Bob Marley: The Making of a Legend

Esther Anderson met Bob Marley in New York at the end of 1972 shortly after starring in A Warm December opposite Sidney Poitier at the time when Bob was still unknown. A minority shareholder and co - founder of Island Records, Esther helped to launch the international career of Jamaican artists like Millie Small and Jimmy Cliff from the early 1960's in London. Growing up with The Beatles and The Stones in swinging London, and in Hollywood with Marlon Brando, Esther was the right person to transform the career of The Wailers into the most successful Reggae band in the world.

When Bob asked her to help him and the Wailers, and she listened to their revolutionary lyrics and rhythm with songs like Concrete Jungle, Slave Driver and 400 Years, Esther made a commitment to get them through the door. She returned to Jamaica to launch the band, rehearsing them, photographing them and filming their early development. A passionate artist, Esther immersed herself in the world of Reggae and the Rastafarian culture, becoming creatively and emotionally involved with Bob Marley, writing songs of protest and pioneering a historical social change in the struggle for equal rights and justice for the people of colour. This entire journey was recorded by Esther with a prototype Sony video camera and a super-8 film camera for a blue print film on the Wailers, Reggae music and the Rastafarian culture, and a Nikon camera for the promotion of their new image. Esther and Bob's first collaboration was the song Get up stand up for your Rights, followed by I Shot the Sheriff, Burnin' and Lootin', Talking Blues, Revolution, Easy Skanking, Road Block and War. Her photograph of Bob smoking a joint became the first iconic poster of Bob Marley and The Wailers and later the front cover of their album Catch a Fire. Her photographs on the gatefold Burnin' album, similar in concept to The Beatles' Sgt. Pepper's album, created the union between Reggae and Rasta, which would become Bob Marley's image around the world. Seven years later, when Bob Marley passed away in 1981, his music spoke to all nations, and today he is the most popular artist in the world.......

Beware some negative reviews of this film, which are ill informed and miss the point.This film makes available for the first time, Esther Andersons personal and intimate footage of Bob Marley & The Wailers. Don't expect polished cinematography, this is very much an earthly portrait of Bob and The Wailers from someone who was actually there. That is not to say that this is not a proffesionally produced and quality piece of filmaking,which it evidently is.

Esther Anderson has been the subject of personal abuse and harassment by racists on her social media sites who are pursuing a hidden agenda to undermine the success of this film. This is a must see film for anyone interested in The Wailers,Reggae Music,Rastafari and its message of universal love and unity.

Them tired fi see we face, but dem cant get us out of this race..

Seeing this film with lost footage is like a window or a portal into a time & place & space in 1970's Jamaica the coming of fame or birth of the king of reggae. Bob Marley before the fame! Even the camera Esther Anderson used was a prototype Sony video camera.

I like learning motivation for songs and some gems are revealed here! I don't want to spoil the reveal! Enjoy riding in Esther's Land Rover with Bob Marley driving up and thru the Jamaican rolling countryside. Ever wonder what it would be like if you could have a spliff with the King of Reggae? Check it out here in the film as Esther does.

The soundtrack is phenomenal and fresh and upbeat and yet reggae classic in vibes. I definitely recommend it!

An extraordinary documentary about the real human being, Bob Marley before he became famous. A true work of art, very carefully crafted and with a stunning music soundtrack. It is not surprising that it has been invited to more than 30 film festivals. I have watched it several times now, and each time I find something new. This film is not formulaic like so many music documentaries which exploit the artist rather than exploring his or her essence. No, this is different. This is for real. The narrative is built around the first ever footage of Bob Marley and The Wailers at a time when they were trying to cross over internationally, showing Bob Marley, Esther Anderson and Peter Tosh talking intimately at 56 Hope Road. We are taken to a river fall where we see the union of Reggae and Rasta with Bob and Ras Daniel Hartman, the star of The Harder They Come. Throughout the film, Esther Anderson, talks about how she started to work with Bob and the Wailers, and how they wrote together songs like Get up Stand up and I Shot The Sheriff. Particularly emotional is to see The Wailers first rehearsal at Hope Road. This film, and Esther's point of view helped me truly understand many things about Rasta that nobody else had explained before. Congratulations and thanks for the inspiration. Blessed.

Blessed is Our Creator!!! As one of millions and millions of humans whose life was positively affected by the wisdom and music of Bob Marley it gives me great pleasure to recommend this movie. To see the yet to be international musician deal with coming to the fork in the road of his life and his interaction with Ms. Anderson will leave a great impression upon the viewer not to cave into the pressures of life and aim for the purpose for that which a human was placed upon this blessed earth. May this film 'Catch A Fire,' within the minds and hearts of those who merit to see it. One learns of the prejudice that Ms. Anderson and Bob experienced on proposed business trip to Haiti and how that served to ignite a desire from within Bob to 'Never give up the fight.' Interviews from those who knew both are very insightful and should empower us non-Jamaicans not only to better understand the cultural context of Reggae music stripped away from the commercial considerations of the future of the music which at times have benefited the Reggae music community and far too many times weakened it unfortunately as well. One more point that I wish to add!!! The movie captures a certain period of time but that by no means makes the information static which one can access to assist oneself where does one fit within the painting frame of creation-is one an image or a message-the the instruction which permeates this film is that one can find a happy medium of being an image and a message or messenger and not compromise one's vision of how to live life according to one's ambition to grow like a tree planted by the waters of expanding consciousness!!!

Went to the premiere of 'Bob Marley: the making of a legend' in Barbados...it was a delightful, honest, insight into the early life of Bob Marley and The Wailers...very refreshing. This movie was just a simple love story...a love for Bob, a love for the Wailers, a love for their music and a love for Jamaica. Esther Anderson's insight into what these artistes would become is clearly visible...the fact that this film was put together from reels of lost footage and the relentless vision to find same...says a lot for Esther's determination. I have been following the 'career' of this short documentary and very proud to see all of the accolades and the awards. Very impressed. Rosemary Parkinson