Big Game

Adding to the series of recent movies involving President of The United States being in peril, Big Game is also presenting a quirky and amusing angle on the premise. Having more action than expected and lightly humorous, it hits on the right spot with just the right amount of casual fun. Some of the scenes are ridiculous, though the strange duo and witty material will be an accessible delight for audience.

Story follows The President of Unites States (Samuel L. Jackson) and an ordinary Finnish boy Oskari (Onni Tommila) who is undergoing traditional coming of age ritual. Oskari must prove himself by hunting a game from the forest, but a strange encounter with The President will distract him from his goal. This may be the weirdest duo of buddy action flick, but at this point Samuel L. Jackson could probably deliver any bizarre character asked of him.

The President is not the usual action character, in fact compared to the pursuers he is largely outclassed. It's a playful personality with more emphasis on comedy than his usual brash attitude, although the film doesn't deprive audience from his trademark mockery. Oskari is also far from a secret service agent, he's just a young boy and eager to prove himself.

The large difference on both characters play to their advantage in creating a few chuckles. Some other notable names for the supporting cast such as Victor Garber and Ray Stevenson also are appreciated. Casting isn't far from their usual roles, and they adequately presentable here.

Script is pretty good, the jokes are spot-on without being overly crude. The film has light-hearted vibe, engaging on simple theme fitting for a family movie. Visual is unexpectedly vibrant. There are several moments worthy of any action movies. These few high octane shots balance the silly antics. Its foreign setting creates a more refreshing outlook than the usual city environment of the genre, it's definitely a better view than being confined in White House again.

Visually fresh and charmingly witty, Big Game is a simple yet entertaining action comedy.

In 2010 Jalmari Helander delivered one of the oddest but simultaneously most ingenious and refreshing horror movies of the new millennium with "Rare Exports". The success of that film was clearly big enough for him to get noticed in Hollywood and take a shot at making a large-budgeted blockbuster with A-listed actors. We see this happening a lot, by the way: young and creative non-American directors are plucked from their native countries after barely one hit and lured to Hollywood where their careers usually obstruct quickly because they are only allowed to direct lame remakes. But this is where it differs with Helander! Instead of going to Hollyood, Helander brought Hollywood to his beloved Finland for what is one of the most enjoyable, straightforward and unscrupulous action/adventure movies of the '10s. The story is simple yet delightfully far-fetched and over-the-top: 13-year-old Oskari is in the middle of performing a traditional Finnish manhood ritual when Air Force One gets shot out of the air on its way to Helsinki and crash-lands near the boy's hunting turf. Oskari rescues President William Alan Moore from his escape pod and swears to guide him back to civilization before his assailants find him and finish the job. "Big Game" has a couple of strong trumps, namely the chemistry between young Finnish actor Onni Tommila and veteran actor Samuel L. Jackson (in another fresh and surprising choice of role), the magnificently breath-taking Finnish filming locations (although largely filmed in Germany) and the purity of the screenplay. I love how Helander doesn't dive too much into themes like terrorism or overly convoluted conspiracy theories but opted for good old-fashioned and pulpy spectacle. Jackson's portrayal of the US President is also phenomenal. They are basically after him because he's an indecisive and cowardly leader. President Moore's toughest anecdote is a story about urinating in his pants and, in a way, undergoing the bravery ritual is as relevant to him as it is to Oskari. Obviously, there are several flaws in "Big Game" as well, notably how quickly everything and everybody gets tracked in these supposedly giant and impenetrable forests, but you'll gladly accept them. Thanks to the fast pacing, the compact running time and the thrilling special effects, "Big Game" is a massively enjoyable popcorn action flick that comes with my highest recommendation.

Looking at the other reviews, there seems to be a miscommunication about what type of film this is.

So this reviewer will be crystal clear: from the moment film first went into the camera, this project was intended a family/kids film destined to appear on cable channels all over the world either on a Saturday matinée or in the after-dinner hours.

Aside from Sam Jackson (whom I have been calling in my reviews since the 1990s "the most overexposed actor in film history") everyone else is second tier B movie material.

This is not die-hard "puberty edition." This is about fathers and sons and everything else is secondary to that.

So, now that we are crystal, it is really not bad. The effects are good, the bad guys are convincing, and even the action scenes work well.

Above average kids flick.

I can't understand all the haters out there hating on this one. It brings the cinema back to life the way other gratuitous movies like Armageddon, Goonies and The Rock did. It's a mix of Spielberg and Roland Emmerich. It's big, it's fun, adventurous and endearing, total adventure escapism, the way good movies should be. The cinematography is beyond astounding, and 1/2 the acting is really good. But, 1/2 the acting is really, really bad unfortunately, especially Samuel Jackson and his entourage. I kind of feel bad for Samuel Jackson in a way. It's only been recently that I haven't wished for or expected him to say some pulp fiction gangster lines in every scene. Somehow he looks depressed in this movie. Maybe because he can't say some bad-ass gangster lines? I would kill to see a pulp fiction spin off of his character, maybe roaming the world like Cain from Kung-Fu and, like the A-Team, doing good things and saving people. Or, glorious abandon, his pulp fiction character meeting up with the A-Team? Only in my dreams.

Well... When the screenwriter set the action in some particular country, IMHO, he has to get general ideas about the location he is describing... Isn't he/she? I understand that 95% of the American public has no idea where Finland is and how does it look... but... Probably, the rest 5% knows that Finish landscape is pretty flat and mostly consists of lakes and swamps