Ein Trio von Bodybuildern in Florida wird in einen Erpressungsring und ein Entführungsprogramm verwickelt, das schrecklich schief läuft.Ein Trio von Bodybuildern in Florida wird in einen Erpressungsring und ein Entführungsprogramm verwickelt, das schrecklich schief läuft.Ein Trio von Bodybuildern in Florida wird in einen Erpressungsring und ein Entführungsprogramm verwickelt, das schrecklich schief läuft.
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Finally! After that dreadful Transformers franchise, the Michael Bay who brought us those Bad Boys movies is back! PAIN & GAIN is pumped-up and hugely entertaining. Mark Wahlberg, Dwayne Johnson, and Anthony Mackie bring the old saying, in way over your head, to whole new level of hilarious. Their performances are like The Three Stooges with biceps. A crime comedy doesn't get better than this..
PAIN & GAIN is your textbook Michael Bay, there are beautiful girls, fast cars, that 360-degree spinning shot where the camera circles the actors, plus it's back in Miami too, the land of all kinds of colors and sunshine! Yup! PAIN & GAIN looks, feels, breaths, and benches like a Michael Bay movie, alright! Minus the giant robots, and that's a good thing in this case. I have to give props to the true story that became the basis for this movie, just the idea of three knucklehead bodybuilders chasing American dream and the mishaps that happen along the way because of their stupidity, it's practically a formula for a laugh riot, it practically begged to be made into a movie. Plus it's scripted by the screen writing team who brought us Captain America: The First Avenger, the humor that banks on the cluelessness of the three leads just keeps on coming and hitting the mark. What a great cast, including the great Tony Shalhoub and the rising star/funnywoman, Rebel Wilson who steals every scene she's in. That big girl is going to go places.
Mark Wahlberg leads the pack, but this ain't The Hangover, because all the three lead characters in PAIN & GAIN are idiots, that's the attraction, they think they have it all figured out, but they never think things through, so when things go haywire, they're forced to improvise and when they do improvise, people get hurt and even after that, they still mess up in trying to cover their tracks, it's the idea of stupid people trying to get a shortcut to fortune, some people can't handle such fortune, they mismanage it and they're left hungry again. The film probably would make the late great Tony Scott proud too, because it moves like an A-D-D person, one scene moves to the next very quickly, which also speaks about how rash the three leads are in making their moves. Dwayne Johnson, Mark Wahlberg, and Anthony Mackie have impressive comedic timing, you should see them panicking or cornered, their performances get even more intense. I hit the gym but I don't even come close to what Wahlberg, Mackie, and Johnson do regularly, perhaps. Their biceps have biceps, that's how ridiculously massive they look on the big screen, their belief in fitness is going to make you feel quite insignificant. PAIN & GAIN may have some commentary about American Dream, on whether or not those who do achieve it actually earned it, but in the end, it's just a laugh out loud cautionary tale told through the style of Michael Bay.
-- www.ramascreen.com --
PAIN & GAIN is your textbook Michael Bay, there are beautiful girls, fast cars, that 360-degree spinning shot where the camera circles the actors, plus it's back in Miami too, the land of all kinds of colors and sunshine! Yup! PAIN & GAIN looks, feels, breaths, and benches like a Michael Bay movie, alright! Minus the giant robots, and that's a good thing in this case. I have to give props to the true story that became the basis for this movie, just the idea of three knucklehead bodybuilders chasing American dream and the mishaps that happen along the way because of their stupidity, it's practically a formula for a laugh riot, it practically begged to be made into a movie. Plus it's scripted by the screen writing team who brought us Captain America: The First Avenger, the humor that banks on the cluelessness of the three leads just keeps on coming and hitting the mark. What a great cast, including the great Tony Shalhoub and the rising star/funnywoman, Rebel Wilson who steals every scene she's in. That big girl is going to go places.
Mark Wahlberg leads the pack, but this ain't The Hangover, because all the three lead characters in PAIN & GAIN are idiots, that's the attraction, they think they have it all figured out, but they never think things through, so when things go haywire, they're forced to improvise and when they do improvise, people get hurt and even after that, they still mess up in trying to cover their tracks, it's the idea of stupid people trying to get a shortcut to fortune, some people can't handle such fortune, they mismanage it and they're left hungry again. The film probably would make the late great Tony Scott proud too, because it moves like an A-D-D person, one scene moves to the next very quickly, which also speaks about how rash the three leads are in making their moves. Dwayne Johnson, Mark Wahlberg, and Anthony Mackie have impressive comedic timing, you should see them panicking or cornered, their performances get even more intense. I hit the gym but I don't even come close to what Wahlberg, Mackie, and Johnson do regularly, perhaps. Their biceps have biceps, that's how ridiculously massive they look on the big screen, their belief in fitness is going to make you feel quite insignificant. PAIN & GAIN may have some commentary about American Dream, on whether or not those who do achieve it actually earned it, but in the end, it's just a laugh out loud cautionary tale told through the style of Michael Bay.
-- www.ramascreen.com --
I remember reading about this years ago. These idiots kidnapped and tortured this man until he gave up everything he owned. The actual account is significantly more chilling than depicted in the movie. The only embellishment seemed to be the stupidity of the villains. In actuality, it was their arrogance and hubris that got them caught.
The overwhelming sense I get from all the negative reviews on here is that the comedy in this true story is irresponsible and wrong. Well I think that's just a couple prunes trying to ruin a really good movie. I don't think Michael Bay set out or achieved any disrespect towards the victims. The absurd details of this case mixed with the excellent acting of the principal three actors create an extremely enjoyable movie with some laughs here and there. The editing is excellent and this movie should be rated at least a 7.1
One of the best if not the best movie Mr. Michael Bay has made. It deserves more credit.
Michael Bay's "Pain and Gain" is a very bleak, very dark comedy about three knucklehead bodybuilders in pursuit of their own American dream, even if the road there is paved with sex, drugs, torture, humiliation, and even murder.
Bay is shamelessly reputed for huge explosions, choppy editing, excessively flashy/glitzy cinematography, sexy women, fancy cars and (recently) giant robots. With "Pain and Gain" he returns to low-budget territory since his debut "Bad Boys" in 1995. The result - the film is a debauchery in style - it's all over the film. Although Bay cuts back on the explosions and robots (mercifully), everything else has Bay written all over it, and considering how morbidly ridiculous the film's subject matter is, Bay tackles it in such a head-on and energetic manner that the audience is whisked off for the insane ride ahead.
For this movie, he has assembled together Mark Wahlberg, Dwayne Johnson and Anthony Mackie as the three bumble-heads who have their hearts set in the right goal but clearly lack the intellect to do so. All three men look jacked up, and play their parts as ridiculous as the part goes for it, especially Johnson, who clearly is having a blast showing off a completely different side of him as opposed to what we've been seeing him of late. Wahlberg plays a character so dangerously goofy and dumb one will wonder whether such a person exists in real life. Tony Shalhoub's unfortunate but still jerk-ish character sets the tone for most of the movie as his predicament grows from one spectrum of ridiculousness to another. By the time we've reached sexy Bar Paly's and hilarious Rebel Wilson's love interest characters, the audience have probably seen enough.
Then in comes Ed Harris as Detective Du Bois. Just when I thought the film was about to careen off the rails into insanity. He's the only sane person in the whole movie, and his presence helps bring balance and clarity to what was a ludicrous first half.
Comic relief is key in Bay's action films, but here he's going all out at comedy, and he sure does pull of the stops. The film is simply put, hysterical. The fact that it was indeed a true story makes it all the more hilarious to watch, who honestly can think of some story like this and pull if off straight?
I am aware that since this is a film, some liberties had to be made to the story and characters. Some scenes were undoubtedly exaggerated, but which one? Every scene looked and felt so surreal, every major character ridiculous, every line of dialogue inducing a chortle from the audience. But it was a dementedly fun ride, and Bay, after making two bloated sequels about giant robots, finally returns to his stride.
Bay is shamelessly reputed for huge explosions, choppy editing, excessively flashy/glitzy cinematography, sexy women, fancy cars and (recently) giant robots. With "Pain and Gain" he returns to low-budget territory since his debut "Bad Boys" in 1995. The result - the film is a debauchery in style - it's all over the film. Although Bay cuts back on the explosions and robots (mercifully), everything else has Bay written all over it, and considering how morbidly ridiculous the film's subject matter is, Bay tackles it in such a head-on and energetic manner that the audience is whisked off for the insane ride ahead.
For this movie, he has assembled together Mark Wahlberg, Dwayne Johnson and Anthony Mackie as the three bumble-heads who have their hearts set in the right goal but clearly lack the intellect to do so. All three men look jacked up, and play their parts as ridiculous as the part goes for it, especially Johnson, who clearly is having a blast showing off a completely different side of him as opposed to what we've been seeing him of late. Wahlberg plays a character so dangerously goofy and dumb one will wonder whether such a person exists in real life. Tony Shalhoub's unfortunate but still jerk-ish character sets the tone for most of the movie as his predicament grows from one spectrum of ridiculousness to another. By the time we've reached sexy Bar Paly's and hilarious Rebel Wilson's love interest characters, the audience have probably seen enough.
Then in comes Ed Harris as Detective Du Bois. Just when I thought the film was about to careen off the rails into insanity. He's the only sane person in the whole movie, and his presence helps bring balance and clarity to what was a ludicrous first half.
Comic relief is key in Bay's action films, but here he's going all out at comedy, and he sure does pull of the stops. The film is simply put, hysterical. The fact that it was indeed a true story makes it all the more hilarious to watch, who honestly can think of some story like this and pull if off straight?
I am aware that since this is a film, some liberties had to be made to the story and characters. Some scenes were undoubtedly exaggerated, but which one? Every scene looked and felt so surreal, every major character ridiculous, every line of dialogue inducing a chortle from the audience. But it was a dementedly fun ride, and Bay, after making two bloated sequels about giant robots, finally returns to his stride.
Let me start this out by saying I hate Michael Bay. I hate Michael Bay. OK, OK, he's not the worst director in Hollywood. He's got his s**t together, and people are willing to pay him to glue together the worst movie ideas and turn them into a semi-watchable blockbuster. However, Pain & Gain isn't one of these movies.
"Wait, how does that make it good?" You ask? Well, my position is that Bay actually cared about this movie. He pitched this movie for years, even when he was a more struggling director, and nobody would buy it. Eventually, this movie was made on a measly budget of $26 million. Not exactly peanuts, but nowhere near the budget Bay is used to. I believe this encouraged him to put some real thought into it.
First of all, this is a dark, dark comedy at its core. It's Fargo ramped up to eleven and edited into the pace of a 2-hour-long seat-edging action thriller. The movie manages to go from serious, to gory, to slapstick all in a matter of minutes, and somehow still manages to work. It'll be impossible to keep yourself from cracking out in laughter, even though all of the characters are completely unlikable and self-absorbed. The movie constantly mocks gym jocks, self-help optimism, and class privilege. The acting is superb. All of the cast was well chosen, from Dwayne to Shalhoub and especially Wahlberg. And that shocking fridge horror moment comes with the realization that it all actually happened. Yes, unlike Fargo, that disclaimer at the beginning of the movie is an honest one, and the actual events are even more outrageous than this movie itself.
Most of the criticism seems to come from this movie being made as humor deriving from a true event, but I don't think it could have been done better any differently. All of the changes made to the events were understandable in order to make it watchable as a movie; Adding extra humor in order to balance the absurdity, merging a few characters into one much larger one, or even actually *toning down* a few parts to make them more believable. There are so many memorable moments that are permanently affixed to my brain, unlike other Bay films which are utterly forgettable. That makes this a cult classic, and easily one of my favorite movies.
"Wait, how does that make it good?" You ask? Well, my position is that Bay actually cared about this movie. He pitched this movie for years, even when he was a more struggling director, and nobody would buy it. Eventually, this movie was made on a measly budget of $26 million. Not exactly peanuts, but nowhere near the budget Bay is used to. I believe this encouraged him to put some real thought into it.
First of all, this is a dark, dark comedy at its core. It's Fargo ramped up to eleven and edited into the pace of a 2-hour-long seat-edging action thriller. The movie manages to go from serious, to gory, to slapstick all in a matter of minutes, and somehow still manages to work. It'll be impossible to keep yourself from cracking out in laughter, even though all of the characters are completely unlikable and self-absorbed. The movie constantly mocks gym jocks, self-help optimism, and class privilege. The acting is superb. All of the cast was well chosen, from Dwayne to Shalhoub and especially Wahlberg. And that shocking fridge horror moment comes with the realization that it all actually happened. Yes, unlike Fargo, that disclaimer at the beginning of the movie is an honest one, and the actual events are even more outrageous than this movie itself.
Most of the criticism seems to come from this movie being made as humor deriving from a true event, but I don't think it could have been done better any differently. All of the changes made to the events were understandable in order to make it watchable as a movie; Adding extra humor in order to balance the absurdity, merging a few characters into one much larger one, or even actually *toning down* a few parts to make them more believable. There are so many memorable moments that are permanently affixed to my brain, unlike other Bay films which are utterly forgettable. That makes this a cult classic, and easily one of my favorite movies.
Rock On: The Life and Times of Dwayne Johnson
Rock On: The Life and Times of Dwayne Johnson
Take a look back at The Rock's career in photos.
Wusstest du schon
- WissenswertesAt just over $20 million, this movie is Michael Bay's lowest-budgeted film since his feature film debut, Bad Boys - Harte Jungs (1995). Bay, Mark Wahlberg, and Dwayne Johnson took pay cuts to keep the budget down.
- PatzerWhen the crew propose an investment scheme to Frank Griga and Krisztina Furton at Doorbal's home, a Nintendo Gamecube controller can be seen. This device was not available until 2001.
- Zitate
[from trailer]
Daniel Lugo: [to a little boy] Don't eyeball me! I've seen your mother driving up and down these streets looking at me! I'll be your stepfather in about a week!
- Crazy CreditsThe end credits are interspersed with photos of the real people the story is based on, as well as the sentences they received; crime scene photos; mugshots; evidence; coroner's findings; newspaper articles; and court photos.
- VerbindungenEdited from Bad Boys II (2003)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
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- Auch bekannt als
- Sangre, sudor y gloria
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 26.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 49.875.291 $
- Eröffnungswochenende in den USA und in Kanada
- 20.244.505 $
- 28. Apr. 2013
- Weltweiter Bruttoertrag
- 87.305.549 $
- Laufzeit2 Stunden 9 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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