Dicte

I'm expecting more spin-offs from this show like Bob - Builder and Sam - Fireman, but seriously, I rather enjoyed this first UK showing of yet another Scandinavian crime series. Nordic Noir it isn't though, at least in this meet-the-characters episode, as we drop in on recently divorced, middle-aged, single mum and to top it all, crime reporter Dicte in the small town of Aarhus. Not unnaturally we quickly enter fully into her world, which brings forth her mildly rebellious teenage daughter, two forty-something girl-friends, still-sniffing-around ex-husband and her various newspaper colleagues and police contacts. These will no doubt provide plenty of back - stories in future episodes, especially, I don't doubt, her initially frosty relationship with the super-thin, also recently divorced police detective Wagner, which I expect to morph into something warmer in time.

Human interest aside, I was more entertained by the interesting plot line, surrounding surrogate mother Eastern European prostitutes, with Dicte unconventionally finding the first body while answering a call of nature. This was just one of many examples of the wry, pithy humour on display and while some of the connections in the story seem either contrived or coincidental, my enjoyment wasn't dulled too much.

I liked the acting too, especially Dicte and the detective, who also has a scene-stealing Bolshie young female assistant too. I hope future episodes concentrate on the criminal reporting side rather than the temptation to fall into "Sex and the City" territory, but for now this was an encouraging start to a series I'll return to for my latest subtitled cop-show.

Thankfully Netflix has added the first season of this to its streaming lineup otherwise I would never have even heard of it. I was hooked from the first episode and even though it was subtitled, soon you get so caught up in it you don't even realize you're still reading. Although Dicte is the main character, there is no shortage of surrounding characters whose stories are just as deep that you find yourself wanting to see more of them. The setting is beautiful, the stories intertwine perfectly from one to the next and the cast is superb.

My only complaint is that they haven't released the second season anywhere that I can view it, so I will have to wait, albeit impatiently, for the next episodes. If only America had more shows like this, I'd never leave the house.

Workmanlike Danish crime/human interest drama that ticks pretty much all the boxes we've come to expect. Young (-ish = late 30s/40s) professional female protagonist, check. Hipper and funkier than other people her age, as against more conventional friends and co-workers who seem occasionally bemused or irritated with her behavior, check and check. With her career, has to juggle raising one or two children more or less alone, and then a mystery crops up, check. Old boyfriend or ex-husband lurking around for color, check. Bad guys, if any, most likely to be right-wing, religious, or foreigners, check. A cast with familiar faces such as Iben Hjelje (from "Dag,") Laerke Winther Andersen ("Den som draeber," "Bankelot"), Dar Salim ("Broen," "Borgen," "Livvagterne," "Game of Thrones,") and Lars Brygmann ("Borgen," "Bankerot," "Rejseholdet") has crewed the show through three seasons now, very watchably. If you are not already a Nordic drama fan, this show is unlikely to win you over; if you are, however, you will enjoy it.

Dicte is more a soap opera than a detective/crime/journalism series. At least that's how I felt. There is a lot of family and friend drama, lots of cheating, sleeping around, etc. packed into one season. It seems that everything in the town that is worth a big story happens to Dicte, or right where she is, or to someone she knows, etc. Perhaps the town is too small. Or perhaps we are to appreciate that time passes between each story (two episodes each) so other, perhaps important, things have happened but Dicte wasn't there to poke her nose in. Regardless, many of the story lines seem contrived. But perhaps the one thing that really bothered me was the whole season seemed like a pro-life advertisement. Of course, this is done in a Danish, liberal sort of way, but still there is this overwhelming subliminal message (ok, not so subliminal...) that giving away your newborn is bad, that abortion is bad, that mothers who have to make these choices are, well, not good. And of course, all homes for children are bad, full of adults who want to abuse the children... In a way, the series can be interpreted as positive in many aspects regarding these issues (as Dicte is a good mother, despite the fact that she did give away her first born after being forced to by her religious parents) but somehow every time it tried to give some great message about babies and mothers, it seemed judgmental to me. Maybe something got lost in translation, or maybe, as someone suggested, the writing was not great to begin with. The series could have been more brooding and realistic if the chose to show the lives of some of the other characters, like the lonely detective, Wagner, but it seems like they wanted to keep the show more mainstream. Congrats for having a female gay character who actually has a healthy dating life and is not afraid to talk about it, but again, more on that would have been great.

All in all, Dicte is not at the same level with Wallander, for example, mostly due to the contrived stories and some weird thematic choices. The acting is actually descent, sometimes much better than descent, but the writing certainly has a long way to go.

I thoroughly enjoyed the first season of this Danish crime drama. Second season began to fade as character's bizarre personal lives overtook the "crime" part of this drama. The third season saw a continued movement away from the crimes and revolved almost totally around the increasingly annoying and unbelievable personal lives of the characters. I would definitely recommend season one but skip season two and three.