Ein Newsroom erfährt einige Veränderungen in seiner Arbeitsweise und Moral, als ein neues Team hinzukommt, was zu unerwarteten Ergebnissen für seinen bestehenden Nachrichtensprecher führt.Ein Newsroom erfährt einige Veränderungen in seiner Arbeitsweise und Moral, als ein neues Team hinzukommt, was zu unerwarteten Ergebnissen für seinen bestehenden Nachrichtensprecher führt.Ein Newsroom erfährt einige Veränderungen in seiner Arbeitsweise und Moral, als ein neues Team hinzukommt, was zu unerwarteten Ergebnissen für seinen bestehenden Nachrichtensprecher führt.
- 1 Primetime Emmy gewonnen
- 10 Gewinne & 34 Nominierungen insgesamt
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Zusammenfassung
Reviewers say 'The Newsroom' is acclaimed for its sharp writing, timely narrative, and compelling performances, particularly Jeff Daniels as the seasoned news anchor. Key themes include the challenges of news delivery in the digital age, journalistic integrity, and corporate influence on media. Despite praise, some criticize the show for political bias, overly didactic dialogue, and a preachy tone. The cast receives mixed reactions, with certain actors deemed over-the-top. Nonetheless, many appreciate its attempt to address real-world events and engaging storytelling.
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I've been watching television for all of my 57 years on the planet. It is a rare thing when I see a show that grabs me from the first moments and holds me to my chair until the very last, but this just happened tonight as I watched the first episode of The Newsroom. Brilliant writing, terrific characters, excellent dialog, smooth and sexy directing that organically brought all the pieces together, and there couldn't have been better casting. Every character just felt exactly right. When it was over, I said this will be the new West Wing. Jeff Daniels shines in this role and what a great opportunity to showcase his effortless acting. I can easily see major Hollywood "A" listers grabbing their telephone's right now making late Sunday night calls to their agents demanding they get a guest appearance on The Newsroom. I was hoping for good when I heard about this show last winter, but what was delivered was excellence. Well done HBO. You've got me hooked. Well done!
In the tradition of his earlier 'behind-the-scenes of TV' shows, Aaron Sorkin's The Newsroom takes a hard (and witty) look at the behind the scenes of cable news. And like all his other shows, The Newsroom deals as much with themes of honour, ethics, loyalty, idealism and love, as it does with the news. It's also written in Sorkinese – Aaron Sorkin's fast-paced, back-and-forth, sing-song dialogue that'll leave you heady on a good day but with a headache on a bad one.
So, like critics have lambasted, is it "weighted too heavily toward sermonizing diatribes (LA Times)?" Maybe. Does it "choke on its own sanctimony (NY Times)?" Perhaps. Is it "yet another platform in which to Set the People Straight is a worthwhile purpose (Huffington Post)?" Most definitely yes. But is this all really so horribly, terribly bad? NO!
The main bone of contention for critics for this show seems to be that it tries too hard to be good, do good and instill good, just like all of Sorkin's earlier work. But when did that become a crime, in times of shows about becoming the next scrawniest supermodel, douchiest reality housemate or Tim Allen's 30th comeback? What's wrong with a show fantasizing about a world upheld by a long-forgotten morality in a time infested with shows that fall over each other to portray stark, grim realities and apocalyptic futures?
The Newsroom's got a fantastic cast with enough charm to last you till the next Woody Allen movie. Emily Mortimer's already got me falling in love with her, Jeff Daniel makes you really root for him, John Gallagher Jr and Alison Pill have an instant chemistry and Sam Waterson's singularly enough to bring you back every week. Yes, it's longer than it needed to be, and yes, it could have done with a little more Noam Chomsky and a little less Don Quixote. But really, as long as it does what so few show can ever claim to together – rouse you, make you think and ENTERTAIN, bloody well at that – who's complaining?
Admittedly, I'm a fan of Aaron Sorkin. I've seen (repeatedly) and LOVED Sports Night and The West Wing, and I think Studio 60 on the Sunset Strip is one of the best shows ever made. His writing has inspired me in the past, and after watching The Newsroom, I have all reasons to believe that it will continue to, well into the future.
Critics be damned, watch this show simply because it's good television. It may not change the world, but at least it's trying to.
So, like critics have lambasted, is it "weighted too heavily toward sermonizing diatribes (LA Times)?" Maybe. Does it "choke on its own sanctimony (NY Times)?" Perhaps. Is it "yet another platform in which to Set the People Straight is a worthwhile purpose (Huffington Post)?" Most definitely yes. But is this all really so horribly, terribly bad? NO!
The main bone of contention for critics for this show seems to be that it tries too hard to be good, do good and instill good, just like all of Sorkin's earlier work. But when did that become a crime, in times of shows about becoming the next scrawniest supermodel, douchiest reality housemate or Tim Allen's 30th comeback? What's wrong with a show fantasizing about a world upheld by a long-forgotten morality in a time infested with shows that fall over each other to portray stark, grim realities and apocalyptic futures?
The Newsroom's got a fantastic cast with enough charm to last you till the next Woody Allen movie. Emily Mortimer's already got me falling in love with her, Jeff Daniel makes you really root for him, John Gallagher Jr and Alison Pill have an instant chemistry and Sam Waterson's singularly enough to bring you back every week. Yes, it's longer than it needed to be, and yes, it could have done with a little more Noam Chomsky and a little less Don Quixote. But really, as long as it does what so few show can ever claim to together – rouse you, make you think and ENTERTAIN, bloody well at that – who's complaining?
Admittedly, I'm a fan of Aaron Sorkin. I've seen (repeatedly) and LOVED Sports Night and The West Wing, and I think Studio 60 on the Sunset Strip is one of the best shows ever made. His writing has inspired me in the past, and after watching The Newsroom, I have all reasons to believe that it will continue to, well into the future.
Critics be damned, watch this show simply because it's good television. It may not change the world, but at least it's trying to.
Maybe I am just coming into adulthood after my 45 years, but The Newsroom has always been food for thought. The pace, direction and writing has been excellent. I have watched and re-watched every episode over the past 3 seasons and really can't understand why they would cancel this show for the ages. First I was not a person that watched West Wing. I was younger and dumber for the show to stick. this show grabbed me from the get go and I have never been more surprised with it's greatness.
HBO - why oh why are buying into the big network belief that the public is not getting what you bring us. This show is why I subscribe to your network and seeing it leave is a shame. The past episode "Oh Shenandoah" was brilliant is so many ways. It left me thinking about my father and how we can challenge ourselves in moments of being tested. I came here to tell everyone I will watch the last episode with sadness and wish I could continue this great program going forward, but it's over. I will save these three seasons and remember every episode with fondness and hope to see these great actors, directors and writers in the future where they can continue to express themselves without worrying about ratings or money driven desires.
Thank you for 3 great seasons!
HBO - why oh why are buying into the big network belief that the public is not getting what you bring us. This show is why I subscribe to your network and seeing it leave is a shame. The past episode "Oh Shenandoah" was brilliant is so many ways. It left me thinking about my father and how we can challenge ourselves in moments of being tested. I came here to tell everyone I will watch the last episode with sadness and wish I could continue this great program going forward, but it's over. I will save these three seasons and remember every episode with fondness and hope to see these great actors, directors and writers in the future where they can continue to express themselves without worrying about ratings or money driven desires.
Thank you for 3 great seasons!
I watched this show after watching True Blood, which I watch out of habit on Sunday nights with my wife. I am SO glad we kept HBO on. I remember hearing about this show from different promos and snippets of interviews on the computer, but wow. Aaron Sorkin leaves his mark all over this show, right from the intro, which was very reminiscent of The West Wing right until the ending. Fantastic creation by him.
Without mentioning any spoilers, the show is about a news anchor (Jeff Daniels) who is beloved by his viewers but not so much by his co-workers and employees due to his aloofness, biting sarcasm, and general malaise. His character has a turning point in the opening scene and it is phenomenal. The writing, acting, cinematography, and tempo of the show are excellent. I fell in love with it right away. And how great is Sam Waterson on this show? I hope that this show has a domino effect and REAL news anchors take note and feel inspired. Hopefully, this show may lead to REAL NEWS STORIES by REAL NEWS ANCHORS. 9/10. Emmy's are DEFINITELY in this show's future.
Without mentioning any spoilers, the show is about a news anchor (Jeff Daniels) who is beloved by his viewers but not so much by his co-workers and employees due to his aloofness, biting sarcasm, and general malaise. His character has a turning point in the opening scene and it is phenomenal. The writing, acting, cinematography, and tempo of the show are excellent. I fell in love with it right away. And how great is Sam Waterson on this show? I hope that this show has a domino effect and REAL news anchors take note and feel inspired. Hopefully, this show may lead to REAL NEWS STORIES by REAL NEWS ANCHORS. 9/10. Emmy's are DEFINITELY in this show's future.
Rarely does a television show come along and sweep you off your feet with brilliant writing, an amazing cast and an actual message that is relevant and inspirational. Aaron Sorkin has done it again with The Newsroom! This show is truly a display of what television can achieve if we have the right people who are willing to break the rules of the mundane drab to make an engaging and intelligent show.
Jeff Daniels plays Will McAvoy, the cautious, veteran news anchor tiptoeing with his career in order to "play it safe", concerned more with keeping his ratings than stepping on toes. He has the smarts, the background and the ability to be something more, a challenger of beliefs and a defender of ideals, but lacks the motivation until Mackenzie MacHale (played beautifully by Emily Mortimer), a woman from his past, reenters his life. She is the spark to ignite his flame and gets him burning with an unquenchable passion once again.
Within the first five minutes of the show, Jeff Daniels delivers a speech of Aaron Sorkin's words about the state of America that is extremely touching, stimulating and brutally true for a vast majority of the population. It's reminiscent of his West Wing days, but with even more flare and aggression. I only hope he can keep the pace that he has set with the pilot; the bar is set high.
Jeff Daniels plays Will McAvoy, the cautious, veteran news anchor tiptoeing with his career in order to "play it safe", concerned more with keeping his ratings than stepping on toes. He has the smarts, the background and the ability to be something more, a challenger of beliefs and a defender of ideals, but lacks the motivation until Mackenzie MacHale (played beautifully by Emily Mortimer), a woman from his past, reenters his life. She is the spark to ignite his flame and gets him burning with an unquenchable passion once again.
Within the first five minutes of the show, Jeff Daniels delivers a speech of Aaron Sorkin's words about the state of America that is extremely touching, stimulating and brutally true for a vast majority of the population. It's reminiscent of his West Wing days, but with even more flare and aggression. I only hope he can keep the pace that he has set with the pilot; the bar is set high.
Wusstest du schon
- WissenswertesThe last episode of the first season of all three of Aaron Sorkin's TV shows (The West Wing: Im Zentrum der Macht (1999), Sports Night (1998), and Studio 60 on the Sunset Strip (2006), as well as the series finale of "The Newsroom" (2012) are entitled "What Kind of Day Has It Been?"
- PatzerThe very beginning of the title sequence shows the Soviet Sputnik flying with its antennas oriented away from the Earth. The Sputnik rotated, which is why that design of antenna array was chosen as it allows equal transmission of radio signals in all directions.
- VerbindungenFeatured in Chelsea Lately: Folge #6.114 (2012)
- SoundtracksThe Newsroom Main Theme
Written by Thomas Newman
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- Laufzeit1 Stunde
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