All Superheroes Must Die

This was close to actually being a good movie, right from the start. Better writers could have easily tweaked it in several obvious places into a cult classic "B" movie, but either lacked the skills or motivation to bother. Lazy!

I kept watching for the payoff, but there was none. No sense, no reason, no satisfying ending.

Plot was initially intriguing, but quickly got to be predictable and boring by the end. I actually wanted all the superheroes to die lol. Too bad.

I love the dark feel of the film that was not like your typical "super hero" movie. It seems that some of the critics of this film didn't understand it. Anyone who was a fan of "watchmen" would enjoy and understand this picture.

These characters were not over the top and exaggerated, they were portrayed as real/average people that happen to have super hero problems. This isn't a story that is tied up in a nice little bow at the end, where most Hollywood movies do. This is an edgy story that mirrors the unfortunate reality of actual life. The acting was solid, the directing was clean, and the writing was creative.

Maybe I am guilty of understanding what it really takes to make a film happen, and understand the constraints of time, schedules, and how filmmakers have to often make hard decisions on the fly to make something as big as a film happen.

I still say good job, and I look forward to more.

After watching the trailer for the film this strangely caught my curiosity. I read a review online suggesting that I checked it out, giving it all sorts of praises. This was the first and probably only time that I've ever gotten angry at a review.

I swear to Christ, this was the absolute WORST movie that I've ever seen in my entire life. It is worse than The Room, Plan 9 from outerspace, or even trolls 2. At least those three films were humorous so while indirectly, it had an appeal. A reason to watch them, and a reason to enjoy watching them.

The director had absolutely no idea what he was doing. The character development was so bad that if a character died I might have actually gained a slight amount of excitement because that means the story is one step closer to ending.

The director apparently constantly tore pages of the script due to budget concerns. This needed to have been dealt with BEFORE shooting. A script needs to go through AT LEAST four drafts. Many of which need to be rewritten for story purposes, fixing mistakes(not necessarily grammatical, but relationships, dialogues, and characters themselves) and the last few drafts being edited for budget concerns.

A certain aspect of filmmaking is about compromise. Compromising with what you have, and if you don't have a big budget then for the love of God, please don't try to act like your story is bigger than what it was. I seriously cannot understand the appeal for films like this. I've often seen people online saying how they enjoy superhero movies, especially the much smaller low-budget ones.

Go watch the 2010 James Gunn film Super starring Rainn Wilson and Ellen Page. That's a low-budget superhero film done right. 2009's Defendor. Anohter low-budget superhero film done right. These such films are movies that didn't try to be anything else other than what it was. The cast worked with what they had, and the directors knew the art of filmmaking well enough to at least make a halfway decent film.

The premise seems slightly creative, the first scene seemed like it would be promising but it just fell flat as if the director went "Y'know what, **** it. Let's just make up new obstacles. The first idea is put into the movie" I mean the "creativity" of this so called "mastermind" villain was so poorly done that I actually lost complete interest for any kind of unique "traps" the heroes could face.

Were these people ever truly superheroes? Because they did their job pretty badly. The "shocking"(and I say shocking in quotations out of pure sarcasm) revelation about one of the characters just makes the viewer feel annoyed or even frustrated.

This film is directed, starred, and produced by the same person. He clearly had no freaking idea what he was doing and was completely in over his head. This film is among the ranks of student films and fan films on YouTube. The fact that it even got anywhere is astounding. The fact that people actually like this is even more astounding. If you're thinking of seeing this movie, you should probably just watch a bunch of little kids playing "Superhero" because it's probably a lot more entertaining and creative than this piece of trash.

With the success of super heroes in theaters it comes as no surprise that filmmakers are starting to churn out their own variations on the genre. The biggest issue is that without the recognition, most of these films just can't capture and audience. Filmmaker Jason Trost, who delivered the insanely fun The FP has thrown his own vision into the super hero genre with All Superheroes Must Die. With The FP showed he could think outside the box and deliver something different that still works, but can he score the same with his superhero vision?

All Super Heroes Must Die follows four super heroes who find themselves abducted by their Arch Nemesis and forced to compete in a series of challenges to save kidnapped innocent civilians. This movie not only works it takes the genre in a whole new direction. Imagine super heroes and throw them into the world of SAW and you have this film. The film is dark and gritty and plays up the torment as opposed to the super heroics giving it more of a punch than you would have thought. The costumes feel more like what real people would have put together if they became costumed heroes, all without coming across to silly. The inner dilemmas of the characters add to the already insane struggles they have to deal with causing their tasks to be that much harder to complete. The performances are pretty good for the most part, with only a few moments here and there that are a bit off. James Remar as the mastermind behind the torment eats of the screen playing this character way over the top, yet perfectly fits this world and his character.

This is one of the better attempts at this genre thinking outside the box to create a fun unique film. The mix of the genres really adds to the over concept to create a must see for anyone a fan of either genre. Horror fans, be on the lookout for Chromeskull himself Nick Principe in a villainous role as a part of a memorable fight scene. Trost is really doing a great job with these films and will no doubt be an up and coming force to be reckoned with and can't wait to see what he delivers next.

What looks like a fascinating concept on paper is executed in villainously poor fashion in All Superheroes Must Die, a micro-budget thriller that twists almost every convention of the oversaturated genre, but is drastically let down by innumerable plot holes, a jagged script and empty performances all round.

Sick to death of playing the speed bump to the good guys and their well-meaning plans, supervillian Rickshaw (James Remar) has knocked out and stolen the powers of Charge (Jason Trost), Shadow (Sophie Merkley), Cutthroat (X-Men First Class' Lucas Till) and The Wall (Lee Valmassy), the town's four resident superheroes. Meanwhile, he has rigged several town landmarks – and many more innocent civilians – to explosives, meaning the heroes have no choice but to play by his wicked rules.

Directed and written by lead actor Trost, the film can never seem to decide between being a serious look at the sacrifices made to be a hero, or a tongue-in-cheek satire of the suspension of disbelief required by the genre. It constantly flexes between sharp, intimate flashbacks showing the closeness of the group before becoming superheroes, and incredulously over-the- top delivery from Remar and Sean Whalen – as side villain Manpower – none of which hit their mark.

The rest of All Superheroes Must Die is a mish-mash of unexplained plot points and unprovoked character turns. The story jumps regularly, giving the impression that a short shoot forced pages to be ripped out of the script at will. And while some films of this nature do a fantastic job of stretching the production value, Superheroes looks every bit like a low budget cellar dweller, doing little to mitigate a collection of lacklustre individual parts, forming an utterly forgettable shell of an intriguing idea.

*There's nothing I love more than a bit of feedback, good or bad. So drop me a line on jnatsis@iprimus.com.au and let me know what you thought of my review. If you're looking for a writer for your movie website or other publication, I'd also love to hear from you.*