The Edge of Seventeen: Das Jahr der Entscheidung
Originaltitel: The Edge of Seventeen
Das Leben an der High-School wird für Nadine noch unerträglicher, als ihre beste Freundin Krista beginnt, mit ihrem älteren Bruder auszugehen.Das Leben an der High-School wird für Nadine noch unerträglicher, als ihre beste Freundin Krista beginnt, mit ihrem älteren Bruder auszugehen.Das Leben an der High-School wird für Nadine noch unerträglicher, als ihre beste Freundin Krista beginnt, mit ihrem älteren Bruder auszugehen.
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- 8 Gewinne & 29 Nominierungen insgesamt
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Remember all those teen movies about how much fun it is to be a teenager? Porky's, Ferris Bueller's Day Off, all those American Pie movies and movies that spend an inordinate amount of time at the beach, to name a few. These are typical teenage movies. The Edge of Seventeen is not a typical teenage movie, and that is what makes it so great. Oh, there have been other great non-typical teenage films of late, like The Perks of Being a Wallflower, but somehow Seventeen stands alone.
Perhaps it is the intense and thoroughly committed performance of Hailee Steinfeld who started her film career under the tutelage of the Cohn Brothers in their remake of True Grit (oh yeah, and was nominated for an Oscar at the age of 14, although principle filming occurred while she was 13). Hailee so captures the angst of Nadine, whose name alone sets her apart, (Nadine was the most common name given to baby girls in 1958); that one cannot help but ache for her. Nadine carries the weight of the world on her shoulders and believes herself to be unlike any of the other kids who text each other about the tacos they're eating, and communicate in emojis.
She plays well alongside her favorite teacher, portrayed cheekily by Woody Harrelson who provides some of the best laughs in the film, as one might expect. Also of note, I think, is the quirky, lovable and downright cute performance of Hayden Szeto as Erwin. Erwin sits next to Nadine in class stumbling and bumbling his way through awkward repartee in the hopes of some sort of hook-up. But nothing is typical here, and the course that said repartee takes leads us into uncharted teen territory. It might also be interesting to note that the name Erwin was the most common baby name in 1918, which makes this Erwin an old soul, to be sure.
Kelly Fremon Craig has written a real gem here, and his first directing effort will earn him much critical acclaim, to be sure. The thing he does masterfully is take us inside the character of Nadine by giving us so many moments alone with her; moments when we experience in her stillness, in her eyes, and in her facial discipline as an actress the absolute bankruptcy of her isolation. None of us would want to be seventeen again, or ever; at least not her seventeen.
I am grateful to the studio, and to the Marcus Corporation for giving some of us movie lovers an opportunity to pre-screen this film that will be released on November 18th. I suppose they hope we will say good things about it and get others to go see the film. Well, go see the film. You will laugh, and you will need a few tissues, but you will not regret having spent a few hours walking in Nadine's shoes. Perhaps there is a little Nadine in all of us after all.
Perhaps it is the intense and thoroughly committed performance of Hailee Steinfeld who started her film career under the tutelage of the Cohn Brothers in their remake of True Grit (oh yeah, and was nominated for an Oscar at the age of 14, although principle filming occurred while she was 13). Hailee so captures the angst of Nadine, whose name alone sets her apart, (Nadine was the most common name given to baby girls in 1958); that one cannot help but ache for her. Nadine carries the weight of the world on her shoulders and believes herself to be unlike any of the other kids who text each other about the tacos they're eating, and communicate in emojis.
She plays well alongside her favorite teacher, portrayed cheekily by Woody Harrelson who provides some of the best laughs in the film, as one might expect. Also of note, I think, is the quirky, lovable and downright cute performance of Hayden Szeto as Erwin. Erwin sits next to Nadine in class stumbling and bumbling his way through awkward repartee in the hopes of some sort of hook-up. But nothing is typical here, and the course that said repartee takes leads us into uncharted teen territory. It might also be interesting to note that the name Erwin was the most common baby name in 1918, which makes this Erwin an old soul, to be sure.
Kelly Fremon Craig has written a real gem here, and his first directing effort will earn him much critical acclaim, to be sure. The thing he does masterfully is take us inside the character of Nadine by giving us so many moments alone with her; moments when we experience in her stillness, in her eyes, and in her facial discipline as an actress the absolute bankruptcy of her isolation. None of us would want to be seventeen again, or ever; at least not her seventeen.
I am grateful to the studio, and to the Marcus Corporation for giving some of us movie lovers an opportunity to pre-screen this film that will be released on November 18th. I suppose they hope we will say good things about it and get others to go see the film. Well, go see the film. You will laugh, and you will need a few tissues, but you will not regret having spent a few hours walking in Nadine's shoes. Perhaps there is a little Nadine in all of us after all.
"The Edge of Seventeen" (2016 release; 104 min.) brings the story of Nadine, a 17 yr. old junior at Lakewood HS. As the movie opens, Nadine is racing the school's hallways to meet with her favorite teacher and tell him "I'm going to kill myself!" The movie then goes back in time to see how we get to this point. After a short look at "Nadine, Age 7" and "Nadine, age 13", where we learn how socially awkward things are for Nadine, but for her strong friendship with her BFF Krista. That brings us to "Nadine, 17". At this point we're less than 15 min. into the movie, but to tell you more of the plot would spoil your viewing experience, you'll just have to see for yourself how it all plays out.
Couple of comments: this movie is the directing debut for writer Kelly Fremon Craig (who wrote 2009's "Post Grad"). Here, Craig takes another shot at bringing the social awkwardness of being in high school and trying to survive all of the pressures that come with it. When was the last time that I've seen such an awkward teenager, who blurts out "I'm seeing myself and I can't stand it. I gotta spend the rest of my life with myself!". So nothing original here as such, except of course that Nadine is played by none other than Hailee Steinfeld, yes the little girl who was nominated of an Oscar in 2010 for "True Grit" is now grown up into a wonderful young lady which bunches of acting talent. Steinfeld basically carries the movie on her back, and is in virtually every single scene. There is some terrific support from Kyra Sedwick as Nadine's mom and Woody Harrelson as Nadine's teacher, but believe me when I say this is all about Hailee Steinfeld. Last but not least, the movie has a TON of great songs in it (check out the soundtrack).
"The Edge of Seventeen" opened nationally this past weekend. The Sunday early evening screening where I saw this at was attended okay but not great (about 10 people in the entire theater). This movie has not gotten a big marketing push, and it remains to be seen whether it will benefit from strong word-of-mouth. I quite enjoyed it for what it was, a strong vehicle for leading actress Hailee Steinfeld, even if the territory she explores here has been done before and doesn't offer all that much new. If you get a chance to check it out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, I'd suggest you do and draw your own conclusion.
Couple of comments: this movie is the directing debut for writer Kelly Fremon Craig (who wrote 2009's "Post Grad"). Here, Craig takes another shot at bringing the social awkwardness of being in high school and trying to survive all of the pressures that come with it. When was the last time that I've seen such an awkward teenager, who blurts out "I'm seeing myself and I can't stand it. I gotta spend the rest of my life with myself!". So nothing original here as such, except of course that Nadine is played by none other than Hailee Steinfeld, yes the little girl who was nominated of an Oscar in 2010 for "True Grit" is now grown up into a wonderful young lady which bunches of acting talent. Steinfeld basically carries the movie on her back, and is in virtually every single scene. There is some terrific support from Kyra Sedwick as Nadine's mom and Woody Harrelson as Nadine's teacher, but believe me when I say this is all about Hailee Steinfeld. Last but not least, the movie has a TON of great songs in it (check out the soundtrack).
"The Edge of Seventeen" opened nationally this past weekend. The Sunday early evening screening where I saw this at was attended okay but not great (about 10 people in the entire theater). This movie has not gotten a big marketing push, and it remains to be seen whether it will benefit from strong word-of-mouth. I quite enjoyed it for what it was, a strong vehicle for leading actress Hailee Steinfeld, even if the territory she explores here has been done before and doesn't offer all that much new. If you get a chance to check it out, be it in the theater, on VOD, or eventually on DVD/Blu-ray, I'd suggest you do and draw your own conclusion.
I've spent a lot of time over the years trying to figure out the humor I like and movies like this pin it down for me. I like awkward humor. Nadine is all kinds of awkward and that's what makes her relatable and adorable. You empathize with her and the problems she's going through, and through the eyes of an adult, of course you laugh at how overdramatic she is, but in a FUNNY way. It makes for some comedic relief between her and her teacher delightfully played Woody Harrelson, who just ignores her neuroses. What makes the film a pleasant experience is the way she is played by Hailee Steinfeld. There's a few minutes here and there where they venture into 'I will punch you' category, but nowhere near the insufferable 'lady bird' I had to turn off after ten minutes. Definitely a recommended film for those who empathize with growing pains.
I can't say that I expected to see this movie opening weekend, or at all for that matter. But I'm glad I did. The Edge of Seventeen is an awkwardly charming coming of age tale that flirts in the same vein as some classic John Hughes 80's flicks.
I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.
Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.
Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.
It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.
+Steinfeld carries this film
+With the help of the hilarious Harrelson
+Writing
-Inevitably some clichés and predictable plot points
8.0/10
I think all of us have been keeping an eye on Hailee Steinfeld since True Grit in 2010. When you can steal scenery from the likes of Jeff Bridges, Matt Damon, and Josh Brolin, you know you have someone special. The Edge of Seventeen is an entirely different genre and obstacle for Steinfeld, however. I almost think that the coming-of- age-teenage-angst-comedy-drama's are the most difficult films to reach a broad audience, perhaps even more so than westerns. I usually need something to hook me before I spend money on one of these, and that came by way of Woody Harrelson.
Harrelson play's Steinfeld's teacher and common companion at lunch when there's no one else to sit with. The brilliant thing about this relationship is that its neither too dramatic nor too goofy, the writers find a nice balance between gut busting laughs on Harrelson's end to a nice dramatic payoff in the latter half. For all the clichés that this film inevitably has, this relationship was something very refreshing and served as the highlights for most of the film.
Nadine (Steinfeld) has several issues with her mother, brother, and best friend to figure out throughout the course of the film. But it was pleasing to see that the writers didn't choose to make any one character in the right or wrong. I constantly felt like I was playing out both sides in my head as to who I believe had the right to be mad at the other or vice versa. Being in a family of 7, I can definitely relate to some of the family obstacles Nadine goes through, and it wasn't Hollywoodized just for the sake of pushing the plot forward. There's unfortunately quite a few clichéd tropes that this film ends up taking you toward, but it felt more natural than most of these types of films. This could be attributed to the welcomed R rating the film received.
It isn't for everyone, and I wouldn't even consider myself the target audience. But it speaks to larger personal and family issues than the trailer sets up. It's also one of the best Woody Harrelson performances I've seen recently, even if he is probably as reserved as he's ever been.
+Steinfeld carries this film
+With the help of the hilarious Harrelson
+Writing
-Inevitably some clichés and predictable plot points
8.0/10
The Edge of Seventeen is a movie I stumbled upon. I did not know what to watch next and saw this movie available to stream. Once I started watching I absolutely fell in love with this movie. It's a coming of age story that could not be more real about the life of a teenager. The movie is awkward, funny, sad, frustrating, and emotional, and that's exactly what being a teenager is. Hailee Steinfeld perfectly plays a character that I've seen has been labeled unlikable. I read other reviews and some just say that "she is unlikeable and thinks she's way hotter and funnier than she really is." And that's absolutely right, her character, Nadine spends most of the movie not knowing why she feels so frustrated. She just is. And me being a teenager myself I know that is absolutely accurate. Sometimes I just feel angry because I do, and sometimes I'm really anxious and awkward without wanting to. This is the first movie in which I have really seen myself reflected onscreen. The main character is a teenage girl, but this movie is so greatly written that it isn't only relatable to girls but to all teenagers in general like it happened to me being a guy. The whole arc the character goes through is not about her changing everything about herself, but about recognizing that everyone has problems and everyone feels all of those emotions she feels. The dialogue was perfectly written, it reflected everything about being this age. The performances were amazing, Hailee Steinfeld is a really talented actress.
I was genuinely surprised about how great this movie was. It's such a relatable and heartwarming story that at times may feel a little irritable or all over the place, but that's just what being a teen is.
Wusstest du schon
- WissenswertesWoody Harrelson improvised many of Mr. Brunner's quips and jokes, to the delight of writer and director Kelly Fremon Craig.
- PatzerWhen Nadine is eating her lunch in Mr. Bruner's classroom and talking to him, the Coke bottle on her desk keeps turning between cuts without her touching it.
- Zitate
Nadine: You know, ever since we were little, I would get this feeling like... Like I'm floating outside of my body, looking down at myself... And I hate what I see... How I'm acting, the way I sound. And I don't know how to change it. And I'm so scared... That the feeling is never gonna go away.
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- Erscheinungsdatum
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- Auch bekannt als
- Mi vida a los diecisiete
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- Budget
- 9.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 14.431.633 $
- Eröffnungswochenende in den USA und in Kanada
- 4.754.215 $
- 20. Nov. 2016
- Weltweiter Bruttoertrag
- 19.370.020 $
- Laufzeit1 Stunde 44 Minuten
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- Seitenverhältnis
- 1.85 : 1
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