Call Girl
- 2012
- 2 Std. 20 Min.
IMDb-BEWERTUNG
6,5/10
5065
IHRE BEWERTUNG
Ein junges Mädchen wird von der untersten Stufe der Gesellschaft in eine unbarmherzige Welt rekrutiert, in der man mit Macht alles erreichen kann.Ein junges Mädchen wird von der untersten Stufe der Gesellschaft in eine unbarmherzige Welt rekrutiert, in der man mit Macht alles erreichen kann.Ein junges Mädchen wird von der untersten Stufe der Gesellschaft in eine unbarmherzige Welt rekrutiert, in der man mit Macht alles erreichen kann.
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- 10 Gewinne & 13 Nominierungen insgesamt
Empfohlene Bewertungen
i had no idea what movie to expect , i saw the title and thought i was gonna see an easy American style thriller action fun movie. i am open minded so i was ready for whatever came on the screen. however what i saw was an impressive movie that also seemed to be a true story . i can imagine those things really happened , although few erotic scenes looked really weird and not real , i guess i am not that perverted . but the whole film seemed very realistic, no crazy action 3D VFX etc.
one of the strong parts is the 70s feeling. the people look very 70s styled. i mean they did a fantastic job to show the feel of that time and how it looked and felt. if you were in the 70s you can definitely tell how realistic the movie was. another great thing was i didn't got bored for a second. the story went on and on , and i had no idea where it was going and it was very unpredictable and interesting to see how things turned towards the end.
last thing; there was a big shock moment somewhere in the movie , it scared the heck out of me , i suddenly jumped out of my chair for a second, i can't tell you what it was , you go see for yourself. if you like realistic 70s movies , this is a good one. i liked it.
one of the strong parts is the 70s feeling. the people look very 70s styled. i mean they did a fantastic job to show the feel of that time and how it looked and felt. if you were in the 70s you can definitely tell how realistic the movie was. another great thing was i didn't got bored for a second. the story went on and on , and i had no idea where it was going and it was very unpredictable and interesting to see how things turned towards the end.
last thing; there was a big shock moment somewhere in the movie , it scared the heck out of me , i suddenly jumped out of my chair for a second, i can't tell you what it was , you go see for yourself. if you like realistic 70s movies , this is a good one. i liked it.
Well that was a disappointment. I thought the story (based on true events) would be something interesting to watch but the movie just turns out to be more than two hours of boredom. It's just not well made, it could have used a better editing and filming. Too many repetitive scenes, not even well shot, just made this movie boring to watch. The acting isn't anything special at all, just like the whole movie. Maybe it's interesting for somebody from Sweden, even though I doubt that. Did I regret watching this one? Yes, it's a waste of time!
CALL GIRL is one of those slow and sombre Scandinavian productions that's all about the slow burn. It tells the true story of a scandalous call girl ring running in Sweden in the 1970s in which underage girls were procured for leading politicians of the era. Names have been changed but the viewer nonetheless comes away with some idea of the corruption inherent during the era, and of course we all know that most countries have their own skeletons in the closet from that decade.
As a film, CALL GIRL doesn't really excite or involve the viewer too much, although it's certainly very well made and beautifully directed in places. The subject matter is racy but somehow never sleazy; there's a classy slickness to the production that veers on the right side of taste. Saying that, there's still a heck of a lot of nudity from the young women involved, so it's not going to be for all tastes. The acting is of a generally realistic standard, too. My main issue is with the overlong running time; at least half the has elapsed before the story begins for real with the police investigation and some efficient pruning could have turned this into something really remarkable.
As a film, CALL GIRL doesn't really excite or involve the viewer too much, although it's certainly very well made and beautifully directed in places. The subject matter is racy but somehow never sleazy; there's a classy slickness to the production that veers on the right side of taste. Saying that, there's still a heck of a lot of nudity from the young women involved, so it's not going to be for all tastes. The acting is of a generally realistic standard, too. My main issue is with the overlong running time; at least half the has elapsed before the story begins for real with the police investigation and some efficient pruning could have turned this into something really remarkable.
'Call Girl', a film about a sex scandal in Sweden in the 1970's, is labeled as a classic political paranoia thriller. It has indeed some elements of this film genre. There is the righteous police investigator who has to fight against corrupt powers. There are also mysterious exchanges in dark and rainy streets between men in raincoats. There is an undercover photographer who captures suspect encounters from a parked car.
But that is only one part of the story. 'Call Girl' is as much a coming-of-age film as a political thriller. The first half of the film focuses almost entirely on 14-year old Iris, an adventurous girl who ventures into Stockholm's night life and slowly gets involved in a prostitution network servicing high-powered politicians.
The movie is clearly meant as a critique of Sweden's ultra-liberal culture in the seventies. The politicians publicly defend equal rights for women and men, but at the same time use underage girls as disposable sex toys. On the other hand, Iris and her cousin Sonja seem to enjoy the excitement, the glamour and the proceeds of their secret life as call girls. They are not shown as helpless victims but as naive girls who only discover that they have made a mistake when it is too late.
'Call girl' is very good in capturing the mood of the seventies. A great job has been done by Dutch cinematographer Hoyte van Hoytema, who created the same atmosphere for 'Tinker, Taylor, Soldier Spy'. But the film fails in creating the right amount of suspense. In the first half, the emphasis is too much on Iris's introduction into the call girl network. This part is too slow and too long. We see the same things over and over again: the girls visiting clients in posh hotels, the girls being 'brainwashed' by the network leader, the girls snoring cocaine, the girls parading around in see-through blouses, etcetera. The thriller element is more prominent in the second half of the movie, but even then the film never surprises in a positive way.
The most spoken-about aspect of the film is the Olof Palme link. The son of former Swedish prime minister Olof Palme has started a lawsuit because he thinks the film suggests that Palme had sex with underage girls. In fact, the name Palme is never mentioned. But apparently, in Sweden there has been a police report about Palme's involvement in the network, which has subsequently been covered up until the 1990's. Because of this historical link, the film is probably a big deal for the Swedes. But for the rest of the world, it is nothing special.
But that is only one part of the story. 'Call Girl' is as much a coming-of-age film as a political thriller. The first half of the film focuses almost entirely on 14-year old Iris, an adventurous girl who ventures into Stockholm's night life and slowly gets involved in a prostitution network servicing high-powered politicians.
The movie is clearly meant as a critique of Sweden's ultra-liberal culture in the seventies. The politicians publicly defend equal rights for women and men, but at the same time use underage girls as disposable sex toys. On the other hand, Iris and her cousin Sonja seem to enjoy the excitement, the glamour and the proceeds of their secret life as call girls. They are not shown as helpless victims but as naive girls who only discover that they have made a mistake when it is too late.
'Call girl' is very good in capturing the mood of the seventies. A great job has been done by Dutch cinematographer Hoyte van Hoytema, who created the same atmosphere for 'Tinker, Taylor, Soldier Spy'. But the film fails in creating the right amount of suspense. In the first half, the emphasis is too much on Iris's introduction into the call girl network. This part is too slow and too long. We see the same things over and over again: the girls visiting clients in posh hotels, the girls being 'brainwashed' by the network leader, the girls snoring cocaine, the girls parading around in see-through blouses, etcetera. The thriller element is more prominent in the second half of the movie, but even then the film never surprises in a positive way.
The most spoken-about aspect of the film is the Olof Palme link. The son of former Swedish prime minister Olof Palme has started a lawsuit because he thinks the film suggests that Palme had sex with underage girls. In fact, the name Palme is never mentioned. But apparently, in Sweden there has been a police report about Palme's involvement in the network, which has subsequently been covered up until the 1990's. Because of this historical link, the film is probably a big deal for the Swedes. But for the rest of the world, it is nothing special.
1970s and a Swedish scandal which is said took place in reality. High politicians went to prostitutes, some of them certainly much under age.
The problem with this film is whether it's having too little or too much to do with what really happened. Real historical persons appear here, only slightly disguised or not disguised at all really. But that's another kind of discussion. Are there anyway qualities to be found?
Yes, the so called life of the young girls is narrated in a rather touching way and focus should have been on that. Instead it's about corrupt politicians, corrupt police captains and a single policeman trying to fight it. The characters are somewhat square, which hides the story a little.
The problem with this film is whether it's having too little or too much to do with what really happened. Real historical persons appear here, only slightly disguised or not disguised at all really. But that's another kind of discussion. Are there anyway qualities to be found?
Yes, the so called life of the young girls is narrated in a rather touching way and focus should have been on that. Instead it's about corrupt politicians, corrupt police captains and a single policeman trying to fight it. The characters are somewhat square, which hides the story a little.
Wusstest du schon
- WissenswertesThis story is based on actual events. Only the names, locations, and some events have been changed. In the movie Pernilla August plays madam Dagmar Glans, in real life her name was Doris Hopp. Claes Ljungmark plays the minister of justice, in real life Lennart Geijer. David Dencik plays Aspen Thorin, in real life information officer Ebbe Carlsson. Magnus Krepper plays the prime minister, based on real life Olof Palme. Claes-Göran Turesson plays the chief of police, based on real life Carl Persson.
- PatzerMany reel-to-reel tape recorders visible in the film - set in 1976 - are Revox PR99s, easily identifiable by there digital counters, a model that was not introduced until 1982.
- Zitate
Kurt Nygren: Thought you were the press officer, not a police officer.
Aspen: Well... that thing with the ladies will have to be put under wraps. You, of all people, know what can happen when a situation gets sticky.
- Crazy CreditsThe title doesn't appear until after about 10 minutes, in the first scene with Dagmar Glans.
- VerbindungenFeatures ABBA: Dancing Queen (1976)
- SoundtracksA Real Good Time
(Mattias Bärjed)
Top-Auswahl
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- Budget
- 4.500.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 1.922.273 $
- Laufzeit2 Stunden 20 Minuten
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- Seitenverhältnis
- 2.35 : 1
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