Eine Komödie, in deren Mittelpunkt eine großmäulige irische Matriarchin steht, deren Lieblingsbeschäftigung die Einmischung in das Leben ihrer sechs Kinder ist.Eine Komödie, in deren Mittelpunkt eine großmäulige irische Matriarchin steht, deren Lieblingsbeschäftigung die Einmischung in das Leben ihrer sechs Kinder ist.Eine Komödie, in deren Mittelpunkt eine großmäulige irische Matriarchin steht, deren Lieblingsbeschäftigung die Einmischung in das Leben ihrer sechs Kinder ist.
- 1 BAFTA Award gewonnen
- 14 Gewinne & 22 Nominierungen insgesamt
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When I discovered Mrs Brown's Boys, I couldn't stop watching. I love the 3 set simplicity, the return to Milton Berle drag antics and the live audience, keep rolling approach - it is so refreshing. A current sitcom with a by gone era appeal - what a delight! The characters are quirky, the story lines are hilarious, and the situations are gut busting! If you have nothing to do on a rainy Sunday, watching the complete series is just the remedy for the dull drums. This American lover of British humor got her English fix by watching Mrs Brown's Boys. It's top notch and a definite must see. I can't wait for the next series to see what Agnes and her family does next!
This is one of those shows which typifies the expression "you either love it or hate it"!
Everyone has different tastes. And I don't mind admitting that a lot of the ingredients in this are what I would usually use as reasons to avoid a show:
Excessive and unnecessary swearing Drag actor Gutter level humour
But having seen the first two episodes, I was (and still am) surprised to have found myself laughing along with it. It started off well by instantly dismantling the 'fourth wall' in the way that Allo Allo and Up Pompeii did (a voice-over/introduction by the lead actor). It then took it a step further with said character walking behind the cameras between sets. I also think that this was only partially scripted (in a way that I am told 'Outnumbered' is). The support characters have their scripted lines but the title character is left to ad-lib at will. You could clearly see the other actors covering their faces or turning away from the cameras whilst trying desperately not to laugh. These are the sorts of treats you get by watching a show recorded live as props are misplaced and scenes have to be reset. It was like watching an outtakes video (except that this was actually funny)!
So, whilst the storyline and character portrayal define everything I despise- somehow the finished article works (for me at least). And I will be tuning in regularly.
Everyone has different tastes. And I don't mind admitting that a lot of the ingredients in this are what I would usually use as reasons to avoid a show:
Excessive and unnecessary swearing Drag actor Gutter level humour
But having seen the first two episodes, I was (and still am) surprised to have found myself laughing along with it. It started off well by instantly dismantling the 'fourth wall' in the way that Allo Allo and Up Pompeii did (a voice-over/introduction by the lead actor). It then took it a step further with said character walking behind the cameras between sets. I also think that this was only partially scripted (in a way that I am told 'Outnumbered' is). The support characters have their scripted lines but the title character is left to ad-lib at will. You could clearly see the other actors covering their faces or turning away from the cameras whilst trying desperately not to laugh. These are the sorts of treats you get by watching a show recorded live as props are misplaced and scenes have to be reset. It was like watching an outtakes video (except that this was actually funny)!
So, whilst the storyline and character portrayal define everything I despise- somehow the finished article works (for me at least). And I will be tuning in regularly.
Agnes Brown (Brendan O'Carroll) is the loudmouthed and vulgar matriarch of the Brown family who often meddles in the lives of her adult children with the best of intentions but more often makes matters more complicated and worse than before.
Mrs. Brown's Boys is an adaptation of the character Agnes Brown created by comedian Brendan O'Carroll that was inspired by O'Carroll's real-life mother. The character began as part of a Radio play by O'Carroll and O'Carroll expanded on the character in books, a feature film adaptation titled Agnes Browne with Anjelica Houston in the titular role, and a series of stage plays before being adapted as a TV series for the BBC. Mrs. Brown's Boys has been notoriously divisive with audiences loving the series as passionately as others hate it, and critical reception has been mostly skewed negative. To a degree I understand because Mrs. Brown's Boys as well as O'Carroll's comedic style are very broad, very exaggerated, and often based on stereotypes and in a way, Mrs. Brown feels, as others have pointed out, not too dissimilar from Ricky Gervais' fictional When the Whistle Blows sitcom from his TV series Extras. I guess you could say that Brendan O'Carroll is UK/Ireland's answer to Tyler Perry down to the fact he's cross dressing as this traditional but foul-mouthed matriarchal character and that his audiences love him while critics loathe him. I guess where I personally stand on the show: I know it's not good, but I love watching it and I think it's because of the chemistry of the cast, the live studio audience, and the very loosely structured style of the show that makes it kind of endearing despite itself.
Despite Mrs. Brown's Boys featuring time worn sitcom tropes and plots that will be very familiar to those immersed in the format, there is a level of awareness to the tropes used and the fact that the show is very minimalist that earns it a lot of leeway. Mrs. Brown's Boys typically only has three sets for any given episode, and it gives the show a very theatrical quality that immerses the viewer especially with its enthusiastic audience. But what makes the series especially unique is that all the mistakes, flubs, and outtakes are kept in the show with no edits. Because many of the cast members are family and or friends of O'Carroll (including his wife, daughter, and son) O'Carroll will often break the verisimilitude of the show's atmosphere for comedic effect by interacting with the camera and sound operators or sometimes purposefully flubbing a line and acknowledging the awareness of living in a sitcom universe. The fact that so many of the cast are friends or family in real life and the very loose nature of the show works to show's benefit in creating a lot of goodwill and add to that the moments of genuine sincerity such as semi autobiographic elements (O'Carroll's son in real life is dyslexic and there's a moment in Mrs. Brown's boys where she finds out her son is Dyslexic that's quite heart wrenching in context) there's a lot of sincerity to this show you don't find in lesser sitcoms.
Mrs. Brown's Boys has been lambasted by critics for a myriad of reasons and I'm hard pressed to disagree with the critics stances of the show, but at the same time there's a passion and energy to this show that really can't be denied. Yes it's silly, ridiculous and based on well worn tropes and stereotypes, but its committed to the delivery whilst also being loose and having fun with the mutli-camera live audience sitcom setup. Mrs. Brown's Boys is the TV version of fast food, sure it's not good for you and there's better options available, but we all need that empty calorie binge now and again.
Mrs. Brown's Boys is an adaptation of the character Agnes Brown created by comedian Brendan O'Carroll that was inspired by O'Carroll's real-life mother. The character began as part of a Radio play by O'Carroll and O'Carroll expanded on the character in books, a feature film adaptation titled Agnes Browne with Anjelica Houston in the titular role, and a series of stage plays before being adapted as a TV series for the BBC. Mrs. Brown's Boys has been notoriously divisive with audiences loving the series as passionately as others hate it, and critical reception has been mostly skewed negative. To a degree I understand because Mrs. Brown's Boys as well as O'Carroll's comedic style are very broad, very exaggerated, and often based on stereotypes and in a way, Mrs. Brown feels, as others have pointed out, not too dissimilar from Ricky Gervais' fictional When the Whistle Blows sitcom from his TV series Extras. I guess you could say that Brendan O'Carroll is UK/Ireland's answer to Tyler Perry down to the fact he's cross dressing as this traditional but foul-mouthed matriarchal character and that his audiences love him while critics loathe him. I guess where I personally stand on the show: I know it's not good, but I love watching it and I think it's because of the chemistry of the cast, the live studio audience, and the very loosely structured style of the show that makes it kind of endearing despite itself.
Despite Mrs. Brown's Boys featuring time worn sitcom tropes and plots that will be very familiar to those immersed in the format, there is a level of awareness to the tropes used and the fact that the show is very minimalist that earns it a lot of leeway. Mrs. Brown's Boys typically only has three sets for any given episode, and it gives the show a very theatrical quality that immerses the viewer especially with its enthusiastic audience. But what makes the series especially unique is that all the mistakes, flubs, and outtakes are kept in the show with no edits. Because many of the cast members are family and or friends of O'Carroll (including his wife, daughter, and son) O'Carroll will often break the verisimilitude of the show's atmosphere for comedic effect by interacting with the camera and sound operators or sometimes purposefully flubbing a line and acknowledging the awareness of living in a sitcom universe. The fact that so many of the cast are friends or family in real life and the very loose nature of the show works to show's benefit in creating a lot of goodwill and add to that the moments of genuine sincerity such as semi autobiographic elements (O'Carroll's son in real life is dyslexic and there's a moment in Mrs. Brown's boys where she finds out her son is Dyslexic that's quite heart wrenching in context) there's a lot of sincerity to this show you don't find in lesser sitcoms.
Mrs. Brown's Boys has been lambasted by critics for a myriad of reasons and I'm hard pressed to disagree with the critics stances of the show, but at the same time there's a passion and energy to this show that really can't be denied. Yes it's silly, ridiculous and based on well worn tropes and stereotypes, but its committed to the delivery whilst also being loose and having fun with the mutli-camera live audience sitcom setup. Mrs. Brown's Boys is the TV version of fast food, sure it's not good for you and there's better options available, but we all need that empty calorie binge now and again.
I have to say i find this absolutely wonderful, i loved it. I love how on occasion they add a serious message, it's always bold. It's crude, it's not PC, what a breath of fresh air, Irish humour has always been something I've loved, this show simply enhances that feeling. The Matriarch Mrs Brown is stunningly portrayed, and the one liners are side splitting. How novel for a comedy to keep the outtakes in the transmission, it's great to see how much the cast seem to enjoy making it. I love the talks she has with her daughter Cathy, the actress who plays her always makes me smile and laugh for i feel she is laughing for real at many of the gags. I hope this wonderful show goes from strength to strength. 'It's a man in a dress you know, ' haha
A pity that they've decided not to make full line series, but focus on Christmas specials only, I suppose it's difficult to continually come up with new material.
Some wonderful episodes over the years, Supermammy remains the funniest to date, I can't think of anything that has made me laugh so much for a long time, I actually cried with laughter, if you just want to watch one episode, watch that one.
A pity that they've decided not to make full line series, but focus on Christmas specials only, I suppose it's difficult to continually come up with new material.
Some wonderful episodes over the years, Supermammy remains the funniest to date, I can't think of anything that has made me laugh so much for a long time, I actually cried with laughter, if you just want to watch one episode, watch that one.
I can't get over how funny this is. I am 67, so have seen many brilliant comedies over the years but this is one of the funniest.The outtake aspect of it adds well to the whole thing. The first episode had my wife and i almost falling off the sofa in hysterical laughter. The series reminds me a bit of another low profile comedy "Still game", in it's own way almost as funny. The Miranda way of talking to the camera has always been something that i have quite enjoyed (As in "up pompeii"). Be aware that it's not for the more sensitive at heart, as it does include a lot of swearing.Let's hope it is not a one series comedy. More please.
Wusstest du schon
- WissenswertesThe cast is composed almost entirely of Brendan O'Carroll's relatives. Jennifer Gibney is Brendan's wife, Eilish O'Carroll is Brendan's sister, Fiona O'Carroll is Brendan's daughter, Danny O'Carroll is Brendan's son, Amanda Woods is Brendan's daughter-in-law, married to Danny O'Carroll, and Martin Delany is Brendan's son-in-law, married to Fiona O'Carroll.
- VerbindungenFeatured in Breakfast: Folge vom 17. Juni 2011 (2011)
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What is the Brazilian Portuguese language plot outline for Mrs. Brown's Boys (2011)?
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