IMDb-BEWERTUNG
6,6/10
1767
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA super-powered boy helps a wheelchair-bound policeman in his attempt to bring down a mob kingpin.A super-powered boy helps a wheelchair-bound policeman in his attempt to bring down a mob kingpin.A super-powered boy helps a wheelchair-bound policeman in his attempt to bring down a mob kingpin.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Edouard Baer
- Alex
- (Synchronisation)
Jean-Pierre Marielle
- L'homme au visage cassé
- (Synchronisation)
Audrey Tautou
- Mary
- (Synchronisation)
Jackie Berroyer
- La Taupe
- (Synchronisation)
Gaspard Gagnol
- Léo
- (Synchronisation)
Noa Bernaoui-Savreux
- Titi
- (Synchronisation)
Patrick Ridremont
- Le petit nerveux
- (Synchronisation)
- …
Patrick Descamps
- Le géant
- (Synchronisation)
Yves Barbaut
- Le commissaire
- (Synchronisation)
Fred Armisen
- The Little Guy
- (Synchronisation)
Joey Camen
- The Big Guy
- (Synchronisation)
Marcus D'Angelo
- Leo
- (Synchronisation)
Vincent D'Onofrio
- The Face
- (English version)
- (Synchronisation)
Brian T. Delaney
- Father
- (Synchronisation)
Melissa Disney
- Mary
- (Synchronisation)
Empfohlene Bewertungen
Love art style, music and concept. Beautiful and interesting animation for kids and grownups.
The animation in this movie is pretty good, along with the final scene, but this movie is too simplistic and boring to really work. With a better script, this movie could've been way better.
From the directors of 'A Cat in Paris', but this film set in New York City that narrates the story of a boy with an extraordinary power. If you had liked that film, you probably would like it as well, but a little lesser. Except this is not about the art of theft, but a cop trying to catch a most dangerous criminal. It is so weird to see the New York turned into kind of a province of France as everybody in this speak French, but expected it as it's a French film.
A very interesting storyline. The characters were well designed and developed. But most of the film was focused on the boy, the cop and the main villain with a dog's perspective. There's a little part of a reporter as well. So I think it should have been called 'A Dog in New York', but the dog is on the wrong side where the most of the story was narrated from. The theme was not fresh, but the way they used to tell the tale makes all the difference. I mean you can compare it to 'If I Stay' kind of plenty of other films. Except it turned into a crime-thriller.
A young boy named Leo, who is hospitalised for the serious illness, has a special power to leave his body and take an invisible form, and come back again safely within some time frame. On the other side an honest cop trying to hunt down a criminal who is threatening the peace of the city gets a backlash after met with an accident. Now the cop and the boy join the hands to thwart the villain's latest attempt to bring disruption. The mission was not planned well, so how they fight the crime and its result brings to an end to the film.
"I'm not hungry. It's a shame because my dad's pasta is the best in the world."
This is a PG film, that means it's aimed for all the ages. But particularly for the grown ups, there's nothing much to enjoy other than cool presentation. That does not mean for all the grown ups. The sketches and the animation technics were same as the previous film. They tried to reach bigger audience worldwide from the success of their previous film, but seems not achieved that goal. As the film had many great features like the characters and the story, they have fallen short to surpass as an overall film. Even anytime I would pick 'A Cat in Paris' over this, but that does not make this one's a bad film.
It kind of looks like the supernatural version of 'Eye in the Sky'. I'm not talking about the actual film, but the concept of drones to watch over the criminal activity. In here the boy acts as the main communication device. He who one day wants to be a cop, helps to solve the crime. I think the end should have been a little better. Especially from the boy's perspective about how his tale ends were very intentional. Perhaps a bit of emotions at the end would have given a better result.
I advertise the 2D animations too much on my blog whenever I review them, because they are rapidly fading away art. So my big thanks to those production houses and the filmmakers who still believe in it. If you are an animation film fan, you will enjoy it, no matter you loved it or not at the end. In a simple way to say, it is a fine film for the families with kids aged ten or under. It might look like a typical detective film, but entertaining with a few good moments. So check it out if you get a chance to access it.
7/10
A very interesting storyline. The characters were well designed and developed. But most of the film was focused on the boy, the cop and the main villain with a dog's perspective. There's a little part of a reporter as well. So I think it should have been called 'A Dog in New York', but the dog is on the wrong side where the most of the story was narrated from. The theme was not fresh, but the way they used to tell the tale makes all the difference. I mean you can compare it to 'If I Stay' kind of plenty of other films. Except it turned into a crime-thriller.
A young boy named Leo, who is hospitalised for the serious illness, has a special power to leave his body and take an invisible form, and come back again safely within some time frame. On the other side an honest cop trying to hunt down a criminal who is threatening the peace of the city gets a backlash after met with an accident. Now the cop and the boy join the hands to thwart the villain's latest attempt to bring disruption. The mission was not planned well, so how they fight the crime and its result brings to an end to the film.
"I'm not hungry. It's a shame because my dad's pasta is the best in the world."
This is a PG film, that means it's aimed for all the ages. But particularly for the grown ups, there's nothing much to enjoy other than cool presentation. That does not mean for all the grown ups. The sketches and the animation technics were same as the previous film. They tried to reach bigger audience worldwide from the success of their previous film, but seems not achieved that goal. As the film had many great features like the characters and the story, they have fallen short to surpass as an overall film. Even anytime I would pick 'A Cat in Paris' over this, but that does not make this one's a bad film.
It kind of looks like the supernatural version of 'Eye in the Sky'. I'm not talking about the actual film, but the concept of drones to watch over the criminal activity. In here the boy acts as the main communication device. He who one day wants to be a cop, helps to solve the crime. I think the end should have been a little better. Especially from the boy's perspective about how his tale ends were very intentional. Perhaps a bit of emotions at the end would have given a better result.
I advertise the 2D animations too much on my blog whenever I review them, because they are rapidly fading away art. So my big thanks to those production houses and the filmmakers who still believe in it. If you are an animation film fan, you will enjoy it, no matter you loved it or not at the end. In a simple way to say, it is a fine film for the families with kids aged ten or under. It might look like a typical detective film, but entertaining with a few good moments. So check it out if you get a chance to access it.
7/10
While "Phantom Boy" lacks a bit when it comes to the quality of the animation (it doesn't come close to the quality of most full-length cartoons today), it is well worth seeing for two main reasons--it's originality and it's a cartoon that will appeal to older kids as well as adults. As for the youngest kids in the audience, this one might be a bit too adult for them...take them to see a Disney flick instead.
Leo is a very sick boy and spends most of the movie in the hospital. You assume he's suffering from cancer and is getting treatment...though they never say exactly what is possibly going to kill him. During the course of the treatment, however, Leo has somehow developed a weird capacity to leave his body...much like astral projection. When a cop is severely injured on the job, Leo discovers that the cop somehow can remember and deal with Leo and his special gift...and with it they work to stop a maniac from proclaiming himself the King of New York City!
The plot simply would be too complicated for little kids and there are baddies who are trying to kill Leo and others....so just keep them home. But the film is very well made and fascinating throughout...and it's now available from Netflix on DVD.
Leo is a very sick boy and spends most of the movie in the hospital. You assume he's suffering from cancer and is getting treatment...though they never say exactly what is possibly going to kill him. During the course of the treatment, however, Leo has somehow developed a weird capacity to leave his body...much like astral projection. When a cop is severely injured on the job, Leo discovers that the cop somehow can remember and deal with Leo and his special gift...and with it they work to stop a maniac from proclaiming himself the King of New York City!
The plot simply would be too complicated for little kids and there are baddies who are trying to kill Leo and others....so just keep them home. But the film is very well made and fascinating throughout...and it's now available from Netflix on DVD.
Our young family watched Phantom Boy today at the London Film Festival and really enjoyed the experience. The film has been dubbed into English and the dialogue runs smoothly - doing most of the story-telling in a nuanced, personable and fluid way.
It unfolds as a, perhaps slightly old fashioned, detective story. Leo's ability to travel out of his body is a very useful device to access remote places and to eavesdrop on others actions to help the story along. This also acts an intermediary or buffer to the film's action, helping to flag up wrong-doing, violence and other risks in a mediated manner, which works well for young viewers.
There are hints of the seriousness of Leo's Illness via the private worries of his parents, some physical violence and threatening use of guns but the emotional challenge is not overwhelming and the narrative pace carries you through.
Both our kids said they would want to see the film again and it will probably become a DVD favourite at home, for some time to come. The animated style is more hand-drawn in appearance and not as glossy or heavily automated as major studio animated films can be. This give a certain lightness of touch and warmth to what would otherwise be rather gritty, noir-ish city backdrops.
My only criticism would be the speed with which the story was established and characters introduced. A few minutes more focusing on Leo's arrival at hospital and the discovery and use of his special powers would have pleased me.
It unfolds as a, perhaps slightly old fashioned, detective story. Leo's ability to travel out of his body is a very useful device to access remote places and to eavesdrop on others actions to help the story along. This also acts an intermediary or buffer to the film's action, helping to flag up wrong-doing, violence and other risks in a mediated manner, which works well for young viewers.
There are hints of the seriousness of Leo's Illness via the private worries of his parents, some physical violence and threatening use of guns but the emotional challenge is not overwhelming and the narrative pace carries you through.
Both our kids said they would want to see the film again and it will probably become a DVD favourite at home, for some time to come. The animated style is more hand-drawn in appearance and not as glossy or heavily automated as major studio animated films can be. This give a certain lightness of touch and warmth to what would otherwise be rather gritty, noir-ish city backdrops.
My only criticism would be the speed with which the story was established and characters introduced. A few minutes more focusing on Leo's arrival at hospital and the discovery and use of his special powers would have pleased me.
Wusstest du schon
- WissenswertesJean-Pierre Marielle and Audrey Tatou had previously starred together in The Da Vinci Code (2006).
- VerbindungenReferences Apocalypse Now (1979)
- SoundtracksDream a Little Dream of Me
Performed by Ella Fitzgerald and Louis Armstrong
Music by Fabian Andre and Wilbur Schwandt
Lyrics by Gus Kahn
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
- Sprache
- Auch bekannt als
- Хлопчик-Фантом
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Bruttoertrag in den USA und Kanada
- 34.362 $
- Eröffnungswochenende in den USA und in Kanada
- 4.352 $
- 17. Juli 2016
- Weltweiter Bruttoertrag
- 221.016 $
- Laufzeit1 Stunde 24 Minuten
- Farbe
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