Nur knapp einer Gefängnisstrafe entgangen, schwört der frischgebackene Vater Robbie, ein neues Leben zu beginnen. Der Besuch einer Whiskybrennerei inspiriert ihn und seine Freunde zu einem A... Alles lesenNur knapp einer Gefängnisstrafe entgangen, schwört der frischgebackene Vater Robbie, ein neues Leben zu beginnen. Der Besuch einer Whiskybrennerei inspiriert ihn und seine Freunde zu einem Ausweg aus ihrem hoffnungslosen Leben.Nur knapp einer Gefängnisstrafe entgangen, schwört der frischgebackene Vater Robbie, ein neues Leben zu beginnen. Der Besuch einer Whiskybrennerei inspiriert ihn und seine Freunde zu einem Ausweg aus ihrem hoffnungslosen Leben.
- Auszeichnungen
- 7 Gewinne & 10 Nominierungen insgesamt
- Mo
- (as Jasmine Riggins)
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The movie is pleasant and endearing overall. The script relies on a pretty good mix between drama and comedy with well written dialogues. However, the story is in fact quite linear in its unfolding with a few overlong passages, clearly lacking depth and substance. Also, the characters are a bit shallow and under-developed, but still touching and one can easily feel sympathy towards them.
Last thing: the cast is outstanding and accurate in their performances, as usual with Loach.
The acting is surprisingly great; there are no real known actors in this besides John Henshaw who was fantastic despite not having a lot of screen-time. New-comers like Paul Brannigan are excellent and really carry this film. The performances of those main four characters are all done well, particularly Gary Maitland.
The script is quite interesting and has a great Scottish theme to it. The dialogue is fantastic, the conversations in this film seem so real and the colloquialisms provide so much humour for Scottish audiences. There have been few Scottish films lately that seem like a real Scottish film. The film also discusses a lot of other important issues i.e. alcoholism, drug abuse, poverty, violence and gang culture. It paints a picture of some people's lives in Glasgow.
Overall, this is a feel-good film which does discuss a lot of important, dark Scottish issues. It also has some great comedy included and fantastic dialogue making this film one of the best British films of 2012.
A deceptively simple movie that builds slowly and is mixture of outrageous fun and touching social commentary.
The main young man, Robbie (Paul Brannigan), has been convicted of a violent crime and is trying to get his life together. His girlfriend is about to have his baby, his old rival is out to get him, and he can't get a job. He also has to do community service, which leads him to the main plot—a growing love of whiskey, a gift with his nose, and an eventual plot to steal some of the rarest of the liquid.
It's this last part that dominates the second half of the movie, and it's fun, for sure, but also a little contrived compared to the first half which has a gritty realism to it. Brannigan, and all his supporting actors, is really good. If you don't know Scottish movies, be prepared for some major swearing by everyone. And the Netflix version of the movie has the subtitles on because the accent makes a lot of the movie hard to hear. (I think you'd be better off without them, however, and just get most of it without the distraction of reading.)
You might be able to read into the serious parts of the movie and see a valid commentary about the strength of community service, and about the rough life on the streets of Glasgow. But this is more the hard nails backdrop to make the clever, and rather fun (almost joyous) secondary plot shine brighter. It works. The movie pulls it together seamlessly (maybe a hair too seamlessly by the end, as you'll see).
So, yes, an enjoyable surprise.
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- WissenswertesFirst time actor Paul Brannigan was, like his character, a former prison inmate. He met Paul Laverty when the screenwriter was visiting various youth centers to get an idea of how young people in Scotland felt and spoke.
- PatzerWhen Albert is sitting on Rhino's shoulder looking through the pub window you can see the cameraman's reflection in the window on the right of Albert. The cameraman's reflection becomes even more visible after Rhino puts Albert down.
- Zitate
Station Master: [over the speaker in the train station] This is God calling. Get off the fucking track, will you?
- Alternative VersionenThe UK release was cut, the distributor chose to reduce the number of uses of very strong language in order to obtain a 15 classification. An uncut 18 classification was available.
- VerbindungenFeatured in At the Movies: Cannes Film Festival 2012 (2012)
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Details
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- Auch bekannt als
- The Angels' Share
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Box Office
- Bruttoertrag in den USA und Kanada
- 346.669 $
- Eröffnungswochenende in den USA und in Kanada
- 18.837 $
- 14. Apr. 2013
- Weltweiter Bruttoertrag
- 13.090.471 $
- Laufzeit1 Stunde 41 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1