In der Zeit vor der Ankunft von Spartacus sieht sich das Haus Batiatus vielen Herausforderungen durch Konkurrenten und innerhalb des eigenen Hauses gegenüber.In der Zeit vor der Ankunft von Spartacus sieht sich das Haus Batiatus vielen Herausforderungen durch Konkurrenten und innerhalb des eigenen Hauses gegenüber.In der Zeit vor der Ankunft von Spartacus sieht sich das Haus Batiatus vielen Herausforderungen durch Konkurrenten und innerhalb des eigenen Hauses gegenüber.
- Für 1 Primetime Emmy nominiert
- 1 Gewinn & 4 Nominierungen insgesamt
Folgen durchsuchen
Zusammenfassung
Reviewers say 'Spartacus: Gods of the Arena' is a prequel focusing on the House of Batiatus, featuring graphic violence and political intrigue. Praised for its narrative, performances by John Hannah and Lucy Lawless, and realistic sets, it introduces key characters. Critics note less originality and reliance on explicit content. Liam McIntyre is well-received, though Andy Whitfield's absence is felt. It's a worthy but variable addition to the franchise.
Empfohlene Bewertungen
10Rob1331
I don't even know how to describe how much I love Spartacus, both the original and the prequel. I've watched the entire series all the way through at least four or five times because it's just that good. All you have to is read through the reviews to see how beloved this series is. The entire cast is just incredible. I think most people thought when Andy Whitfield tragically died and they had to recast the role of Spartacus that it would drop in quality. It didn't! As good as Whitfield was, Liam McIntyre stepped in and was just as good. Now Spartacus: Gods of the Arena was the prequel before Spartacus. It has most of the cast outside Spartacus himself and the story is fantastic. It will grab your attention from the first episode and hold it throughout the series. If you haven't seen this amazing show yet stop what you're doing right is and go watch it!
I enjoyed Blood and Sand, but as a guilty pleasure. Outrageous sex and violence, some truly terrible dialogue and dodgy acting from Kiwi accented muscle men. It was fun, but not gripping nor truly addictive.
I was happy to sit back and enjoy more of the same, but Gods of the Arena is a major evolution.
There's less blood (although still more that any other show, ever) and less sex (likewise) , but far more dastardly pots and intrigue. The dialogue is more Shakespearian and the accents are reigned in. A (small) dose of Deadwood has gone a long way to making this show a cult classic. I hope they keep making these.
I was happy to sit back and enjoy more of the same, but Gods of the Arena is a major evolution.
There's less blood (although still more that any other show, ever) and less sex (likewise) , but far more dastardly pots and intrigue. The dialogue is more Shakespearian and the accents are reigned in. A (small) dose of Deadwood has gone a long way to making this show a cult classic. I hope they keep making these.
There were many skeptics leading into this new season (not technically season 2) of "Spartacus: Gods of the Arena", many feared it would not be worth watching without Andy Whitfield. For those with concerns, here is some advice: watch it! The major antagonist was lost from the previous season, but the character depth/story of the new leading actor is building AND new depths of past characters from "Spartacus: Blood and Sand" are unveiled. The history of how they developed is fascinating. The relationship differences between the two season are significant, thus there is a huge void of curiosity leftover to reveal how they developed to become the personalities they portrayed in season 1.
It would be remiss to leave out the absolute, succulent gratuity that peaks our senses! The world is enriched with beautiful people, outstanding wardrobes cast in a time that fascinates most, the Roman Empire. Did I mention that many of these beautiful people are quite revealing? Nudity! It is with taste I might add! Of course, references to porn are made, but no porn has the character depth and sophistication that gives the sexual scenes the passion that is conveyed in this series. The necessity to produce these scenes is important in fostering the time-period's stance of sexual openness. The costume range is great; the rich are adorned with lavish jewelry and a colorful, flowing wardrobe which is artistically chosen, and for the poor, well sometimes they are left with nothing. The gladiators are especially left without much clothing, but the armor they do wear is often demonic, intimidating and everything you would naturally expect to find on a person when they are fighting to the DEATH!
The fight scenes are well choreographed and blood is everywhere! The array of weapons to choose from, the differences in fighting styles, the varying levels of fighting skill all make for interesting battles in the arena. Also, bear in mind that the arena is not only for physical fighting, but the political fold is the pressing force behind the fights. Basically, it is more than just a fight, what you see is not entirely what you get. The fight's value is difference for the gladiator, than it is for the crowd, than it is for the owner's of the gladiators; and, these differences are excellently contrasted. The graphics are not top-notch, but it adds a stylistic element to the show. The blood is vibrant and sometimes seems to defy physics--it's great! The acting is intense and the director seems to strive away from being "natural" which is good. The intensity is not monochromatic and individual to each characters personality.
In a short and sweet summary, this gratuitous mash of beautiful people, fight scenes, political undertones is nothing short of brilliant. Watch it for what it is and you will not be disappointed.
It would be remiss to leave out the absolute, succulent gratuity that peaks our senses! The world is enriched with beautiful people, outstanding wardrobes cast in a time that fascinates most, the Roman Empire. Did I mention that many of these beautiful people are quite revealing? Nudity! It is with taste I might add! Of course, references to porn are made, but no porn has the character depth and sophistication that gives the sexual scenes the passion that is conveyed in this series. The necessity to produce these scenes is important in fostering the time-period's stance of sexual openness. The costume range is great; the rich are adorned with lavish jewelry and a colorful, flowing wardrobe which is artistically chosen, and for the poor, well sometimes they are left with nothing. The gladiators are especially left without much clothing, but the armor they do wear is often demonic, intimidating and everything you would naturally expect to find on a person when they are fighting to the DEATH!
The fight scenes are well choreographed and blood is everywhere! The array of weapons to choose from, the differences in fighting styles, the varying levels of fighting skill all make for interesting battles in the arena. Also, bear in mind that the arena is not only for physical fighting, but the political fold is the pressing force behind the fights. Basically, it is more than just a fight, what you see is not entirely what you get. The fight's value is difference for the gladiator, than it is for the crowd, than it is for the owner's of the gladiators; and, these differences are excellently contrasted. The graphics are not top-notch, but it adds a stylistic element to the show. The blood is vibrant and sometimes seems to defy physics--it's great! The acting is intense and the director seems to strive away from being "natural" which is good. The intensity is not monochromatic and individual to each characters personality.
In a short and sweet summary, this gratuitous mash of beautiful people, fight scenes, political undertones is nothing short of brilliant. Watch it for what it is and you will not be disappointed.
I was shocked when this prequel season turned out to be amazing. Far from as good as season 1, but very entertaining with lots of connections to the main show, further character development, and some great emotional scenes (about 4 viewings, 5/7/2021)
Spartacus: God's of the Arena is the prequel to the other 3 amazing seasons of Spartacus and it's just as great as those 3! Most prequels usually don't live up to the original but this absolutely does as it ties into the original story perfectly! Anything I say won't do the Spartacus Saga justice so I'll just say go watch this incredible series!
Wusstest du schon
- WissenswertesOriginally had been planned as a single flashback episode for season 2. But it became a prequel mini-series instead.
- VerbindungenReferenced in Film Junk Podcast: Episode 717: Once Upon a Time ... in Hollywood (2019)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Спартак: Боги арени
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit1 Stunde
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.78 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen
Oberste Lücke
What is the Canadian French language plot outline for Spartacus: Gods of the Arena (2011)?
Antwort