Mord im Mittsommer

This is a miniseries in three episodes that is based on the novel "I de lugnaste vatten" by the Swedish detective writer Viveca Sten.

The series is professionally made. It utilises the idyllic scenery of the Stockholm archipelago to good effect and the cast does as good a job with the script as they can. The main performers, Cedergren and Rapaport, do have some chemistry, even if the former is overdoing the "manly-male-who-suffers-in_silence" thing.

The let-down is in the plot, however. It is a rather cliché story featuring a silent cop who keeps on breaking all the rules of policing and yet never gets suspended. His young side-kick still has to learn that a real cop goes by gut feeling and does not bother with methodical work with such boring stuff as, ehm, evidence? By simple elimination the viewer can soon figure out who is the culprit, if only because the plot does not present enough possible candidates, which is deadly for the suspense. Hence, the story very soon fails to engage.

In Sweden the series was a success nonetheless.

Very enjoyable crime series featuring an intelligent woman as the main protagonist.

Established actress Alexandra Rapaport plays Nora, a lawyer living on the the picturesque island of Sandhamn, in the Stockholm Archipelago. Yes, murders happen and Nora gets involved through her sharp-minded curiosity and friendship with police detective Thomas Andreasson. But there is more to the series than just a Midsomer Murders-like repetition of convoluted events in a fictional village

Nora splits with her first husband and becomes a single mother with shared custody. Much of the narrative deals with Nora's relationships and journey to find happiness on an island that is suitable for recluses, but not for Nora who is an attractive, gregarious and well-adjusted individual. Her friendship with policeman Thomas Andreasson always seems to be on the verge of something more intimate except, like her, his past gets in the way .

The murder stories are not perfect or without criticism, but they are acceptable and the character of Nora overrides any plot deficiencies or doubts that may arise. I just enjoyed what was on offer. I believe there will be four more movie-length episodes made next year.

The story wasn't as compelling as the acting and the casual tour of the islands and coast. The acting was quite good and I was a little shocked to see how easily these Swedes feigned being natural. In fact I would say this production is the most impressive I've ever seen in terms of pure unaffected acting. It was truly inspiring to watch though it made me wonder why they're so much better at it than we are.

The two principal roles are vividly rendered by Cedergren and Rapaport who play a policeman and a married woman in a troubled marriage, respectively. The murder mystery is entangled with their being attracted to each other and that too felt realistic. I'm sure women will enjoy that part of it if nothing else.

/refers to Seasons 1-5/

I am fond of Scandinavian crime series, but as the recent decade has seen so many high-level ones, I have become picky to watch something "around" e.g. Bro/Broen or Millennium... In advance, I was also cautious about the fact that crimes would happen in a limited space, a small and cosy area making it the one of the most violent places in the world (as often perceived in Miss Marple or Lewis, although skillfully accomplished). But no, the felonies committed were rare, suitable and seasonable, and the main emphasis was mainly on human aspects and issues prevalent in a wealthy Western society. The crimes handled were not over-sophisticated, rather realistic, and exiting viewers' interest improved during the seasons (Season 1 crime and it's solution were most trivial).

All the performances were good at least, if not more, most I liked Alexandra Rapaport as Nora Linde and Lotta Tejle as Claire. Moreover, this series helped me better to acknowledge the popularity of Jacob Cedegren (he has participated in several films I have seen but, for me, somehow always remained in the shadow of other male actors). Here, his character's nature was perfectly in harmony with the general mood of the creation and the qualities a Swedish policeman working in a small recreational area could and should have.

Thus, Morden i Sandhamn is a more-than-okay drama, with lots of human aspects and some crime in the background. As for crime level and depiction, it is in the line of e.g. Maria Wern or Anna Pihl, for example.

PS More or less, Seasons 6 and 7 follow the same path. Yet, in Season 7, Nicolai Cleve Broch as a new leading character is a step forward.

PPS Seasons 8 and 9 are just pleasant again, but no next level. But as more seasons are planned, I would still continue to watch them.

PPPS Season 10 shows some signs of fatigue, and I am not sure than a certain addiction would provide additional value to the cases.

A very unusual policeman never shooting even in the most dangerous situations. A wonderful place where peace is menaced by a series of murders. Love relationships intertwined with door to door investigations. Quite different from tough cops and screaming sirens! Enjoyable!