Aftershock

A bunch of tourists are in Chile to party, but when an earthquake hits the city, they need to fight for survival, not only against the natural disaster, but also against criminals who seized the opportunity to escape from prison.

I would have rated 'Aftershock' higher than 6 of 10 if it wasn't for the boring first 30 minutes. We get introduced to characters who are so dumb that we really wouldn't care if they all get buried by the earthquake. This lengthy introduction turns out to be a waste of time, anyway, because some of them are killed off early, while other characters who are more important for the movie get 3 seconds of back story ('Trust me, I'm a firefighter').

However, after the quake it gets thrilling, violent, suspenseful with a lot of action, which made the movie worth watching after all. I was not surprised to learn in the making of (watched on DVD) that several of the makers of 'Aftershock' have previous experience in comedy rather than horror, it's the timing of some scenes that tells it. For example the lady who shows the tunnel and then makes the mistake to stick her head first - that's the 'oops' timing of a comedy, not a horror movie. But it works and makes the movie more original. Also the background with a catastrophe that destroys the usual human behaviour so quickly is believable. Not too bad after all, but I recommend to press fast forward at the beginning.

The movie starts with the setup we've all seen a billion times before: Some guys. Are annoying. Horny. Some girls. Are annoying. Horny. Have party. Drink. Try to sex. Good times. Then suddenly... an earthquake!

The tone shifts drastically and the world around them goes to hell in a hand-basket real quick. Decimated architecture, riots in the streets, prisoners escaping, warnings of an incoming tsunami, every man for himself, and no one is safe. Anyone can meet their untimely end when you least expect it, just like a real life disaster.

This may sound like an intense and nihilistic experience, but beneath the surface, the film sticks to the usual horror movie rules and holds back too much to be a truly effective shocker. In other words, it feels too "Hollywoodized". There's also a dumb twist towards the end. Even still, there's just enough carnage here to satisfy undemanding lovers of cinematic slime. A natural disaster movie that puts most of it's focus on animalistic human behavior rather than the flashy special effects could, and should, have been a lot better.

I won't recap the plot, because other reviewers have done it much better than I could. But I do want to express that I feel this was an absolutely brilliant movie by a wonderful and talented newcomer, Nicolas Lopez, with the collaboration of established master Eli Roth.

We'd all like to think (or hope) that everybody will be philanthropic and kind in the face of disaster, but this film shows us the frightening reality of human nature. When you're injured and in pain and terrified you maybe won't meet kind helping hands - you could just as likely meet looters, sadists and rape squads. I've been a traveller my whole life, and I know from personal experience how close the border is between middle-of-the-night drunken fun and horrifying death when you're far from home.

I'm very conservative with my grading at IMDb, but I think this film deserves a rare 10 out of 10.

Set in Chile after a nightmarish earthquake. A group of terrorists find themselves in a dire situation when the prisoners break out of jail and begin to take advantage of the situation. Most films set around disasters tend to focus on the positive outcomes of humanity. The way we come together even though strangers and assist each other in our greatest time of need. But after hearing the news reports of what happened in New Orleans after Katrina it makes a compelling case for a film maker to explore the darkest side of humanity. And as an exploration of that theme Aftershock mildly works moving from one situation to the next. Exploring the negative ways individuals could react. The theme is intriguing and thought provoking from a single mother defending her two children, to a rich man's empathy for his friend and the various ways people actually crack under pressure in the most despicable ways. I only wish the film makers just focused on those things, had a higher budget and delivered a more polished product. But what we have here is mostly a missed opportunity. Despite some decent character development and some nice moments dramatically the film is filled with unintentionally funny performances, seems to have been cut together with the subtly of a chainsaw and is very sloppily made due in some part to the high concept dumbed down by the obvious budgetary constraints. There is also a sub plot involving orphans that leads to an unexpectedly silly and offensive climax. There's a lot of negatives here but I can't say that I hated the movie at all. It's certainly an original film and makes some intriguing points sadly it's bogged down by the amateurness of the production overall and a controlling need to try and make the proceedings entertaining which they never are.So if you've seen taht nifty red band trailer that looks utterly ridiculous and like a lot of fun you're in for a much different experience indeed for better and worse. 3/5

On their last night out a group of travellers find themselves fighting for survival when an earthquake devastates South America.

Probably due to an abundance of sub-par modern style horrors debatably 2012's Aftershock is sorely underrated and overlooked. Reminiscent of the character build up that came with Eli Roth's own Hostel director Nicolás López delivers a hard hitting freely traditionally shot (no found footage here) well executed, gritty disaster film which successfully shocks with its unnerving set ups and exceptional special effects.

The cast are on fine form Natasha Yarovenko as Irina,Lorenza Izzo (Kylie) and Nicolás Martínez and Pollock re notable with with Roth himself putting in a good innings as a nameless dad referred to as Gringo. While it is gratuitous it's fitting to the story and tone as with the aforementioned as the leads try to survive the earthquakes aftershocks falling buildings, collapsing tunnels and the social unrest which ensues by escapee prisoners before a tsunami hits Chile.

It's well paced with fine cinematography by Antonio Quercia and music Manuel Riviero helps it capture some of the original magic which Roth's first outing did. Even though the ending scene may come as no surprise there are a few twists to peak interest.

While not a horror in the traditional sense with graphic amputations, rape, drugs, a human torch, shooting and murders to name a few, granted it will make the regular viewer wince but it's well written and sharply directed by López - forget the endless copycat films of the same sub-genre if you rated Hostel and part 2 this sleeper isn't one to miss.