Undercover

The series are great. The plot, the conception, everything. Except one HUGE thing.

The main character is portrayed by an actor that clearly doesn't even look like a criminal or act like one. That baby face, that ridiculously bad acting and that lack of realness in his character kills a big part of the whole idea. They should have switched him for Zdravko "Kosam" Kiselov actor (Alexander Sano). It would have been a perfect 10 !

I have watched all four seasons, thanks my wife for a translate, and I'm impressed! Extraordinary realistic movie! There is no "superman", "batman", vampires, witches and similar bullshits! This show must to receive reward! I know - the situation in ex communist countries is not good, but now I understand why those people are so sad. Because of this movie, I searched more info about Bulgaria, history, culture... Did you know that Bulgaria is one of the oldest countries in Europa? Did you know that Bulgaria invented Cyrillic alphabet? Did you know that "yogurt" is authentic Bulgarian milk? Did you know that PC has been invented by Bulgarian scientist Atanasov? Oh, my God! We thinking those people are stupid! How can so far I have not seen the Bulgarian cinema!

There is a scene in the sixth episode of the first season where the character 'Ivo' is explaining to his boss, the seasoned mafia don 'Djaro', the step-by-step procedures of the preparation for a daring heist that is worth millions. The scene is set in a gymnasium hall with large mat in the middle used for martial arts practice. As 'Ivo' is sitting down on a chair just by the mat, 'Djaro' disapprovingly looks at his shoes which are partly resting on it. 'Ivo' duly takes his feet off the mat. Why is this significant, you may ask? Well, it doesn't contribute much to the plot, but what it is, is a nod from the director: 'I know what I'm doing'. The beauty is in the detail and in nearly every scene in Pod Prikritie, there is something which functions to make it memorable, whether it be the camera angle/positioning, the lighting, the set, or a simple gesture by one of the actors. All the while, the brilliant score provides the necessary emotional backdrop against which the characters' sentiments can be played out.

A few of the reviews here take a highly critical approach towards this series, without providing much evidence to justify it. Pod Prikritie deserves so much more than this intellectual myopia. For starters, the acting, with perhaps one single exception, is marvellous. For me personally, the jewel in the crown is Mihail Bilalov who is simply magnificent in the role of 'Djaro' - Pod Prikritie's primary antagonist. Think of him as a more menacing, less humorous version of Jack Nicholson's character 'Frank Costello' from The Departed. From his facial expressions to his body language, he is a master of his role and creates a character who is both believable as a human being and as the emblematic face of Bulgarian mafia.

Pod Prikritie's realism is undisputed, and as much as that is a compliment, it is also ironically the point of contention for most Bulgarians. They know this reality; they see it on a daily basis. So why watch it on TV as well? That said, many of the characters have gathered a cult following, while quite a few of their lines have entered the standard Bulgarian lingo.

Coming back to The Departed, Pod Prikritie has often been compared to Scorsese's Oscar-winning crime feature. In many ways it is better: less stylized and more convincing. It is hardly surprising that so many foreign distributors have expressed a genuine interest in showing it in other countries. No doubt, the universal appeal of the crime genre always helps, but Pod Prikritie is as good a representative of it as any production you can think of, be it on the silver screen or on television.

Under cover (Pod prikritie) are a real top world class TV series. The only real problem for it to become hit in other countries is that it's in Bulgarian language. That's not actually something that I consider as "bad".

The plot of the movie is quite classical - there is a mafia organization and there is a cop which is undercover. What makes it really different than other "hollywood" movies is: 1. There is no "absolute" (good or bad) characters. Everybody has his own good and bad characteristics. You can see corrupted cops and corrupted judges on the side of the "good guys" and you can see good sides of people in the mafia side.

2. The connections between the different groups is at a very deep level. The series have a good plot.

3. There is always a surprise! The scenarists are definitely feeling what the audience thinks and they are taking well-balanced notes. They definitely know when one character is exhausted and they know when to take it off (killed).

As a summary - the first season is awesome. Very realistic. The second season is not worse, despite the little moving away from the realism. The third season focused more on the action (shootings, chases, etc). It's definitely for a little bit different audience taste, but again - it's not worse than others. What could make a little bad impression in the third season are the "hidden" advertisements. They are not too "hidden" at all...

It's surprising how the producers managed to keep the top level of the series for such a long time with such a low budget. That's a production which deserves to be watched!

UPDATE April 2013: Season 1 - WITH English SUBS - is Now Available on YouTube. Just search "Pod Prikritie English subtitiles."

I consider Pod Prikritie, Season 1, to be as good as anything ever produced for TV anywhere in the world.

The show's original writing team (T. Vasileva and G. Ivanov) impress in Season 1 with creating fascinating characters, setting up the major conflicts and intricate story lines within the Bulgarian Mafia underworld.

The story, as the title ("Undercover") suggests, is about a cop who infiltrates an underworld organization. Yes, it's been done before, most recently in "The Departed", which was itself a Hollywood remake of a Hong Kong movie. The twist here is, well, it's a social commentary disguised as a TV series about the Bulgarian mafia.

The actors are all top notch. One actor's performance in particular stands out as a tour-de-force. Not enough can be said about the brilliant Mihail Bilalov, as the sociopath/crime boss "Jaro" (Peter Todjarov), who dominates throughout Season 1. It would be an understatement to say that he steals every scene.

Bilalov's Jaro is that rare performance that reminds one of the power of Anthony Hopkins' Hannibal Lecter in "The Silence of the Lambs". In fact, if Hannibal Lecter was a Bulgarian crime boss, he might have been somebody much like Jaro. Only, he would be cannibalizing an entire society.

(As an interesting bit of trivia, Mihail Bilalov only recently resurrected his acting career. Previously, he had given up acting for the past 20 years and worked as a landscape architect in France.)

The directors of the series have done a great job of getting the story on film with impressive visual flare. There is plenty of heart-pounding action, poignant drama, sex, forbidden romance, black comedy and nerve-rattling suspense.

The series, which is filmed in Bulgaria, has the production values one usually sees only in major Hollywood studio productions. At the moment (January 2013), Pod Prikritie (Undercover) is only available on Bulgarian TV or on the internet (without English subtitles).

Pod Prikritie has universal qualities and it will definitely appeal to international audiences. The series has been bought by an American company (New Films International) and, hopefully, will eventually be distributed in other markets.

I would not be surprised if this show ends up getting remade by Hollywood one day.

In conclusion...

Season 1 is brilliant. (I attribute this fact most of all to the original writing team. Watch the pilot of the series for a master-class demonstration of how to set up a gripping story and introduce unforgettable characters.)

Season 2 is... well, still very good. (Although, one can see that the series has lost the brilliance of Season 1. Hint, the original writers - Vasileva & Ivanov - moved on to work on a different show and were replaced by other screenwriters.)

Season 3 is... unfortunately, a rather mediocre type of affair. Gone is the sophistication of the story lines and characters. Even the great Bilalov does not have much to work with here. The writing gets better around mid-season, but it's obvious that the whole production has failed to sustain the high standards of Season 1 and Season 2... The story lines and the characters are much more "on the nose" and uninspired. (Hint, again, the writing team of Season 2 were replaced by new writers and you can tell.) In Season 3 there is more emphasis on pure action and less on character development and suspense. It actually feels like a different series altogether.

Overall, this is a series worthy of a worldwide audience. My advice is to watch Season 1 & 2 (the story wraps up nicely with Season 2). But beware of potential disappointment with Season 3 and proceed at your own risk.