Ein 23-jähriges Mädchen wird von einer unbekannten Lebensform kontaktiert, die behauptet, ihren älteren Bruder, der während einer Weltraummission verschwunden ist, sicher zur Erde zurückbrin... Alles lesenEin 23-jähriges Mädchen wird von einer unbekannten Lebensform kontaktiert, die behauptet, ihren älteren Bruder, der während einer Weltraummission verschwunden ist, sicher zur Erde zurückbringen zu können.Ein 23-jähriges Mädchen wird von einer unbekannten Lebensform kontaktiert, die behauptet, ihren älteren Bruder, der während einer Weltraummission verschwunden ist, sicher zur Erde zurückbringen zu können.
- Auszeichnungen
- 3 Nominierungen insgesamt
Dimitri Doré
- La voix
- (Synchronisation)
Sébastien Pouderoux
- Franck Martens
- (Synchronisation)
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Pendant Ce Temps Sur Terre (or Meanwhile On Earth for the English title) is a French/Belgian movie from writer/director Jérémy Clapin, certainly worth a watch if you like good cinematography, accompanied by a good soundtrack and decent acting. I would have scored it with a seven if it was not for the ending that I found a bit disappointing. For that alone I score it lower, as it was, in my opinion, not satisfying enough. But for the rest it's an interesting story, easy to watch and to understand. A bit of sci-fi fantasy without special effects, just a solid story. Too bad the ending wasn't better.
Saw this at the Imagine 2024 film festival in Amsterdam. It is not for the SciFi elements that I rank this movie 7 out of 10, but for the human dilemmas posed. Actually, I wanted to rate 8 out of 10, but it takes too long before we reach the core of the matter. It will let people lose interest before the real issues become clear. Not good, storytelling wise.
In essence, it is about how many lives of living humans you don't know you can take, when needed in exchange for the live of one man you know (your brother) and persistently want to get back. It starts easily when someone conspiring to rape our main protagonist Elsa, becomes the first candidate to be sacrificed in the race to obtain 5 living persons to trade for her brother lost in space. (Elsa severely damaged the attempting rapist with a chainsaw, rendering him unusable to host an alien.)
The next 3 are elderly people from the nursing home where Elsa works, most of them demented, so in some way a defendable act as a humane way out. So far so good. However, still three hours from the deadline, Elsa lets a man go who she picked up from the street (pushing a defective motorbike; offering to bring him home). While underway, the man spoke enthusiastically about his plans to open a restaurant, obviously a potentially useful member of society. It is a merciful thing to do, despite the narrow timeline for rescuing her brother...
The only SciFi involved is the sparse communications Elsa has with her brother in space, and with the five aliens around him. And related visuals showing where the brother is now. The brother seems genuine, as he tells a story out of their common past that only they know. The transfer of all five aliens is a prerequisite for bringing her brother back to earth, hence the chase for five humans to sacrifice, to be used as carrier for the aliens.
All in all, the slow burn may annoy some people, in addition to the fact that hardly any SciFi is involved in a story announced about a man lost in space. That raises expectations this movie won't satisfy. It takes some patience and some time, like what happened to me, to find out where it is all about.
In essence, it is about how many lives of living humans you don't know you can take, when needed in exchange for the live of one man you know (your brother) and persistently want to get back. It starts easily when someone conspiring to rape our main protagonist Elsa, becomes the first candidate to be sacrificed in the race to obtain 5 living persons to trade for her brother lost in space. (Elsa severely damaged the attempting rapist with a chainsaw, rendering him unusable to host an alien.)
The next 3 are elderly people from the nursing home where Elsa works, most of them demented, so in some way a defendable act as a humane way out. So far so good. However, still three hours from the deadline, Elsa lets a man go who she picked up from the street (pushing a defective motorbike; offering to bring him home). While underway, the man spoke enthusiastically about his plans to open a restaurant, obviously a potentially useful member of society. It is a merciful thing to do, despite the narrow timeline for rescuing her brother...
The only SciFi involved is the sparse communications Elsa has with her brother in space, and with the five aliens around him. And related visuals showing where the brother is now. The brother seems genuine, as he tells a story out of their common past that only they know. The transfer of all five aliens is a prerequisite for bringing her brother back to earth, hence the chase for five humans to sacrifice, to be used as carrier for the aliens.
All in all, the slow burn may annoy some people, in addition to the fact that hardly any SciFi is involved in a story announced about a man lost in space. That raises expectations this movie won't satisfy. It takes some patience and some time, like what happened to me, to find out where it is all about.
Sometimes, watching a movie makes you speechless.
Sometimes, those worlds live on in your mind instead.
This second feature from Jérémy Clapin pushes every single part of the medium further. From the acting, the directing, the music, the sound, everything in this piece works in perfect harmony to create something that is not only gripping and fascinating, but containing profound philosophical questions - and even more troubling answers.
The ticking time bomb of this film hinges on a central idea: what is the value of a life? A trolley problem of sorts engages you in this disturbing question, made even more powerful when turned inwards by the protagonist: i.e., what is the value of MY life?
It's an alien movie that lives in the space in between thoughts, some galaxy between your emotions that make them bounce around expertly, right up to this ending you can't help but fear is coming.
It's an alien movie about life, about death, about grief, about loss, about what is lost and what will never be found again. People in the room with me where crying all the way through, and I caught myself shaking in my seat, feeling queasy by the midpoint.
I have no more words to express how moved I've been by this. It is truly special. Seeing this at Fantasia film festival, it felt like watching a masterpiece before anyone else. GO WATCH THIS MOVIE. It's the best of the year, and it'll be the best I'll see in a long, long time.
Sometimes, those worlds live on in your mind instead.
This second feature from Jérémy Clapin pushes every single part of the medium further. From the acting, the directing, the music, the sound, everything in this piece works in perfect harmony to create something that is not only gripping and fascinating, but containing profound philosophical questions - and even more troubling answers.
The ticking time bomb of this film hinges on a central idea: what is the value of a life? A trolley problem of sorts engages you in this disturbing question, made even more powerful when turned inwards by the protagonist: i.e., what is the value of MY life?
It's an alien movie that lives in the space in between thoughts, some galaxy between your emotions that make them bounce around expertly, right up to this ending you can't help but fear is coming.
It's an alien movie about life, about death, about grief, about loss, about what is lost and what will never be found again. People in the room with me where crying all the way through, and I caught myself shaking in my seat, feeling queasy by the midpoint.
I have no more words to express how moved I've been by this. It is truly special. Seeing this at Fantasia film festival, it felt like watching a masterpiece before anyone else. GO WATCH THIS MOVIE. It's the best of the year, and it'll be the best I'll see in a long, long time.
Astronaut Franck Martens disappeared three years ago while on a space mission. His sister, Elsa, still finds it difficult to accept the fact he simply vanished. A Statue has also been erected in Franck's honour.
Then one day Elsa is contacted by an alien, who assures her Franck is alive and safe, but they require five human bodies in order to let him go, unharmed. She is also allowed to speak to him, to confirm he is still alive. Now, Elsa has three days to find five people to lure to a specific spot in the woods where their bodies will be taken over by alien entities. Elsa decides to be selective, but when time runs out, she becomes desperate.
If you're expecting to see aliens here, you won't. We simply hear an alien voice, giving Elsa instructions. Also, don't expect to find space ships here. This is not your conventional alien movie. Very different indeed. The abrupt ending left me craving for more.
The film has many underlying themes. How do you justify four lives for one? How do you choose? 'Meanwhile on Earth' is so much more than an 'alien' movie, but the lack of aliens might disappoint some viewers.
Then one day Elsa is contacted by an alien, who assures her Franck is alive and safe, but they require five human bodies in order to let him go, unharmed. She is also allowed to speak to him, to confirm he is still alive. Now, Elsa has three days to find five people to lure to a specific spot in the woods where their bodies will be taken over by alien entities. Elsa decides to be selective, but when time runs out, she becomes desperate.
If you're expecting to see aliens here, you won't. We simply hear an alien voice, giving Elsa instructions. Also, don't expect to find space ships here. This is not your conventional alien movie. Very different indeed. The abrupt ending left me craving for more.
The film has many underlying themes. How do you justify four lives for one? How do you choose? 'Meanwhile on Earth' is so much more than an 'alien' movie, but the lack of aliens might disappoint some viewers.
No pun intended - a few things I was struggling with before writing this review ... talking about the ending in a way that may give away certain things ... rating, because of the great ending (at least in my humble opinion) ... should I go at least 8? Well I may change my mind and it really is tough for me to make up my mind I reckon overall.
All that said, the lesser you know about the movie the better it probably works. One thing you should know for sure: it is a slow burn. It may get stuck in your head (sorry for the pun) ... and it is tough to imagine "what would I do?" ... because our main character is in a tough spot to say the least.
So to decide what to do ... and to "obey" because of love ... well you'll understand. What you may not understand ... or at least is not entirely clear I think: the ending. If what we know up to this point is true ... it would point to one thing ... but then again, maybe it wasn't all as it was said it is(?) ... the animation is well done and sparsely used (and that is a good thing) ... a movie for the thinking minds ... no right or wrong here ...
All that said, the lesser you know about the movie the better it probably works. One thing you should know for sure: it is a slow burn. It may get stuck in your head (sorry for the pun) ... and it is tough to imagine "what would I do?" ... because our main character is in a tough spot to say the least.
So to decide what to do ... and to "obey" because of love ... well you'll understand. What you may not understand ... or at least is not entirely clear I think: the ending. If what we know up to this point is true ... it would point to one thing ... but then again, maybe it wasn't all as it was said it is(?) ... the animation is well done and sparsely used (and that is a good thing) ... a movie for the thinking minds ... no right or wrong here ...
Wusstest du schon
- WissenswertesWhen Elsa's phone rings, the notes are the same as the ones in "Close encounter of the third kind" by Spielberg.
- VerbindungenReferences Fliegende Untertassen greifen an (1956)
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Box Office
- Bruttoertrag in den USA und Kanada
- 40.767 $
- Eröffnungswochenende in den USA und in Kanada
- 23.791 $
- 10. Nov. 2024
- Weltweiter Bruttoertrag
- 128.746 $
- Laufzeit1 Stunde 29 Minuten
- Farbe
- Seitenverhältnis
- 2.35 : 1
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Oberste Lücke
What is the Brazilian Portuguese language plot outline for Pendant ce temps sur Terre (2024)?
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