Füge eine Handlung in deiner Sprache hinzuA street-toughened parolee finds his two boys abandoned by their mum and fending for themselves. Time to step up, or not.A street-toughened parolee finds his two boys abandoned by their mum and fending for themselves. Time to step up, or not.A street-toughened parolee finds his two boys abandoned by their mum and fending for themselves. Time to step up, or not.
- Regie
- Drehbuch
- Hauptbesetzung
- Nominiert für 1 BAFTA Award
- 3 Gewinne & 8 Nominierungen insgesamt
- Jonas
- (as Rad Kaim)
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Charlie Creed-Miles gets top billing here as "Wild Bill," the former drug-dealing tough guy who has spent the past 8 years under lock and key. Returning home on parole to find his two sons abandoned by their mother, Bill is blackmailed by his eldest, embittered son Dean into sticking around until the threat of being placed into social services has passed. As Bill begins to bond with his younger son Jimmy (Sammy Williams), local drug dealer "T" (Leo Gregory), digs his claws into both father and son.
Fletcher's debut is outstanding, and Charlie Creed-Miles performance as Bill is a knockout. Bill, whose hasty journey to redemption could so easily have seemed abhorrently contrived, yet strangely feels incredibly organic and totally believable. The enjoyment of "Wild Bill" is derived from its incredibly nuanced and engaging performances.
Many societal issues are addressed in Wild Bill: neglected children, alcoholism, prostitution, teen pregnancy, drug dealing, and the impact of role models on today's youth (or the lack thereof). Yet the film manages to remain far lighter than its weighty material. Thanks in part to the sharp writing by Fletcher and co-writer Danny King; Wild Bill manages to be funny without sacrificing the emotional power that drives the narrative.
"Wild Bill" is one of those rare films that possesses energy and vibrancy that manages to keep you rooting for its characters from start to finish. Fletcher's debut will not be an instant hit that propels his name into the spotlight--or recognized by the general public, yet he should be commended for creating a genuinely delightful piece of British social realism laced with charisma and wit. For audiences, "Wild Bill" is a surprisingly entertaining and well-told story that is far more relevant than most would want to believe.
Plot made me to really get into story and kept me hooked from beginning.
It was really well and acted. Cast did just awesome job especially parts they had to show characters emotions. I haven't seen a good British drama since "Harry Brown"
So if you are person who loves dramas which bring up a lot emotions and makes you put yourself in characters position, I Definitely recommend this film. I give it 9/10.
I think Mr Fletcher may have found his way of breaking out by stepping behind the camera. What we have here is a very well written and directed film debut about a man who is released from prison and finds himself looking after his 2 sons whose mother has abandoned them.
It isn't an exciting film as this is a drama with some light humour thrown in. It's quality British film making where we go and take a peak at something which is more than likely true to real life.
Many familiar fine British actors are recognisable in this film and Mr Fletcher no doubt had no trouble in bringing out their finest performances as I'm sure he's probably friends or familiar with them. This makes viewing the film as if watching real life.
So, if you want to take break and watch something engaging then do so by watching Wild Bill. The performances are great (Will Poulter will be a star one day), the story is realistic and gritty and the direction for a first timer is spot on. This isn't the type of film you'll watch repeatedly but the type you'll be glad that you've seen the once.
Wild Bill Hayward (Creed-Miles) is just out of prison after serving eight years. Heading home he finds his two sons Dean (Poulter) and Jimmy (Williams) fending for themselves after their mother abandoned them. Bill hadn't planned on hanging around, but if he doesn't then the boys will be taken into care. More pressing is that the local drug runners have got young Jimmy working for them, Bill might just have to take his parental responsibilities to another level and justify his Wild reputation.
Splendid piece of British grit and wit, Wild Bill follows in the traditions of films directed by British actors, who for their debut directing assignment impressed with the ability to grab the attention and no loosen the grip. Fletcher has done a bang up job here, managing to turn what could have been a standard dysfunctional family melodrama into something more meaningful, engaging and suspenseful.
Story is set to the backdrop of working class London, where the building of the Olympic stadium serves as a beacon of hope in the distance, while our principal characters struggle through a world of grimy flats, empty pubs, dirty cafés and drug infested council estates.
The narrative operates on two fronts, Bill (Miles superb) is trying to keep on the straight and narrow, as he candidly observes, if his dog craps on the pavement he will get 18 months back in prison! But as he tries to build a relationship with his two sons, especially the older and more colder Dean, circumstances are drawing him back into the violent world he desperately wants to leave behind. It's this angle that gives the film its suspense, as viewers we are wondering if Bill can achieve his goals, will he get a break, will the family become one unit?
Elsewhere the film operates as a coming of age story, where Dean has had to grow up real fast to look after his younger brother, even taking on employment at the age of 15 to provide for Jimmy and himself. Then there is matters of the heart, as he is strongly attracted to local girl Steph (Spencer), this aspect is very well handled by Fletcher, who gets the excellent Poulter to deftly portray those early nerves when Cupid starts to draw back its bow, the tentative fumblings of young love easily identifiable to us all.
Pic is full of familiar British faces, most of them just stopping by in cameos to lend friendly support to Fletcher's project. They all offer a reassuring presence to proceedings, adding further weight to what is damn fine debut picture. Sometimes violent, often heart warming and tender, and very laugh out loud funny, Wild Bill is a winner. 9/10
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- WissenswertesDirectorial debut of Dexter Fletcher.
- Zitate
Wild Bill: [discovering his youngest son's been helping sell crack] First year's the hardest.
Jimmy: What?
Wild Bill: Yeah that's what they say. "First year's the hardest." It weren't for me. Second year, that was the real killer. First year you can still remember the world - your home, your pals, Sunday roast, what it's like to take a dump without someone watching you. Second year, that's when the hope starts to leave ya. No one left to trust. No one you really like 'cause you're in prison. Everyone's a criminal. They all want to fuck you over. You don't want to go to sleep 'cause, whatever you got, it'll be nicked by the bloke you share your cell with... whose farts and stink you have to put up with twenty-four hours a day, seven days a week. Don't want to make friends with no one because, if you do, you make an enemy somewhere else. Nancies who want to rump ya. And, oh, yeah, blokes who don't think nothin' about creeping up behind you with a shank and sticking it in your throat. Do you know what the worst thing is? Do ya? You get used to it. So, Jimbo, what are you gonna do?
- VerbindungenFeatured in Projector: Wild Bill (2013)
- SoundtracksThe Guns of Brixton
Performed by The Clash
Written by Paul Simonon
Published by Universal Music Publishing Ltd
Courtesy of Sony Music Entertainment UK Ltd
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- Weltweiter Bruttoertrag
- 194.099 $
- Laufzeit1 Stunde 38 Minuten
- Farbe
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- Seitenverhältnis
- 2.35 : 1