Apostle Peter and the Last Supper

What can I say? It is a great Christian movie, made by secular people. It is indeed surprising how a director, who promotes artwork on his very own website which is clearly satanic, has the motivation for such a movie.

Does a director of a Christian movie need to be Christian? No, he doesn't, but it is hypocrisy to do something just for the money.

Should a director of a Christian movie be a Christian? Yes, that is what makes sense.

Can a director of a Christian movie promote the other side while doing this and several other popular Christian movies? Only in America ...

PROS

+ Great depictions of an extra-biblical story, which tells in parts biblical elements. Obviously, a great creative license is taken, but the movie does not equal to an apocryphal book which someone wants to insert into the Bible.

+ It is beautiful how they portrayed Peter, without the least of fear before his death.

+ Beautiful end with the conversion of two soldiers and one's wife.

CONS

• The movie tries hard to impress through extreme tonality in voices and by excessive music.

• The satan character is certainly not what the Bible describes as a wolf in sheep's clothing. He does not come anywhere close to a 'sheep' in human terms, but is the typical Hollywood scheme to make things appear more extreme ...

• It would have been nice if they would have made at least for some scenes their way out of the LA studios and filmed in an actual setting - be it in Israel or similar.

• The prayer 'you sanctified us with your commandments' shows a fundamental lack of Bible knowledge. We might walk on the road of sanctification while obeying commandments, but we are not sanctified with commandments ...

• When the two Roman soldiers become Christians under Peter's hand (which is beautiful), smoke comes up and eastern meditation music is played. It looks and sounds more like a conversion to Buddhism, if the words would not have been different.

• Peter could have only died in Rome long after the conversion of Saul to Paul. Nevertheless the movie states at the end that they have to empty the cell for a certain 'Saul of Tarsus'. That's why unbelievers should never do a Christian movie.

It is so refreshing to see a movie about Christianity that is well created and the acting is amazing. So many times you have to look past the acting and videography to enjoy the message of the film. Not in the case. You get it all.

Wonderful film. Barely any violence. I feel that even my smallest child could watch this and be just fine. You get the full impact of Christ's love and message without actually having to see the Passion (which those with small children try to avoid).

An absolutely gem. I would definitely recommend this film to anyone even wondering about God's love.

it is easy to criticize it. low budget, not great performances, sketches of Biblical accuracy. but it has two great virtues - Robert Loggia as Saint Peter and the status of story for the child from yourself. Robert Loggia does an admirable role , proposing a Peter near the death , wise, vulnerable, strong and with the precious desire to birth his faith as only memory. a dialog in a cell. images from the past who represents only real present. and the build of message. the film propose only the feeling of faith. without dramatic scenes, without powerful images or special effects. and this mistake does it credible. because it is not an adaptation, not a religious film but rediscover of the delicacy of same message of Church. and that does it not a great film, maybe not memorable. but useful. for the rediscover of a pillar of our civilization.

A movie obviously inspired by God and those who love Him. I stand amazed in the genius of the story, the layout, the timing, and the acting. As with all true messages about the Gospel, it tugs at you, draws you in and opens your heart to whatever the Holy Spirit would have you consider about your own walk. I have watched it several times, have ordered the DVD with the intent to show it to my entire church. However I truly believe that the true value of this work is getting it before the eyes and hearts of the lost around us. Thanks to all who played a part in bringing this beautiful account out into the open to truly enrich our lives.

No histories, biographies, or other books record the exact conversations and daily details of people. Beyond the general overview and summary of the lives of someone, any story put into a book or film necessarily includes much dialog that is made up. Serious and honest writers and movie makers will research their subject thoroughly from the records available, and then write and create characters and situations as true to the person as they can imagine.

So it is with characters from biblical times. Beyond what we read in the Bible, who knows what the apostles did and said, or what their lives were like after the death and resurrection of Jesus? In telling a story of any part of a Bible character's life, one must imagine what scenes and dialogs would be like to fill in details and expand on the printed record.

The makers of this film did a decent job in portraying Peter in his jail time in Rome before his execution. We see a Peter as many Christians might have visualized him over the centuries. We see Peter as he likely responded to the inquisitiveness of his guards. And what he might have said and how it might have affected his guards. Of course, he would talk about Jesus and witness to his life.

So, this is a good film from that standpoint. Robert Loggia is very good in the role of the elderly Peter. The rest of the fictitious characters are so-so. The brusk head-jailer seems overly acted. But other than the role of Peter, there's nothing noteworthy about this production. As one other reviewer noted, the CGI scenes of rooftops looking down on a city are not helpful to the story. If anything, they are a distraction – a reminder that this probably is a cheap production. Why they couldn't have taken some stock footage of scenes shot on movie sets used before is beyond me. Or staged some scenes in old towns with people dressed according to the time. The still, misty view of CGI rooftops of a town look like something from a comic book. They are so phony that they detract from any effort to portray an authentic situation.

This film has a feel of staginess. How much might it have cost to have a couple of segues to show a street or alley scene with people coming and going outside the jail? With nothing else noteworthy about this film, I give it just six stars.