Policeman

Simply: a movie that did not make any sense. Poorly written.

This summer Israel saw a large non-violent movement of social protest against the gap between rich and poor. There was a bit of a gasp when POLICEMAN came out, because although obviously written some time before this summer (moviemaking being the slow process that it is), it depicts a protest focused on the same theme and (like the real one) including a college-aged girl from a rich family as its spokesperson. The difference is that in the movie the movement is small and violent. Its members are shown as raising real problems (heaven knows the rich really are too rich and the poor too poor) but driven largely by personal issues and limited even in their conceptualization of their own plans. Against them is a team of police who are also not without a touch of ridiculousness-- always roughhousing, always exercising, not leaving the apartment without doing pushups first; in fact, there does not seem to be a single level-headed, normal-living character to anchor the movie. The sanest speech is perhaps a short harangue from one of the hated capitalists, and it offers no big solutions. At the same time, the film contains several scenes that seem to stop too soon or omit background information, while other scenes stretch on into extra moments, as if even the filmmaker could not hope always to be paying attention to the right thing at the right time. The result is a movie that does not seem to take anyone's side or promote any particular agenda even though it has intriguing and even strongly suspenseful moments and it arouses the feeling that something must be done. This is not the stuff that crowd-pleasers are made of, and it looks as if POLICEMAN will not be chalking up very many weeks on the big screen.

The thankless job of the Policeman. Dealing with the multiple types of terrorists in the world. Here, kids who hate the fathers and let their anti-authoritarian views lead them to tragic violence. Good showing of selfish and deranged view of leftist revolutionaries.

What does it mean to live in modern Israel? When you are raised in a country full of violence, conflicted and still fighting, how does it affect you? Main character is a policeman from anti-terroristic unit of Jerusalem Force. His wife can get birth to their daughter any minute now, his friend's fighting with cancer and he's been under investigation for wounding and killing four civilians during the hunt after no.2 terrorist from Most Wanted List. But in this critical situations he stays calm and firm, because that is exactly what he, the fighter and warrior, should be in times of crisis. Young revolutionists, naive and romantic, with mouths full of cries for social justice, and with XIXth century vision of society, are standing in the opposite corner of this story. They're Israeli bourgeois, raised in middle or upper class, from good schools and universities. Intellectuals lost in reality, dreaming of beautiful utopias, with admiration towards violence. Especially young poet, Shira - delicate blond girl with such incredible hunger for reasons and taking actions. She talks in slogans and poems - e.g. to a young, beautiful bride, daughter of true capitalist: "You are not a woman, but a bride. You have no face- you've got make up. You have no breasts, but perfectly fitted bra. You have no body - you have this dress. And this dress is exactly in the size of your personality."

Violence is the key to understand this film - it is everywhere, even in greetings between policemen or in kisses from Shira. It is in almost every word coming from characters' lips. We are watching Shira with a gun that is almost as big as her forearm and Yoran carrying a baby right after a cruel wrestling with his friends. Even when he's carrying his pregnant wife upstairs to his mother's place. But when those two characters meet, suddenly something will blow, some walls will crush and there will be an understanding. Maybe it will not be conscious, but a change is coming.

I really like Israeli series and movies but this one gives Israeli productions a bad name! The plot makes no sense, the dialog seems improvised, the camera work is rudimentary and primitive, done at the level of a high school production. There are a lot of scenes with minimal dialog where the actors are either having gratuitous sex or just staring at each other, neither of which do anything to contribute to the plot or move the story forward. This is just a terrible production!