Wild Bill - Vom Leben beschissen!

I'm so sick of American films portraying the English with stupid posh accents and houses with access to a rooftop that somehow overlooks the whole of London. This is a proper English film about proper English people. Good movie.

Rare do films slip past my radar like this, but a netflix research project where I listed about 10-fairly well-received films that I hadn't seen, led me to watch "Wild Bill".

The formula is rather simple, and certainly nothing we haven't seen before, but then why in the heck does this work so well?

So only super-mild spoilers here in a 1 sentence synopsis;nothing you couldn't have gathered from reading the plot summary above. Bill returns home from a 8-year prison stint to find his two sons living unsupervised.

What makes "Wild Bill" work so well is the characters and their journeys. Bill, his eldest son, the youngest(Jimmy), and Bill's girlfriend all go through serious changes in the film. Every character-arc fits perfectly into the film's storyline, and the acting is spot-on to boot. Nothing seems forced or unrealistic.

Another great thing about the movie is the ending. It really builds towards a crescendo, and the ending is bittersweet. There's something magical about the emotional scene late in the film where Bill has no other choice, just the primal instinct to protect his boys.

At a point midway through the film, something clicks with Bill. We see two boys believing they were men when they really weren't, and one man not realizing how to be one until the moment when he recognized what was actually worth living for..

"Wild Bill" is a soulful, heart-breaking and mending story with some solid performances, a nice soundtrack, and great ending.

It's a Full Monty meets Green Street Hooligans, and it's every bit as good as both.

HIGhly recommended.

78/100

Wild Bill is directed by Dexter Fletcher who also co-writes the screenplay with Danny King. It stars Charlie Creed-Miles, Will Poulter, Liz White, Sammy Williams, Charlotte Spencer, Leo Gregory, Neil Maskell and Iwan Rheon. Music is by Christian Henson and cinematography by George Richmond.

Wild Bill Hayward (Creed-Miles) is just out of prison after serving eight years. Heading home he finds his two sons Dean (Poulter) and Jimmy (Williams) fending for themselves after their mother abandoned them. Bill hadn't planned on hanging around, but if he doesn't then the boys will be taken into care. More pressing is that the local drug runners have got young Jimmy working for them, Bill might just have to take his parental responsibilities to another level and justify his Wild reputation.

Splendid piece of British grit and wit, Wild Bill follows in the traditions of films directed by British actors, who for their debut directing assignment impressed with the ability to grab the attention and no loosen the grip. Fletcher has done a bang up job here, managing to turn what could have been a standard dysfunctional family melodrama into something more meaningful, engaging and suspenseful.

Story is set to the backdrop of working class London, where the building of the Olympic stadium serves as a beacon of hope in the distance, while our principal characters struggle through a world of grimy flats, empty pubs, dirty cafés and drug infested council estates.

The narrative operates on two fronts, Bill (Miles superb) is trying to keep on the straight and narrow, as he candidly observes, if his dog craps on the pavement he will get 18 months back in prison! But as he tries to build a relationship with his two sons, especially the older and more colder Dean, circumstances are drawing him back into the violent world he desperately wants to leave behind. It's this angle that gives the film its suspense, as viewers we are wondering if Bill can achieve his goals, will he get a break, will the family become one unit?

Elsewhere the film operates as a coming of age story, where Dean has had to grow up real fast to look after his younger brother, even taking on employment at the age of 15 to provide for Jimmy and himself. Then there is matters of the heart, as he is strongly attracted to local girl Steph (Spencer), this aspect is very well handled by Fletcher, who gets the excellent Poulter to deftly portray those early nerves when Cupid starts to draw back its bow, the tentative fumblings of young love easily identifiable to us all.

Pic is full of familiar British faces, most of them just stopping by in cameos to lend friendly support to Fletcher's project. They all offer a reassuring presence to proceedings, adding further weight to what is damn fine debut picture. Sometimes violent, often heart warming and tender, and very laugh out loud funny, Wild Bill is a winner. 9/10

Really well made with the first-time director making full use of his actors and their surroundings to make a film that is great to look at as well as being a well put together drama. All the main characters were excellently played by Charlie Creed-Mills, Will Poulter (who I last saw in the (also excellent) 'Son of Rambow'), the young Sammy Williams and Leo Gregory. I should also mention Liz White as Roxy and Charlotte Spencer as Steph; both did a great job also. A film with great emotional depth that doesn't over-play the drama too much and I have to admit I really enjoyed it!

SteelMonster's verdict: HIGHLY RECOMMENDED

My score: 9.0/10.

You can find an expanded version of this review on my blog: Thoughts of a SteelMonster.

A mixture of urban grit, humor, and emotional turbulence while maintaining a sense of authenticity throughout, director Dexter Fletcher delivers a prominent, charming British drama. Thanks to a deeply heartfelt script--a cast that boasts a wealth of British acting talent (including Charlie Creed-Miles, Will Poulter, Andy Serkis, and Jaime Winstone), "Wild Bill" successfully adds a fresh approach and perspective to the heavily saturated genre of broken families and urban decay.

Charlie Creed-Miles gets top billing here as "Wild Bill," the former drug-dealing tough guy who has spent the past 8 years under lock and key. Returning home on parole to find his two sons abandoned by their mother, Bill is blackmailed by his eldest, embittered son Dean into sticking around until the threat of being placed into social services has passed. As Bill begins to bond with his younger son Jimmy (Sammy Williams), local drug dealer "T" (Leo Gregory), digs his claws into both father and son.

Fletcher's debut is outstanding, and Charlie Creed-Miles performance as Bill is a knockout. Bill, whose hasty journey to redemption could so easily have seemed abhorrently contrived, yet strangely feels incredibly organic and totally believable. The enjoyment of "Wild Bill" is derived from its incredibly nuanced and engaging performances.

Many societal issues are addressed in Wild Bill: neglected children, alcoholism, prostitution, teen pregnancy, drug dealing, and the impact of role models on today's youth (or the lack thereof). Yet the film manages to remain far lighter than its weighty material. Thanks in part to the sharp writing by Fletcher and co-writer Danny King; Wild Bill manages to be funny without sacrificing the emotional power that drives the narrative.

"Wild Bill" is one of those rare films that possesses energy and vibrancy that manages to keep you rooting for its characters from start to finish. Fletcher's debut will not be an instant hit that propels his name into the spotlight--or recognized by the general public, yet he should be commended for creating a genuinely delightful piece of British social realism laced with charisma and wit. For audiences, "Wild Bill" is a surprisingly entertaining and well-told story that is far more relevant than most would want to believe.