Acidman

Started off ok , then turned into a very slow paced tragedy ! With a very awkward vibe throughout.

We never get to see why the dad was always going into stares , depersonalising- de realising etc . Found it odd , uncomfortable, hated the dog scene , which i found pointless , animal death will always kill a film , why ? Because there are too many animal lovers out here that just do not tolerate it , no matter what it gives to the scene - story line , in this instance gave nothing . He didnt even seem bothered about it .

We also never got to see what the whole sc fi was about ??? Soooo long winded , dissatisfying and strange !

I mean was he mad , did he have psychosis ?

Dementia ? Gah ... frustrating .

2 star for the dog only.

What a waste of an hour and 30 mins. Nothing paranormal about this which left me disappointed.

Nothing happens in this movie. It's very dry and serious. The cinematography is dark and depressing.

The storyline is a father and daughter relationship and her denability of his illness which isn't actually investigated. He is a loner who is obsessed with communicating with aliens/paranormal beings. Communication is never found and leads the viewer wish there was at least some contact so that you can actually like the character.

Just a really dull film. Dull acting. Dull photography and Dull story.

I have liked both main actors for a number of years, Dianna Agron when she had a regular role on the TV series "Glee". She always seemed to be a realistic, authentic actor and she is here. And Church since I saw him in "Sideways", wreaking havoc in the California wine country. Incidentally, each of them is listed among the producers for this movie.

It begins with Agron as Maggie showing up, after a very long trip, to a dilapidated home in a heavily wooded area (filmed in Oregon), driving down a narrow, dirt road. After a few attempts at the front door and getting no response she starts to back up her car. Looking down at her phone for signal she bumps something, looking back it is a man and a shopping cart of his items. She greets him with "Hi, Dad."

Thomas Haden Church is her dad, Loyd. They are very familiar with each other, mutual respect but no warmth, no hugs. We immediately wonder what the story is. This small movie is about their stories.

Loyd is an engineer living a secluded live, we get no hint of how his career went. He is now obsessed with what he thinks are his signal contacts with alien spacecraft. Maggie has arrived unannounced, mainly because Loyd has made it hard for anyone to find him or contact him. But in flashbacks we see the two of them had a very happy and engaging life together as she grew up. And he still had her hand-drawn and colored "Slam Dunk Tuesday" book from her childhood.

I really like this movie, it is all about relationships and how we deal with our inner conflicts. Agron and Church are both at the top of their acting games in this movie. I enjoyed it as a good story, but enjoyed it even more for the two actors.

It was also nice seeing scenes of the gorgeous, rocky Oregon coast. At home, streaming on Amazon Prime.

Prior to fine rom-com "Meet Cute" Alex Lehmann directed the intimate, weighty yet sluggish dramas "Blue Jay", "Paddleton" & "Acidman". In the latter 20-something Dianna Agron (Alicia Vikander-esque) visits a remote, craggy, forested Oregon coast to try connecting with her estranged, reclusive & possibly mentally ill dad Thomas Haden Church (likeable as ever) who lives alone with his dog 'communicating' with UFOs. Plot-wise Lehmann & Chris Dowling's script is disappointingly thin, but as a dual character study it's rich enough (helped by the great two central performances (especially Agron)) - whether that's enough to entertain most tho is debatable.

Firstly, I'd just like to point out how beautiful this film looks, especially with its opening establishing shots. The camerawork and mise-en scene are on point throughout and really give an accurate sense of place and time.

However, whilst entertaining (if not a little slow) this movie does have some flaws baked into its script. For me, the Father is a well acted character with a lot to be uncovered, but his arc just doesn't progress as the film goes on, and too much is left unsaid about what is actually going on with him. Its arguable that the director leaves this up to the viewer to decide, but considering the films runtime and lack of any other subplots, its hard to excuse this lack of character development and closure by the time the credits roll.

I'd recommend this movie to anyone who likes a slower paced character driven drama, but isn't expecting too much by the films conclusion. Acidman is a perfect lazy Sunday watch when things to do are light on the ground.