The Clearing

I question the wisdom of watching this when I'm about to have a baby, but if there's one thing I can't resist it's a creepy cult thriller. It was unnerving to watch the events of this story unfold, particularly without having read the book beforehand. Given that the tale is based on real life Aussie cult group The Family, there's already a sense of foreboding as you start the first episode. This sense increases going into the second episode, and you can't help but feel concerned at what might happen next. Theresa Palmer does an excellent job of showcasing the past and present trauma of her character, and Miranda Otto and Guy Pearce play equally disturbed characters. But the true heroes of this series are Julia Savage and Lily LaTorre, who sent chills down my spine with their respective performances. With an 8 episode first season, I suspect The Clearing is only going to ramp up with each episode. Fans of this genre should give this show a watch, it's cast well, has an ominous soundtrack, perturbing visual effects and I'm already itching to see where the story takes us and what secrets it will reveal along the way.

-by Jayne @WatchItWombat.

There is a very special, very excruciating place reserved in hell for those that run abusive cults, they are the utmost repulsive nadir of human weakness in the collective consciousness. The Clearing is a mostly fictitious, brilliantly complex dramatic thriller with a narrative backbone that is based on the real life Australian cult dubbed 'The Family', raided and disbanded decades ago. This utterly compelling eight episode journey examines several characters revolving around the operation and takedown of a nasty cult called The Kindred, owned, operated and presided over with treacly malevolence by false prophet guru Adrienne 'Maitreya' Beaufort, played with career best intensity by Miranda Otto. We see in non linear form how she came to power using dime-store psychological manipulation, unconventional metaphysical gibberish and thinly veiled psychosis masquerading as pied piper charisma. Woven in is the present day story of Freya (Teresa Palmer, also giving career best work), a girl who was rescued during the eventual raid and who now lives in constant fear and traumatic paranoia as she tries to shield her own children from the cult's temporarily dormant yet still permeating influence. The story is a multi timeline narrative told deliberately out of order, no doubt to emulate for a viewer how disorienting it must feel to find one's life embroiled in such a long, punishing, cruel ordeal. This may not look like much from the outside or be getting the rave reviews it should be but it's some of the best television I've seen this year, a structurally complex, emotionally intelligent, consistently unpredictable piece of work with terrific performances, eerie music and a mature, creepy, empathetic script. Streaming now on Disney Plus.

Just an absolutely phenomenal job from the cast, especially Teresa Palmer and Miranda Otto. Otto is especially chilling in her portrayal of her character at every level of the character's development. She's a marvelous actress who deserves more acclaim. Palmer also shines in a difficult role as a person who has been extremely damaged from her youth in the Kindred cult. Guy Pearce (superb in everything he does) does a great job in a secondary role that is key to the story. Only downside for me is that the story unfolds in multiple timelines and it can be difficult to detect when the timelines change Multiple themes are at play throughout the story and most of them come through without being heavy-handed.

I really wanted to like this. I love Theresa Palmer and Miranda Otto is a superstar. There is not a weak spot in the cast at all. I dont usually mind flashbacks and flashforwards, but there are too many and they are too frequent and they are too short. I guess if you set out to deliberately confuse your viewers, you would consider this a success. But when you take the incredibly great performances by the cast (and some of them are truly wonderful) and put them into a confusing and disjointed mess like this you are failing. Still young and active Joe is easy enough to distinguish from old, beat down reprobate Joe, but it is nearly impossible to tell which period Amy/Freya is supposed to be in.

It is obvious where this story has been taken from in recent Aussie history and it throws down a real challenge when bringing it to a streaming series, but in the steady hands of Grace Otto it becomes compelling viewing.

There is a stellar cast involved but it must be said that if this was a standalone movie, Miranda Otto as Adrienne Beaufort, gives an Oscar worthy performance and seems to inhabit her character as it evolves with each episode. Teresa Palmer is exceptional as the now grown Amy and her character embodies all that you would expect from someone who had been raised in such a cult until the age of thirteen and still maintain such an odd connection with its' leader as an adult. Julia Savage as the young Amy is mesmerizing and someone to watch as is Lily LaTrobe playing Asha.

For me, Guy Pearce is not stretched particularly in his role but Kate Mulvany is a powerhouse in her character whilst Anna Lise Phillips and Erroll Shand both reveal the behaviour that is so commonly observed in people caught under the spell of a cult leader.

I was initially hesitant to watch this when it was first advertised as the thought of watching, however potentially fictitious, a variation of what had been revealed on investigative programmes years ago was not all that appealing, but it deals with a subject that we should be made aware of and is exceptional viewing.