and carnage on the Autobahn while extensive, was not overdone. In fact, the chase scenes and crash scenes were really well choreographed and not over the top or gratuitous. The only weakness was the ending which was predictable and didn't follow through which left a feeling of abruptness, probably forced through mandatory time constraints. As a result, Anthony Hopkin's character and story did not feel complete. Collide was great entertainment that didn't require deep thought to enjoy....

Comment: the main characters were not "backpackers" but rather ex- pats living and working in Germany. Seems to be growing tendency to refer to anyone between 20-30 as backpackers...

Anthony Hopkins, just like Tommy Lee Jones in lot of their recent movies, simply is too old to play this heartless, stone-killer role. When an actor is too old, if some movie investors and casting agencies, still think they are box office insurance, they are deadly wrong. These old gizzards would turn off and turn away 99% audiences. Anthony Hopkins just looked so pretentiously and unconvincingly ridiculous, trying so hard to be a highly educated criminal, reciting Shakespeare, even Amadeus Mozart, on German soil.

Ben Kingsley too, also was a poorly miss-cast role in this film. The under-boss role he played in this film, was like an insult to the real criminals, I just don't know when he was so pathetically and fomulaically die-cast as a old sex beast/sex maniac, a pathetic character who would never climb up the criminal ladder to reach that level and position. It's sad to see this great actor now has to use his old naked body to make some dough, at the same time, a half clown and half jerk.

The young actor who played that mindless, die-hard romantic role in this film, somehow is a 50/50 right-wrong cast in this absurd car-chase, car-crash stupid film. His survival in this film was highly unlikely except he was conveniently provided with such lucks with the script, so all the time in the last minute, he would rise out of the wrecks.

Those car chases, car crashes on all kinds of roads in Germany, Hopkins' killers and himself could immediately appeared, even they could use this naive, dim-wit young guy's cell phone to pin-point his locations, the sudden show-ups were still not possible, unless these bad guys had the futuristic advanced technical devices from Star Trek's movies.

Again, lot of nice cars were wasted for those mindless "Grand Auto Theft" alike endless chasing and crashing scenes.

As the movie itself, well, okay to watch but, you've got to put your I.Q. aside first.

I went into this film with an open mind. I wasn't expecting much in the way of OTT action sequences or sex and violence that is the staple for most blockbuster-esque action films with it being a PG-13. That said it did deliver on the action sequences. Some well shot and exciting car chases and gun battles which kept you watching even if the plot (which has some twists) was rather predictable at times. Essentially though it is a love story although that is glossed over a bit too much for me. Would have preferred a 15 rating and a bit more from the two leads. I disagree with the other reviewer who thought Anthony Hopkins didn't play the villain believably enough. I thought he nailed it. What was a bit unbelievable was the lack of police support during most of the gun battles. Are the German police really so useless? I had an overall sense that a bit of comedy was trying to be injected into the dialogue (especially the scenes with Hopkins and Kingsley)it did make me smile but I fear that may not have been the intention after all. Overall an enjoyable film that I am glad I saw. Could have been made better - yes, could have had more depth - yes. Recommended - yes.

Collide is very much alike Creevy's previous work, Welcome To The Punch (2013) with additional love story between Nicholas Hoult and Felicity Jones as plot driven.

Casey needs money to cure his sick girlfriend, Juliette. A slick drug dealer, Geran send him on a mission, hijack a truck that belongs to notorious criminal, Hagen Kahl who can do anything to get rid of anyone in his way.

Here we have two antagonists as the opposites, perfectly crafted by Anthony Hopkins and Ben Kingsley, who are responsible to put Hoult into a series of captivating cat and mouse action caper. At some points, i personally start to think that Hoult is the 'real cat' here who got 9 lives to live.

Relationships between these one dimensional characters felt under developed. Still cast members had shown what they've got to keep our interest going.

The stages are set extremely well to pull us straight away from start with only little time to think but somehow we already have sights on the finish line. A twist might be explained through exposition about 10 minutes before end credits.

Well, some fluid action sequences don't just COLLIDE with fluent storytelling. And it takes 99 minutes of running time to find out why.