IMDb-BEWERTUNG
6,2/10
18.151
IHRE BEWERTUNG
Die Arbeit eines Toningenieurs für ein italienisches Horrorstudio wird zu einem erschreckenden Fall, in dem das Leben die Kunst imitiert.Die Arbeit eines Toningenieurs für ein italienisches Horrorstudio wird zu einem erschreckenden Fall, in dem das Leben die Kunst imitiert.Die Arbeit eines Toningenieurs für ein italienisches Horrorstudio wird zu einem erschreckenden Fall, in dem das Leben die Kunst imitiert.
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- 16 Gewinne & 16 Nominierungen insgesamt
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I recall watching this in the cinema and enjoying it but a re-watch seemed to catch me unawares. Maybe it was the mood I was in but this time instead of being an interesting backroom take on my beloved gallo films it seemed a much more sinister affair. How could I not have noticed the first time how unpleasant it is, how nasty everyone seems to be and how alienating it all is? A powerful film, set almost exclusively in a sound studio, purportedly in Italy, though actually the nearby Three Mills Island set up. Almost everything I remember finding intriguing, this time took on a much more malevolent tone. The screaming ladies who can't get the right scream, the smashing of the vegetables, the switching between languages, the unfriendly 'friendly' intimacies, and the undertones of there being something rotten (apart from the decaying vegetables) within Italian society, at the time. A unique film but an uncomfortable watch.
Man alive, BERBERIAN SOUND STUDIO is a strange little film. It stars the hapless Toby Jones as a mild-mannered sound engineer who travels to Rome to work on the soundtrack of a sinister giallo film and soon finds himself getting sucked into the movie's mystique and repellent atmosphere.
Technically, this film is a gem, with excellent sound design and good visuals; for a film set almost entirely in a sound studio, it's atmospheric and engaging, and it helps that the underrated Jones gives an excellent turn in a rare leading role. The problem with BERBERIAN SOUND STUDIO, then, is that it's one of those 'style over substance' movies where there's very little meat behind what's up on screen.
This feels almost like one of those films that's made up as it goes along. It starts off strongly, with a decent first half hour setting up the story, and what follows is oddly disturbing despite a lack of explicitness. However, around the halfway mark it starts to get heavy going, and the ending is particularly disappointing, failing to tie up or rationalise what's happened. I hate it when a film reaches this level of ambiguity; a bit of ambiguity works fine, but to this degree it's just a cop out, unfortunately.
Technically, this film is a gem, with excellent sound design and good visuals; for a film set almost entirely in a sound studio, it's atmospheric and engaging, and it helps that the underrated Jones gives an excellent turn in a rare leading role. The problem with BERBERIAN SOUND STUDIO, then, is that it's one of those 'style over substance' movies where there's very little meat behind what's up on screen.
This feels almost like one of those films that's made up as it goes along. It starts off strongly, with a decent first half hour setting up the story, and what follows is oddly disturbing despite a lack of explicitness. However, around the halfway mark it starts to get heavy going, and the ending is particularly disappointing, failing to tie up or rationalise what's happened. I hate it when a film reaches this level of ambiguity; a bit of ambiguity works fine, but to this degree it's just a cop out, unfortunately.
The story on the other hand is confusing to say the least. But that is meant to be experienced like that. The question is if you are willing to enjoy the ride. You could also say it's a bit of style over content, though I'm sure the director must have a plan in mind and could explain it all to you.
The cast is great, the pace of the story on the other hand is really slow. Another factor that might make this unbearable to watch for some people. It's definitely a great look behind the scenes of sound making, whatever you think of the movie. Another great thing is that the movie can be watched a couple of times, so you could discover new little things in it.
The cast is great, the pace of the story on the other hand is really slow. Another factor that might make this unbearable to watch for some people. It's definitely a great look behind the scenes of sound making, whatever you think of the movie. Another great thing is that the movie can be watched a couple of times, so you could discover new little things in it.
Having watched "In Fabric" from this director, before this previous (and more famous) incursion in the horror genre, it's easy to see a pattern: both in the homage to the greatest period of Italian horror films and in a kind of surrealistic and experimental narration (even more prominent in this film). But, in the same way that happened to me with "In Fabric", it doesn't completely reach me, even when I find the proposition incredibly attractive. Both movies are beautiful and kind of mesmerising, but the director also tends to feel self-absorbed in his own creation at times and lose focus. But it's a very different film and a love letter to the art of making movies.
This is a movie that seems to have no purpose. The way that the sound effects were generated in the film is mildly interesting, and the xenophobia that the main character experienced made me believe that the storyline would go somewhere. However, this was not the case. Sitting through this, I found it hard to understand why the actors were even drawn to the material; it is so uninteresting. Technically the film has its merits, and it might be relevant for someone who has worked as a sound effects technician and editor in movies, but for the general population it is probably a waste of time. I know that it contains references to Italian horror movies of the 70's and 80's, but so what? My advice is to stay away.
Wusstest du schon
- WissenswertesThe title of the fictional studio refers to Cathy Berberian, the US soprano who married Luciano Berio, a pioneer of electronic music and a key influence on Strickland's film.
- PatzerAt the very beginning of the film, Elena calls Francesco to announce Gilderoy's arrival at the studio. Although the film is set in Italy, when she picks up the phone a continuous dial tone is heard, which is normal for the US or UK; however, the actual dial tone would have sounded very differently in Italy, a country where the phone system has a very distinctive and non-continuous dial tone (consisting of a 425Hz tone with a duration of 0.6sec followed by a 1 second pause, followed by a 0.2 sec tone then a 0.2 sec pause, repeated in a loop until the first digit is dialed).
- Zitate
Giancarlo Santini: Gilderoy, this is going to be a fantastic film. Brutal and honest. Nobody has seen this horror before.
- Crazy CreditsThe opening credits are actually put together of those from The Equestrian Vortex, the fictional horror flick that's going to be post-dubbed in the movie, with fast-cut animations, medieval depictions of hell, demons, naves, animal skeletons and tortured female faces, mostly red and black colored.
- VerbindungenFeatured in MsMojo: Top 10 Scary Movies to Watch If You Hate Horror (2023)
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- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
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- Auch bekannt als
- Phòng Thu Hắc Ám
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Box Office
- Bruttoertrag in den USA und Kanada
- 38.493 $
- Eröffnungswochenende in den USA und in Kanada
- 6.605 $
- 16. Juni 2013
- Weltweiter Bruttoertrag
- 312.757 $
- Laufzeit1 Stunde 32 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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By what name was Berberian Sound Studio (2012) officially released in India in Hindi?
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