In naher Zukunft wird die Kriminalität von einer mechanisierten Polizei überwacht. Als ein Polizeidroide, Chappie, gestohlen wird und eine neue Programmierung erhält, wird er der erste Robot... Alles lesenIn naher Zukunft wird die Kriminalität von einer mechanisierten Polizei überwacht. Als ein Polizeidroide, Chappie, gestohlen wird und eine neue Programmierung erhält, wird er der erste Roboter mit der Fähigkeit, für sich selbst zu denken und zu fühlen.In naher Zukunft wird die Kriminalität von einer mechanisierten Polizei überwacht. Als ein Polizeidroide, Chappie, gestohlen wird und eine neue Programmierung erhält, wird er der erste Roboter mit der Fähigkeit, für sich selbst zu denken und zu fühlen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Nominierungen insgesamt
Yo-Landi Visser
- Yo-Landi
- (as ¥o-Landi Vi$$er)
Johnny Selema
- Pitbull
- (as Johnny K. Selema)
Empfohlene Bewertungen
If a movie has a robot in it, that is part cop, the comparisons with Robocop won't be hard to find. But this is a different beast altogether. Trying to get into a discussion about machines, souls and after-life. Not everything gels in perfectly and nicely. But the director does a good job with a lot of elements. Something that might have spun out of control, but it didn't.
While the name Chappie might remind some of dog (food) and I can only guess that was intended, there is more to Chappie than just being a "pet". Chappie is getting and learning things fast as you'd expect and the lines between good and evil blur at times, if not through the whole movie. That might be tough to handle or accept for some, but if you do roll with it, you'll see a very entertaining movie, that can give you food for thought ...
While the name Chappie might remind some of dog (food) and I can only guess that was intended, there is more to Chappie than just being a "pet". Chappie is getting and learning things fast as you'd expect and the lines between good and evil blur at times, if not through the whole movie. That might be tough to handle or accept for some, but if you do roll with it, you'll see a very entertaining movie, that can give you food for thought ...
In Johannesburg, the police department reduced the high rating of criminality using robots from the Tetravaal Company, designed by the engineer Deon Wilson (Dev Patel). The former military Vincent Moore (Hugh Jackman) is envious of Deon, since he has developed another project called Moose, but neither Tetravaal nor the police department is interested. Deon has just developed an Artificial Intelligence but the Tetravaal's CEO Michelle Bradley (Sigourney Weaver) asks him to abort the project. Deon decides to bring the damaged Robot 22 that was sent to be crushed to test his A.I. However he is kidnapped by the criminals Ninja (Ninja), Yo-Landi (¥o-Landi Vi$$er) and Amerika (Jose Pablo Cantillo) that want him to stop the robot cops. When they see the damaged robot in the van, they force Deon to program it to heist banks with them and they call it Chappie. However, Chappie acts like a child and need to be trained to learn and grow. Meanwhile Vincent follows Deon and plots an evil scheme to activate his robot.
"Chappie" is a flawed but entertaining film with "robocops" fighting against crime. However, Tetravaal is totally unbelievable as a security company with the easy access of employees to the facility and software. Considering that all Johannesburg is dependable of the robots, it is ridiculous the lack of protection of the company and how easy Deon Wilson and Vincent Moore go there during the night and access the systems using only a key. The concern of Chappie with mortality and the discussion with his creator is taken from "Blade Runner". The corny decision of Deon, running after Chappie instead of activating the robots in the chaotic city is also silly. My vote is seven.
Title (Brazil): "Chappie"
"Chappie" is a flawed but entertaining film with "robocops" fighting against crime. However, Tetravaal is totally unbelievable as a security company with the easy access of employees to the facility and software. Considering that all Johannesburg is dependable of the robots, it is ridiculous the lack of protection of the company and how easy Deon Wilson and Vincent Moore go there during the night and access the systems using only a key. The concern of Chappie with mortality and the discussion with his creator is taken from "Blade Runner". The corny decision of Deon, running after Chappie instead of activating the robots in the chaotic city is also silly. My vote is seven.
Title (Brazil): "Chappie"
I went into Chappie as a huge fan of the gritty action and social commentary of District 9. I expected that this would be more of the same. Both are still present, but surprisingly, with laughs.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
This is one of the more entertaining movies from every angle that I've seen in awhile. I described it as I left as funny, sad, uplifting, dark, light, silly, and tense.
The center of the story is Chappie. He is a hero you want to shelter, even though you want him to learn. But even as you love his curiosity, you fear his naiveté. He is the most complex character, and gives a fascinating paradigm into how children must receive and process human society and contradiction. There are some inconsistencies in Chappie's character (is he already programmed to raise his voice if he's scared, or did he learn that?), but he still succeeds as a dynamic, independent being.
Yes, the humans characters are flat. They are merely roles. The Maker. The Villain. Mommy and Daddy. The friend. But as Chappie begins to learn, you see why they have to be flat. They are trying to exert influence on a (robotic) child. Therefore, they must simplify their own motivations and desires into the most basic explanations possible for Chappie to understand. This leads to hilarious imitation and thought-provoking perspectives.
Chappie's curiosity was once ours. Chappie's confusion was once ours. Watching Chappie is like watching a sped-up version of childhood social and moral development, with all of the Hollywood tension, explosions, and naughty words to keep you interested, too. There are parts to laugh at because it's funny, parts to laugh at because the costuming and set design is ridiculous, but you still end up thinking seriously the whole time.
Give it a chance. You might love it. I did.
I thoroughly enjoyed Chappie. I usually don't write reviews, but after seeing the brutal rating this movie is getting I felt compelled to write this review.
Chappie is a funny, entertaining, and surprisingly sentimental movie about a sentient robot being raised by gangsters in Johannesburg. Most of the criticisms I've seen about one- dimensional characters and illogical character choices are valid, but Chappie's character, the CGI, the humor, and the overall aesthetic of the movie more than make up for these shortcomings.
Please go see this movie and make up your own mind. I almost didn't go last night because of the negative reviews, but I'm so happy I did. I'm very excited to see this movie again. You leave this movie feeling like you've become friends with Chappie, and I hope the bad reviews don't prevent the sequels from being made.
If you like Neill Blomkamp's directing and style you will love this movie.
Chappie is a funny, entertaining, and surprisingly sentimental movie about a sentient robot being raised by gangsters in Johannesburg. Most of the criticisms I've seen about one- dimensional characters and illogical character choices are valid, but Chappie's character, the CGI, the humor, and the overall aesthetic of the movie more than make up for these shortcomings.
Please go see this movie and make up your own mind. I almost didn't go last night because of the negative reviews, but I'm so happy I did. I'm very excited to see this movie again. You leave this movie feeling like you've become friends with Chappie, and I hope the bad reviews don't prevent the sequels from being made.
If you like Neill Blomkamp's directing and style you will love this movie.
Concerns over the use of drones to kill people and the use of military equipment by police make Neill Blomkamp's "Chappie" more relevant. The use of an all-robot police force recalls "RoboCop", while the concept of a droid who has human qualities brings to mind "Short Circuit" and "AI: Artificial Intelligence"*. Although some scenes in the movie come across as silly, I interpreted it as a warning about over-reliance on technology for law enforcement. The South African setting makes sense: four decades of institutionalized racism gave way to one of the highest crime rates in the developed world.
In the end, I recommend the movie. It's understood that Chappie simply wants to be able to live like everyone else. The plot holes don't drag the movie down at all. Sharlto Copley, Dev Patel (of "Slumdog Millionaire"), Sigourney Weaver and Hugh Jackman put on fine performances.
*Another movie focusing on a robot with human qualities is "Robot & Frank", starring Frank Langella and Susan Sarandon.
In the end, I recommend the movie. It's understood that Chappie simply wants to be able to live like everyone else. The plot holes don't drag the movie down at all. Sharlto Copley, Dev Patel (of "Slumdog Millionaire"), Sigourney Weaver and Hugh Jackman put on fine performances.
*Another movie focusing on a robot with human qualities is "Robot & Frank", starring Frank Langella and Susan Sarandon.
Wusstest du schon
- WissenswertesThe house used for Hippo's lair was co-writer and director Neill Blomkamp's childhood home.
- PatzerWith hundreds of scout units in the field, the movie starts by making a point of saying that there is a completely secure way of reprogramming them, ensuring that there is no problem with programming in the field. Yet two characters set out to retrieve the single "key" that prevents this from happening and there is not a single camera, security guard, two-person key lock, or even a janitor in the building that houses the lock.
- Crazy CreditsIn the closing credits appears "Be Moved" in large font.
- Alternative VersionenIn an alternate ending, Chappie has an army in downtown then ends the footage of William Roberts.
- SoundtracksHappy Go S*cky F*cky
Written by Ninja, Yo-Landi Visser (as ¥o-Landi Vi$$er), D.J. Hi-Tek (as DJ Hi-Tek), Motohiro Kawashima
Performed by Die Antwoord
Courtesy of Zef Records
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Chappie: Cảnh Sát Người Máy
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 49.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 31.569.268 $
- Eröffnungswochenende in den USA und in Kanada
- 13.346.782 $
- 8. März 2015
- Weltweiter Bruttoertrag
- 102.811.889 $
- Laufzeit2 Stunden
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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