Zwei kämpfende Kumpels kleiden sich als Polizisten für eine Kostümparty und werden zu Nachbarschaftssensationen. Aber wenn sich diese neu gewonnenen "Helden" in einem realen Netz von Gangste... Alles lesenZwei kämpfende Kumpels kleiden sich als Polizisten für eine Kostümparty und werden zu Nachbarschaftssensationen. Aber wenn sich diese neu gewonnenen "Helden" in einem realen Netz von Gangstern und schmutzigen Detektiven verheddern, müssen sie ihre gefälschten Abzeichen auf die Li... Alles lesenZwei kämpfende Kumpels kleiden sich als Polizisten für eine Kostümparty und werden zu Nachbarschaftssensationen. Aber wenn sich diese neu gewonnenen "Helden" in einem realen Netz von Gangstern und schmutzigen Detektiven verheddern, müssen sie ihre gefälschten Abzeichen auf die Linie bringen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
- Todd Cutter
- (as Jon Lajoie)
- Dave
- (as Randall P. Havens)
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The movie stars Jake Johnson of New Girl (2011-2014) fame as a burned out former college sports prodigy who's currently unemployed and single in sunny Los Angeles. His roommate Damon Wayans Jr. is a video game designer who struggles to bring his ideas to life thanks to a petrifying fear of taking initiative. His new game pitch involves a Grand Theft Auto-type RPG boasting an authentic beat cop experience. So authentic in fact, that he borrows real police uniforms to place on his presentation mannequins. His boss doesn't go for it but at least the two can become a hit at a costume party, thus beginning a ruse that grabs the attention of the ladies, the criminals and the LAPD.
The film adds very little to the buddy cop genre save a realistic performance by Rob Riggle as a legit Police officer. The villains are serviceable in menace and acting ability while love interest Nina Dobrev of the ever popular Degrassi: The Next Generation (2006-2009) is breathtaking T&A. The notion of Dobrev's character aspiring to be a makeup artist and not an actress or model is about as silly as Fred Astaire aspiring to be a shoe-shiner. Try as they might the chemistry between the two leads is cordial but no where near the level of Murtaugh and Briggs, Cates and Hammond, Lee and Carter. At best they're Freebie and the Bean (1974) without the pretense of already being A-List stars.
But let's be real, this film isn't trying to be the next Rush Hour (1998), and yes that is the new marker of quality. It's a movie that tries to reassemble the old Blockbuster video crowd who rented Martin Lawrence's National Security (2003) and All About the Benjamins (2002) a hundred times because old habits die hard and The Marine (2006) was already rented out. While Johnson and Wayans Jr. may not have the established fan base of Martin Lawrence or Ice Cube, there's no denying the films refreshing lack of pretense and the actors' enthusiasm towards the one-trick pony screenplay.
Let's cut the BS, what it all comes down to in movies like this is can it make you laugh? The short answer is yes and not just scattered chuckles either. Is it worth a re-watch; probably not. There are some truly inspired moments many of which are provided by Keegan-Michael Key (If Key and Jordan Peele were cast as the hapless fake cops instead of Johnson and Wayans who knows how deliciously absurd this movie could have gotten). Yet the buddy-banter all feels recycled and the action sequences are mundane.
I tacitly approve even if Let's Be Cops appeared too late on the scene to be relevant. Those who are limitedly exposed to the clichés of boys-in-blue-type cinema will find something to like, especially when their parents aren't in the room. Those with more discerning taste might want to look the other way on this one, not because it's offensive, dumb or bad but because it's too little of anything.
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It is fun and I love it.
I admit that there are something in the movie that is not logical or not realistic, but it can still be called a good comedy as long as you do not take all the things so seriously.
Someone also mentioned that they are attracted by the trailer and are disappointed after watching it. What I shall say is that trailer does not exaggerate the fun point of the movie, I saw more fun spots in the movie which didn't shown in the trailer.
If you just want to have fun, it is a good choice, but if you want a very logical/classic/perfect story, do not try this one.
But sometimes the cops and robbers game is fun enough that the adult wants this to become their life. They'll ask for information on what the next step is to becoming a real life officer. Either they'll be scared away from the complicated paperwork and academy, denied because of something they have or done, or they possess the will to go through with it and make it a career. But you occasionally hear about those bad apples that think its funny to impersonate an officer. Like the characters in Let's Be Cops, their most likely stupid and don't think about the consequences on the people they fool.
Justin (played by Damon Wayans, Jr.) and Ryan (played by Jake Johnson) are two best friends that have lived in Los Angeles hoping that their lives here would be better then in Ohio. This is not the case as Justin is a video game designer whose more of an assistant then a creative mind and Ryan is a bum friend whose football days are long behind him and living off of a commercial payday that has kept him stable. They head out to a college reunion as cops thinking it's a costume party. Not only is it a masquerade party instead, but they have a hard time fitting in with their more successful classmates.
Just as they decide they might go back to Ohio, they discover something on the city streets; people are giving them double takes, the tallest of men start to slouch and the hottest of women give them smiles. The two quickly realize that people think that their cops. Ryan wants to play around with this more, now getting the respect that he's wanted after college, though Justin is more of a weak coward whose more concerned with going to prison. The two eventually get good enough to deceive the L.A.P.D. and start doing detective work for a Russian mafia.
Every summer there's a movie that I'm gonna find is a surprise that I didn't expect; Let's Be Cops is the surprise. It was a movie I remember laughing at even though a lot of the gags were stupid, reminding me of something like Surf Ninjas. But I kind of like Surf Ninjas. So why am I forgiving here and not of something like Teenage Mutant Ninja Turtles that was full of dumb jokes?
First of all, the jokes feel like timeless jokes, as to say that they didn't rely on modern day or pop culture things that could be dated in a few years. Second, the characters are likable. Both Justin and Ryan feel like those recent college buddies that still need to find better interests, but they put so much passion in what their doing that you really want to see where they go with this. Third, I feel like that the movie is in on the whole joke of cop clichès and that most of the jokes, especially the jokes that aren't funny, are intentional.
I'll give this seven fake police badges out of ten. Let's Be Cops is that comedy that will become a hit on television through repeated viewings at midnight with teenagers and college students. I can't say it's for everyone, but this is something you need to turn off your logical brain to enjoy.
Wusstest du schon
- WissenswertesJake Johnson, Damon Wayans Jr., Jonathan Lajoie, Rob Riggle and Keegan-Michael Key, who are all stand-up comedians, improvised a lot of their dialogue.
- PatzerWhen Ryan's cop car chases the kids across the lawn, the tires squeal as if on pavement.
- Crazy CreditsAnother montage of Ryan and Justin posing as cops is shown during the end credits.
- SoundtracksI Want It That Way
Written by Andreas Carlsson (as Andreas Mikael Carlsson) & Max Martin
Performed by Backstreet Boys (as The Backstreet Boys)
Courtesy of RCA Records
By arrangement with Sony Music Licensing
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Agentes del desorden
- Drehorte
- Atlanta, Georgia, USA(as Los Angeles)
- Produktionsfirmen
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Box Office
- Budget
- 17.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 82.390.774 $
- Eröffnungswochenende in den USA und in Kanada
- 17.813.722 $
- 17. Aug. 2014
- Weltweiter Bruttoertrag
- 138.224.951 $