Der Sohn eines erschlagenen NYPD-Beamten tritt der Polizei bei, wo er sich mit dem ehemaligen Partner seines Vaters und einem Team von abtrünnigen Polizisten zusammenschließt.Der Sohn eines erschlagenen NYPD-Beamten tritt der Polizei bei, wo er sich mit dem ehemaligen Partner seines Vaters und einem Team von abtrünnigen Polizisten zusammenschließt.Der Sohn eines erschlagenen NYPD-Beamten tritt der Polizei bei, wo er sich mit dem ehemaligen Partner seines Vaters und einem Team von abtrünnigen Polizisten zusammenschließt.
- Young Malo
- (as La'Jessie Janoard Smith)
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"Freelancers" finds 50 Cent as a young cop who's father is slain by bad cops when he is little. Now on the force himself, Fiddy finds himself taken under the wing of corrupt captain Sarcone (DeNiro) along with other dirty cops like Detective Leurie (Forest Whitaker). Will Fiddy find his father's killer? Will the film end in a shootout?
It plays out like a dream you have every night. You know what to expect, and can just about point to the screen when you can expect to see it happen. The script is cut-and-dry, listless, and unsure of if it's trying to make more a point than simply to promote its impressive cast.
I would say don't watch it, but you've watched this before, and you'll watch it again, though in a theater and with a couple zeroes added on to the end of the budget. For a low-cost, easy to shoot film, the cast is impressive and the acting is fine, but for the hour and a half spent sitting at home waiting to be surprised, I felt let down.
"Freelancers" is a movie with a messy story about corrupt NYPD officers. The lead character is a hoodlum that becomes a dirty cop, but comes back to the side of the law to revenge the death of his father and ends invited to join the Internal Affairs. Lydia has conclusive evidences against Sarcose and his gang, but they are not enough to arrest the dirty cop that is not under surveillance. The great cast is lost in a poor screenplay and a weak direction. My vote is four.
Title (Brazil): "Assassinos de Aluguel" ("Hired Killers")
The second problem is the familiarity of the material. CROSSFIRE feels like a Frankenstein's Monster of a movie, made up of bits and pieces from TRAINING DAY, RAMPART, STREET KINGS, and at least half a dozen others. Heck, Forest Whitaker is here and playing nearly EXACTLY the same role as he essayed in STREET KINGS. Despite these problems, CROSSFIRE is occasionally thrilling in places and there's a lot of involved material to fill up the running time. Robert De Niro is barely in it but at least he doesn't embarrass himself and there's a nice minor part for Dana Delany. While I enjoyed CROSSFIRE in places I do feel that with a better lead actor and story it could have been something truly great rather than just average.
The first half of the movie is basically one about rookie training, in which rookie cops, one of them played by 50 Cent, get teamed up with an older and more experienced cop, who starts learning them the tricks and ropes. It all sounds very familiar, I know but it does work out interesting and entertaining enough and I was ready to really start liking this movie.
But then its horrible second half came along. Half way through it suddenly becomes a far more standard crime movie and not a very good one I'm sad to say. About half way through, exactly, there is a certain scene in the movie after which the movie starts to take a turn for the worse. The scene in itself already is being something ridicules and out of tone for this movie but everything that follows after that is about just as bad and silly. Suddenly 50 Cent and friends become hardcore crime fighters, trying to solve a case, which also involves dirty cops, while before that they were being naive and timid young cops, afraid of their superiors. It doesn't quite click all and the second half almost entirely ruined the movie for me.
It might seem strange to you, seeing 50 Cent playing a cop in this but it in fact is not a movie that glorifies the police corps at all. On the contrary really, since the cops are the biggest bad guys in this, who also form the biggest danger, do most of the drugs and have sex with prostitutes, whenever given the opportunity, all while being on duty. No, I don't think the makers of this movie have a lot of love for the police man and woman out there and 50 Cent also quickly finds an excuse in this movie to take off his uniform. It's a bit too over-the-top all at times, which obviously doesn't make this the most convincing and realistic genre movie out there.
I have always thought that 50 Cent is an horrible actor. He's even terrible in his own music videos! Now, I'm not talking about him as a performer of course but he, out of all rappers, always seemed to be the most unlikely one to ever have a decent acting career some day. Guess movies like this won't really help his acting career forward, since he also really isn't being all that impressive in this. He especially has some real difficulties in the scenes in which his character was supposed to show his emotions. And watching him sitting across Robert De Niro, having dialog with him, feels just wrong! They are not remotely in the same league and I was also quite surprised to see the likes of De Niro and Whitaker in this.
It's definitely not the worst movie you'll ever see but it's not one to get very excited about either.
5/10
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Wusstest du schon
- WissenswertesAfter brief bookings in New York City and Los Angeles on August 10, 2012, the film went quickly to video on August 21.
- Zitate
Malo: What's the worst thing you ever did, Joe?
Joe Sarcone: The worst thing I ever did was trust the wrong man.
Malo: How do you know when you're trusting the wrong man?
Joe Sarcone: You're questioning me? Huh, you lttle shit? I always make my decision with my hed, not my heart. I got to where I am in this world by taking advantage of people's trust, and I'm not ashamed of that. There's a Maldonado seed. You hungry?
Malo: I can always eat.
Joe Sarcone: Kitchen never closes, and everybody eats at my table.
Malo: You really trust everybody in here?
Joe Sarcone: That door you just walked through only works one way - In. Once you're in, the only way out is to the sounds of gunshots and bagpipes.
- VerbindungenReferenced in Bad Movie Beatdown: Set Up (2013)
- SoundtracksStreet Life
Performed by Booke & Swaggalee
Written by D. Dixon, B. Booker, T. Scott,
Produced and Arranged by David Dixon & Mike Burns
Published by Burnmore Music (ASCAP)
(c) 2011 Burnmore Music
Top-Auswahl
- How long is Freelancers?Powered by Alexa
Details
Box Office
- Budget
- 11.000.000 $ (geschätzt)
- Weltweiter Bruttoertrag
- 456.350 $
- Laufzeit1 Stunde 36 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1