Ein Lehrer führt ein einsames Leben, während er die ganze Zeit um das Sorgerecht für seinen Sohn kämpft. Sein Leben verbessert sich langsam, als er sich verliebt und auch noch gute Nachricht... Alles lesenEin Lehrer führt ein einsames Leben, während er die ganze Zeit um das Sorgerecht für seinen Sohn kämpft. Sein Leben verbessert sich langsam, als er sich verliebt und auch noch gute Nachrichten von seinem Sohn erhält. Doch das neue Glück droht bald wieder zerstört zu werden, als j... Alles lesenEin Lehrer führt ein einsames Leben, während er die ganze Zeit um das Sorgerecht für seinen Sohn kämpft. Sein Leben verbessert sich langsam, als er sich verliebt und auch noch gute Nachrichten von seinem Sohn erhält. Doch das neue Glück droht bald wieder zerstört zu werden, als jemand eine kleine, unschuldige Lüge erfindet.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 1 Oscar nominiert
- 38 Gewinne & 74 Nominierungen insgesamt
- Torsten
- (as Sebastian Bull Sarning)
- Jagtbroder - Lars T
- (as Steen Ordell Guldbrandsen)
Zusammenfassung
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Recently I saw another Danish movie "The Hijacking" and was so impressed with it, that I sought out this movie as it was also a highly regarded project. I'm glad I did. The movie reflected the idea of a rush to judgement and all the implications of how society reacts when information is inaccurately reinforced.
The title of the movie, "The Hunt" is symbolic of Lucas's hunt for justice, but also feeling like the hunted. It begins with friends at a hunting camp drinking & celebrating but this hunt is all a metaphor for Lucas's life. Perhaps it was best expressed when his son got a family heirloom hunting rifle and it was said that now he was old enough to find his way in the forest. "The Hunt" is really about such a journey and the forest was thick with assumptions, accusations, hatred, betrayal, and a host of other thorns, briars, branches and such things to trip up the journey. Having felt like he was being hunted through a community's narrow rifle scope of understanding, Lucas's idea of hunting is ultimately altered....and believably so.
Vinterberg does a masterful job of story telling and in such a way that we hear a morality tale. Yes, many times the information we are told in the news is correct. But what if it isn't? What price is paid by the victim and his/her family? If you want to watch a movie that is different from the typical Hollywood variety and gives you reason to search more deeply before believing what you see and hear, watch "The Hunt" and see if you would find your way through the same forest that Lucas traveled. Few of us would be able to do so....
The kid actors in this are very important too and as is said in the making of, none were told the whole truth or what the implications might be. Which is especially important to those who might think kids were exposed to things they shouldn't have been. Which brings us right back to the theme of the movie and the question, if we are over protective or if the world around us has changed too much? There are a lot of other questions too that are raised and not all can be answered with certainty or any satisfying result. Which makes the movie even more disturbing and good.
To delve into the plot here would reveal too much. So I'll just say that the film is quite dark and deals with some very difficult subject matter that can be very hard to watch at times. I'll leave it to you to decide if you want to be more aware of the details by looking up a basic synopsis.
This is essentially a one-man show. While supporting cast members are all up to the challenge, Lucas is on on screen virtually every moment of the movie and its overall success rises or falls on his believability. Mikkelsen's delicately underplayed characterization of a man under fire likely won't be appreciated or understood by all viewers. His restrained performance is remarkable and does much to make The Hunt a haunting, memorable experience. Among the children, Annika Wedderkopp's portrayal of Klara is frighteningly brilliant. She steals every scene she's in.
The physical beauty of the production belies the ugliness beneath. Natural lighting is used to match the heights and depths of the kindergarten children's emotions. Their innocence is reflected in its intensity. When surrounded by love, they are glowing. The color palette is warm and inviting. As fear rises, they appear in shadow. The tableau turns increasingly darker as the narrative does.
This is a very quiet and thoughtful experience in many ways. Nikolaj Egelund's score is sparse. Editors Janus Billeskov Jansen and Anne Østerud keep the pace measured and deliberate. The focus is on the story. Long takes without dialogue are quite effective as so much is said in the eyes, in the faces, of Lucas, the kids, and townsfolk. Cinematographer Charlotte Bruus Christensen allows the lush landscape of the Danish countryside to lull the viewer into a sense of peace, in contrast with the turmoil just under the surface, ready to jump out like a demon in a horror film. But these are real life nightmares, not the product of a genre writer's imagination, which chill to the bone.
Hollywood could never touch this subject and have anywhere near the impact. Backed independently by Swedish and Danish production companies, director Vinterberg actually intended to set and shoot the picture in Canada but better tax incentives and financing led him back to his native country of Denmark. It doesn't matter, though. This is the kind of isolated little village that can be found anywhere in the world.
"The Hunt" was easily the saddest film I've seen all year but in a cathartic way that only a great work of art can accomplish. It's a gritty and hard-hitting statement on our judgmental society that pulls no punches in its recounting of a controversial ripped-from-the-headlines story, repeated all too often in recent history, that's both poignant and polarizing in its authenticity.
It was difficult for me to hold back tears during the screening. I broke down several times. Many will be touched by certain scenes more than others, but "The Hunt" is one of the most affecting and emotional films I've ever seen and one of the best of 2012.
The film follows Lucas (Mads Mikkelsen), a lonely primary school teacher who relishes his job and is popular with both the children and the local community. Just as he meets Nadja (Alexandra Rapaport) and begins a relationship with her, his relationship with another woman, 5-year-old Klara (Annika Wedderkopp), lands him in immeasurable trouble. What happens is a completely innocuous misunderstanding, but the community, the 'adults' who are supposed to be rational and fair, turn into a lynch mob.
The film is about the danger of mass hysteria, ignorance and subsequently the frightening power of numbers. It teaches the importance of measure and consideration; it's a much-needed anecdote to the sensational vilification, general ignorance, and trashy media that permeates our lives.
The film is intelligently and thoughtfully written. The girl is by no means vindictive; as much as you want to vent your anger, she's clearly far too young to understand what is happening. It's the 'adults' who display their stupidity, their total lack of reasoning and fairness left me indignant for the entirety of the running time and subsequently the whole evening - the film really works.
There is a palpable sense of danger throughout the film, and you genuinely fear for Lucas' life; seldom have I empathised with a character so dearly. Who would've thought a Danish Art House film could be so thoroughly gripping?
'The Hunt' is a thought-provoking, tactful and important film that should be seen by as many people as possible. It's one of the best films of 2012.
WUSSTEST DU SCHON:
- WissenswertesDirector Thomas Vinterberg was approached in 1999 by child psychologist Søren Friis Smith, congratulating him for Das Fest (1998) and giving him a pile of newspaper articles, scientific reports and personal notes about cases where people had been wrongfully accused of pedophilia, telling him he had to make a film about the subject.
- PatzerAfter Theo is hit by Lucas in the church he has a black eye. The same night he visits his daughter Klara in her bedroom his eye is normal again. Later Theo visits Lucas and his injury is visible again.
- Zitate
[subtitled version]
Lucas: What are you saying? Have you got something to tell me?
Agnes: Stop it, Lucas.
Lucas: You want to tell me something?
Theo: Relax, Lucas.
Lucas: The whole town is listening. Tell me! What do you want to say?
Agnes: Stop it, you fucking psychopath!
Lucas: I want a word with Theo. Look into my eyes. Look me in the eyes. What do you see? Do you see anything? Nothing. There's nothing. There's nothing. You leave me alone now. You leave me alone now, Theo. Then I'll go. Thank you.
- VerbindungenFeatured in At the Movies: Cannes Film Festival 2012 (2012)
Top-Auswahl
- How long is The Hunt?Powered by Alexa
Details
Box Office
- Budget
- 20.000.000 DKK (geschätzt)
- Bruttoertrag in den USA und Kanada
- 613.308 $
- Eröffnungswochenende in den USA und in Kanada
- 43.045 $
- 14. Juli 2013
- Weltweiter Bruttoertrag
- 15.886.373 $
- Laufzeit1 Stunde 55 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1