Oh Boy

The title of this award-winning 2014 German film is a tease, since the protagonist spends the day the movie describes trying—and failing—to score a cup of joe. Would he had gotten it, and he might have been better prepared for his frustrating encounters with his girlfriends (present and possible future), his dad, the creator of an unintentionally hilarious performance art piece, and some drunken toughs, among others. As it is, he is "a victim of inertia," says Washington Post reviewer Stephanie Merry, a young man who has so far chucked his opportunities into an ocean of cool. Jan Ole Gerster's debut film, starring Tom Schilling as Niko (originally titled Oh, Boy), has created a likable if drifting protagonist and given him situations punctuated with absurd humor. You want Niko to pull himself together and for the sparks of empathy we see to flame into action. One of those flames occurs near the end of the film, when he hears a rambling, drunken tale that calls forth thoughts of people who really had it bad. Great musical score by Cherilyn MacNeil and The Major Minors.

There is a theme in the movie and I'm not talking about the growing up part. I'm talking about the part where the lead character has to make decisions. Which he is unable too. You could argue, that is part of growing up, but it's just a theme that runs through many people and will touch a nerve.

Of course the one thing our lead character wants, he doesn't get. There is always an obstacle, something that will not let him get it. For some that might feel symbolic (and the resolution this has or hasn't at the end of the movie might feel that way too), but that depends on how you view things. And that is something that has been done clever by the filmmaker here. Shooting in black and white is an art choice, but I feel it works for the general feeling of the movie

Oh Boy is somewhat reminiscent of Prozac Nation. The protagonist is an unlikable, spoilt child, leeching off others while breezing through life. It is an anti-"Coming of Age" film, showing how people refuse to "grow up" - even supposed adults. Niko's father is childish, his friend an underachieving actor and the former classmate he runs into is in a way still the little girl with a crush on him. It doesn't end there, even Germany itself refuses to "grow up", clinging to its Nazi past and sticking to absurd bureaucracy.

On top of having an amusing story, Oh Boy has lovely cinematography. Berlin looks great in black & white, and with the lazy jazzy soundtrack it sometimes seems like a 50s film. Quite a promising start from Gerster, who won just about every German film award around.

As a German living abroad for the past 12 years, it's been a surprising pleasure to see, back in Berlin, this little jewel of a movie. Step by step the young guy's everyday-life situations pull you in, develop a light but melancholic atmosphere in which great acting, a pensive and funny script, music that reminds the best of Miles Davis and awesome black-and-white camera-work form a wonderful whole of a movie. If you see, towards the end, average shots of Berlin turned into looking poetic… you know the film has found its tone just on the right note.

Beautiful - I hope this (first!) film didn't only accidentally turn out so well. You want to wish the director, all actors and his crew the very best !

A Cup of Pleasure in film making that scored high with me because of its thoughtful humor, wonderful acting, crisp black and white film work, and commentary on the problems of young men fitting into a modern world. No slapstick comedy here. No raunchy jokes like we get in films made and about young people. The comedy is underplayed. The dialog is sharp and meaningful. I read that this is the film makers first effort. That in itself is amazing since the movie shows such maturity in the craft. I hope that there will be more films coming from the people who made this one. Who said that the Germans don't have a sense of humor. I thing that changing the title from Oh Boy to A Cup of Coffee in Berlin was a good move.