IMDb-BEWERTUNG
6,3/10
1137
IHRE BEWERTUNG
Ein Mitglied einer israelischen Antiterror-Einheit gerät in Konflikt mit einer Gruppe junger Radikaler.Ein Mitglied einer israelischen Antiterror-Einheit gerät in Konflikt mit einer Gruppe junger Radikaler.Ein Mitglied einer israelischen Antiterror-Einheit gerät in Konflikt mit einer Gruppe junger Radikaler.
- Auszeichnungen
- 10 Gewinne & 16 Nominierungen insgesamt
Meital Berdah
- Nili
- (as Meital Barda)
Rona-Lee Shimon
- Hila
- (as Rona-Lee Shim'on)
Empfohlene Bewertungen
10afertak
What does it mean to live in modern Israel? When you are raised in a country full of violence, conflicted and still fighting, how does it affect you? Main character is a policeman from anti-terroristic unit of Jerusalem Force. His wife can get birth to their daughter any minute now, his friend's fighting with cancer and he's been under investigation for wounding and killing four civilians during the hunt after no.2 terrorist from Most Wanted List. But in this critical situations he stays calm and firm, because that is exactly what he, the fighter and warrior, should be in times of crisis. Young revolutionists, naive and romantic, with mouths full of cries for social justice, and with XIXth century vision of society, are standing in the opposite corner of this story. They're Israeli bourgeois, raised in middle or upper class, from good schools and universities. Intellectuals lost in reality, dreaming of beautiful utopias, with admiration towards violence. Especially young poet, Shira - delicate blond girl with such incredible hunger for reasons and taking actions. She talks in slogans and poems - e.g. to a young, beautiful bride, daughter of true capitalist: "You are not a woman, but a bride. You have no face- you've got make up. You have no breasts, but perfectly fitted bra. You have no body - you have this dress. And this dress is exactly in the size of your personality."
Violence is the key to understand this film - it is everywhere, even in greetings between policemen or in kisses from Shira. It is in almost every word coming from characters' lips. We are watching Shira with a gun that is almost as big as her forearm and Yoran carrying a baby right after a cruel wrestling with his friends. Even when he's carrying his pregnant wife upstairs to his mother's place. But when those two characters meet, suddenly something will blow, some walls will crush and there will be an understanding. Maybe it will not be conscious, but a change is coming.
Violence is the key to understand this film - it is everywhere, even in greetings between policemen or in kisses from Shira. It is in almost every word coming from characters' lips. We are watching Shira with a gun that is almost as big as her forearm and Yoran carrying a baby right after a cruel wrestling with his friends. Even when he's carrying his pregnant wife upstairs to his mother's place. But when those two characters meet, suddenly something will blow, some walls will crush and there will be an understanding. Maybe it will not be conscious, but a change is coming.
I really like Israeli series and movies but this one gives Israeli productions a bad name! The plot makes no sense, the dialog seems improvised, the camera work is rudimentary and primitive, done at the level of a high school production. There are a lot of scenes with minimal dialog where the actors are either having gratuitous sex or just staring at each other, neither of which do anything to contribute to the plot or move the story forward. This is just a terrible production!
Simply: a movie that did not make any sense. Poorly written.
My wife and I are Americans who are very keen on Israeli movies and tv series. You might even accuse us of having a positive bias. We watched with subtitles, so please consider. This one was a dog. It consisted of two essentially parallel or even separate stories that came together only at the end, and mechanically at that. The film was compromised by loose ends, cliches, very weak writing and weak dialogue. Of all the characters/actors, one was interesting, but not likeable. A minor plus - you will get to see actors who later had larger, better roles in Shtisel and Fauda. But you'd better not blink for one of them!
First at all, I can't believe that so many people gave this movie so high score. Some good actors,like Menashe Noy or Mushonov Junior, but many bad interpretations. The Police main role its not credible.
This movie is a waste of time. The direction is terrible; no direction. No clear message, confuse and that don't reflect the reality of Israel. The figures are not representatives and the script seems that was written by a teenager that wanna be a writer; common places, disconnection of the situations and no poetry at all. Don't find nor an aesthetic line.
After watching the very good film "footnotes", this movie is a deception.
This movie is a waste of time. The direction is terrible; no direction. No clear message, confuse and that don't reflect the reality of Israel. The figures are not representatives and the script seems that was written by a teenager that wanna be a writer; common places, disconnection of the situations and no poetry at all. Don't find nor an aesthetic line.
After watching the very good film "footnotes", this movie is a deception.
Wusstest du schon
- WissenswertesThe film's editor, Era Lapid, is the mother of the film's writer-director, Nadav Lapid.
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Policeman?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 11.263 $
- Eröffnungswochenende in den USA und in Kanada
- 7.379 $
- 15. Juni 2014
- Weltweiter Bruttoertrag
- 38.263 $
- Laufzeit1 Stunde 45 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.66 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen