Geschichte des Aufstiegs und des Falls der Renaissance-Dynastie.Geschichte des Aufstiegs und des Falls der Renaissance-Dynastie.Geschichte des Aufstiegs und des Falls der Renaissance-Dynastie.
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John Doman was a very poor Pope Alexander VI. I cannot call someone a good actor who does not at least try to match the accents of his contemporaries. It was very noticeable.
Other than that, the program is not historically accurate as far as dates go, but that does not matter since it inspires one to look into these events.
Others have said that Mark Ryder overacted, I did not see that. I thought him a very believable & sympathetic Cesare.
I enjoyed this series. Watched it on Netflix and wish I could see more of it. The acting, costumes & locations were lovely. I liked it much more than the Showtime version.
Other than that, the program is not historically accurate as far as dates go, but that does not matter since it inspires one to look into these events.
Others have said that Mark Ryder overacted, I did not see that. I thought him a very believable & sympathetic Cesare.
I enjoyed this series. Watched it on Netflix and wish I could see more of it. The acting, costumes & locations were lovely. I liked it much more than the Showtime version.
Give it a chance! This show takes some getting used to (especially if you come after more lavish Showtime production). The first few episodes are heavy with exposition, the mishmash of accents can be jarring and the young Borgia are immature and not very likable. However, it quickly becomes obvious that this is done on purpose: after all, the brothers, Cesare and Juan, are still hot-headed teenagers eager to prove themselves while Lucrezia is just a child. During the course of two seasons, through trials and tribulations, they grow and mature, and Cesare is very believable as a flawed character with conflicting motivations, and the force to be reckoned with, just like his legend suggests. Cesare and Lucrezia not only do they look like their portraits, they are doing a terrific job bring their complex characters to life.
Other cast is superb, too, even Doman, who might lack Irons' expressive voice but brings commanding presence necessary for the most influential man in the Christian world. All in all, the character development is one of the best I've seen on TV (worthy of anything on HBO), even the minor characters seem like real people with their own agendas rather than just the talking heads. This show is also truer to showing life and times: St. Peter is run down, just like it was, in all the night scenes it actually looks like the world lit only by fire.
As far as historical accuracy goes: remember, most of the dark deeds attributed to Borgias are due to the smear campaign of their enemies. I doubt that the real Borgia were really much worse than any other noble family squabbling over Italy at the time. I think Fontana successfully combines some of the legend with the actual historical events, not without some dramatic license, as expected. There's a wealth of details that makes Showtime's show look like Dallas in period costumes. After a somewhat shaky start, it became my favorite adult historic show since Rome.
Other cast is superb, too, even Doman, who might lack Irons' expressive voice but brings commanding presence necessary for the most influential man in the Christian world. All in all, the character development is one of the best I've seen on TV (worthy of anything on HBO), even the minor characters seem like real people with their own agendas rather than just the talking heads. This show is also truer to showing life and times: St. Peter is run down, just like it was, in all the night scenes it actually looks like the world lit only by fire.
As far as historical accuracy goes: remember, most of the dark deeds attributed to Borgias are due to the smear campaign of their enemies. I doubt that the real Borgia were really much worse than any other noble family squabbling over Italy at the time. I think Fontana successfully combines some of the legend with the actual historical events, not without some dramatic license, as expected. There's a wealth of details that makes Showtime's show look like Dallas in period costumes. After a somewhat shaky start, it became my favorite adult historic show since Rome.
For a TV series, this is an excellent one. I agree with the reviewers who say that it is reminiscent of Rome. There is much more passion than in the Showtime series Borgias. The female characters are stunning. The interpretation of Lucrezia is exceptional as the actress shows all the naivety and emotion of the girl's young age but also her growing awareness of her power. The actress who played Julia was also stellar. If there is any criticism, I just wish that the writers had focused more on the women and the relationships, as this is where the show shines. I thought that Donan plays well as Rodrigo. Much better than Jeremy Irons because Irons was just plain creepy. Donan has an aura that makes it more plausible that people would agree to support him (and that so many women would fall in love with him). The depictions of Juan and Chesare are weaker. I thought that reflected more on the writing than on the actors. Jaun's appearance kind of bugged me, as I kept thinking of him as a modern Frat boy. The actor who played Chesare, if his colouring was darker, looked exactly like the famous painting of the real one! I disagree with the reviewer who quibbled about the CGI backgrounds. I thought the painting- like effect was an effective nod to the artists of the time. I found myself getting confused by all the politics but that's okay. Its a good excuse to watch it again! On a final note. It was great to see John Bradley again! I hope he gets more screen time in his next TV series or movie. I love watching that guy!
Just curious when/if it will be available on DVD? I've watched it on Netflix and it's outstanding, well worth watching for sheer opulence and historicity. Its definitely shockingly honest about the corruption of the Papacy and the nepotism of the period, and the characters are very colorfully showcased, particularly the character of Cesare, who seems more a troubled, tormented soul than all the other characters. Lots of nudity and frank/honest sexuality. I've searched on amazon to see if its available but I cant seem to find it. The panoramic views of Rome and its environs are also lushly depicted. Definitely worth checking out for fans of historical drama.
"Borgia" by Tom Fontana is Excellent. It is the type of series that draws you in and keeps you wanting more.I can't wait for season 3. In the USA you can watch it on NetFlix. Do not confuse this with the series on Showtime. This Borgia is much better. The actors are brilliant in bringing the characters to life..the story line follows the Borgia family. I never knew much about them until this series. they are quite an interesting group of people.If you are a history buff, I am sure you will enjoy this series. The scenery is beautiful and it gives one a look as to how folks lived back in that time period. Do yourself a favor and watch the series.
Portrayals of the Pope On Screen
Portrayals of the Pope On Screen
Take a look at actors who have portrayed the Pope in movies and on television. And no, we're not going to spoil Conclave if you haven't watched it yet.
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- WissenswertesNearly all of the principal actors and actresses were using their natural accents (be they American, Russian, Czech, Italian, et cetera) with a few notable exceptions. Mark Ryder (Cesare Borgia) and Diarmuid Noyes (Alessandro Farnese) are Irish but used English accents on the show. Even Stanley Weber (Juan Borgia) moderates his French accent, though he doesn't sound as English as his on-screen brother. This is because the series was intended for dubbing into non-English European languages (French, German, et cetera).
- PatzerA choke pear (called "Pope's pear") is used to torture a convicted homosexual in the 2nd season. Choke pears were unknown before the 17th century, more than 100 years after the show's time frame. 15th century's punishments for pederasty were not so cruel (penalty, branding).
- VerbindungenReferenced in Vsechnopárty: Folge vom 18. März 2016 (2016)
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