Ein Motorrad-Stuntfahrer wendet sich dem Raubüberfall auf Banken zu, um für seine Geliebte und ihr Neugeborenes zu sorgen, eine Entscheidung, die ihn auf einen Kollisionskurs mit einem ehrge... Alles lesenEin Motorrad-Stuntfahrer wendet sich dem Raubüberfall auf Banken zu, um für seine Geliebte und ihr Neugeborenes zu sorgen, eine Entscheidung, die ihn auf einen Kollisionskurs mit einem ehrgeizigen Nachwuchspolizisten bringt, der durch eine Abteilung navigiert, die von einem korru... Alles lesenEin Motorrad-Stuntfahrer wendet sich dem Raubüberfall auf Banken zu, um für seine Geliebte und ihr Neugeborenes zu sorgen, eine Entscheidung, die ihn auf einen Kollisionskurs mit einem ehrgeizigen Nachwuchspolizisten bringt, der durch eine Abteilung navigiert, die von einem korrupten Detektiv geleitet wird.
- Auszeichnungen
- 5 Gewinne & 22 Nominierungen insgesamt
- Baby Jason
- (as Anthony Angelo Pizza Jr.)
- Priest
- (as Rev. John Facci)
Empfohlene Bewertungen
I have nothing negative to say. The acting was mature and accurate. Each character was playing a role that suited their own set of talents superbly.
Try not to read too many reviews and just go and see this movie. You will not be disappointed.
A motor bike stunt rider finds out he has a son so packs in his day job and takes the logical step of robbing banks to provide for him. The story deals with the family life of the man as well as a rookie cop who exposes his police department to be corrupt.
I found the film very absorbing from the start with Ryan Gosling's character development on fast forward so at least 3 massive life events all happen in the first 20 minutes of the film. There's not a lot of action scenes but when there are they're very tense and exciting.
The family life aspect is quite heartwarming and you do believe that his character does love his son and wants to provide for him. There are fantastic believable acting performances all round here with Ryan Gosling and later on Bradley Cooper really showcasing their acting talents. It's engaging and I really cared what happened to both of their characters.
The main problem with the film is it's length and not knowing when to stop. The first part of the film is constantly engaging and would be a nine out of ten if the film stayed like that the whole way through. When the focus shifts from characters however it really doesn't feel as exciting and almost feels like the start of totally different movie. A movie that isn't bad but is nowhere near as good as the one you've just seen.
Every story told is linked obviously but sometimes it feels a tad loose. There is a dramatic time shift when the film reaches the 100 minute mark and what follows really seems to drag. It never really felt like it was going anywhere. It was by no means boring however, it just lost a bit of steam towards the end. The Place Beyond The Pines is worth a watch but just be prepared to have you're socks blown off and then have them planted firmly back on your feet as the film continues.
The first hour of this film is fantastic: gripping, edge-of-the-seat stuff, with another excellent performance from the star. Then things go in a different direction for the second hour, with the less-interesting Bradley Cooper becoming the focus of the story. This part's still pretty good, if more familiar. It all rounds out again with a third act which ups the suspense to a satisfying climax.
THE PLACE BEYOND THE PINES is an actor's film, and indeed there are some great performances here: Gosling, an almost unrecognisable Eva Mendes, Ben Mendelsohn, and Dane DeHaan all give very good performances, and it's a treat to see Harris Yulin (SCARFACE) on the screen again. But the technical values and the mature script easily match the calibre of the acting, making this an all-round winner. It's not perfect - some sections are too slow, and some characters just don't hold the interest like others - but fans of DRIVE should like it nonetheless.
Luke's plans to be a good father does not end well as his luck runs out. Avery (Bradley Cooper) is a novice cop who goes after Luke and later gets in some bother with corrupt cops in his department. The ambitious Avery uses this to get into the District Attorney's office.
The third act of the movie is set 15 years later as the children of these two men cross paths. Both children are delinquents in some ways.
The film goes for an epic scope with interweaving stories. There is a great opening with Gosling as he goes out to ride the wall of death.
The film loses its focus when it concentrates on their kids because the story is not that great. However director Derek Cianfrance has made an intriguing film. It is a shame that he runs out of his narrative drive by the end.
Wusstest du schon
- WissenswertesIn the audio commentary, co-writer and director Derek Cianfrance says that his financier would give him the budget he wanted if he shrank the 158-page script to 120 pages. Without removing anything, he used a smaller font and extended the margins. He says no one noticed.
- PatzerJason steals "oxys" - Oxycontin or Oxycodone - from the pharmacy shelf. Both these drugs are "CII" (Schedule II) controlled substances, the most restrictive classification for legal drugs. Federal law mandates that they be kept under lock and key to prevent easy access by thieves. They would not be kept on the shelf.
- Alternative VersionenAlthough US distributor Focus Features has never released a longer version of its films and considers the theatrical version the director's cut, in April 2013, director Derek Cianfrance stated that he 'looked forward to putting many deleted scenes onto the upcoming DVD/BD releases that could add up to a total runtime of approx. 20 minutes. As of October 2023, however, this extended cut has yet to materialize.
- VerbindungenFeatured in Maltin on Movies: Trance (2013)
- SoundtracksMiserere Mei
Written by Gregorio Allegri
Arranged by Vladimir Ivanov (as Vladimir Ivanoff)
Performed by Osnabrück Youth Choir
Johannes Rahe, Director
Courtesy of DA MUSIC/CCnC, Germany
www.ccnc.com/CultureWare
Music/Marren MV
By arrangement with Hearts of Space Records
Valley Entertainment, Inc.
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- El lugar donde todo termina
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 15.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 21.403.519 $
- Eröffnungswochenende in den USA und in Kanada
- 279.457 $
- 31. März 2013
- Weltweiter Bruttoertrag
- 47.162.802 $
- Laufzeit2 Stunden 20 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1