Metacritic-Rezensionen

Plenty of horror movies are willing to settle for making audiences jump. Mama is more ambitious by far: It makes sure viewers are emotionally committed even when they aren't clutching their armrests or covering their eyes.

Nothing in the movie is quite original, yet Muschietti, expanding his original short, knows how to stage a rip-off with frightening verve.

Movies like Mama are thrill rides. We go to be scared and then laugh, scared and then laugh, scared and then shocked. Of course, there's almost always a little plot left over for a sequel. It's a ride I'd take again.

Mama represents a throwback and a modest delight for people who like a good scare but prefer not to be terrorized or grossed out.

Haunting and extremely atmospheric, Mama is a horror film imbued with an unsettling and affecting power.

Expertly conjured atmosphere only gets Muschietti so far, but there's enough genuine promise here that you're willing to cut this talented newcomer some slack.

Trading in her red locks for kohl-lined eyes like a raccoon and the vampire look of Rooney Mara in The Girl with the Dragon Tattoo, [Chastain] is the spookiest thing in Mama. Everything else is cable television.

Mama, for all her digital and prosthetic creepiness, is finally a bit of a bore.

Mama never delivers the primal terror its premise would suggest.

The premise isn't even worthy of executive producer Guillermo del Toro, who will apparently lend his name to any film as long as it fulfills its quota of moths and vulvic openings.