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The Adderall Diaries

  • 2015
  • R
  • 1 Std. 27 Min.
IMDb-BEWERTUNG
5,1/10
6397
IHRE BEWERTUNG
Ed Harris, James Franco, and Amber Heard in The Adderall Diaries (2015)
An author's fascination with a high-profile murder case leads him to come to terms with his troubled past while embarking on a potentially life-changing romance in the present.
trailer wiedergeben1:57
9 Videos
42 Fotos
CrimeDramaMysteryThriller

Elliot, ein problembelasteter, ehemals erfolgreicher Schriftsteller, beschließt, über eine verschwundene Ehefrau und den anschließenden Mordprozess gegen ihren Mann zu schreiben.Elliot, ein problembelasteter, ehemals erfolgreicher Schriftsteller, beschließt, über eine verschwundene Ehefrau und den anschließenden Mordprozess gegen ihren Mann zu schreiben.Elliot, ein problembelasteter, ehemals erfolgreicher Schriftsteller, beschließt, über eine verschwundene Ehefrau und den anschließenden Mordprozess gegen ihren Mann zu schreiben.

  • Regie
    • Pamela Romanowsky
  • Drehbuch
    • Pamela Romanowsky
    • Stephen Elliott
  • Hauptbesetzung
    • James Franco
    • Ed Harris
    • Amber Heard
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,1/10
    6397
    IHRE BEWERTUNG
    • Regie
      • Pamela Romanowsky
    • Drehbuch
      • Pamela Romanowsky
      • Stephen Elliott
    • Hauptbesetzung
      • James Franco
      • Ed Harris
      • Amber Heard
    • 45Benutzerrezensionen
    • 34Kritische Rezensionen
    • 42Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos9

    Official Trailer
    Trailer 1:57
    Official Trailer
    Truth
    Clip 1:38
    Truth
    Truth
    Clip 1:38
    Truth
    Court Case
    Clip 1:23
    Court Case
    The Adderall Diaries
    Clip 1:06
    The Adderall Diaries
    The Adderall Diaries
    Clip 2:21
    The Adderall Diaries
    The Adderall Diaries: Stephen's Reading
    Clip 2:20
    The Adderall Diaries: Stephen's Reading

    Fotos42

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    Topbesetzung43

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    James Franco
    James Franco
    • Stephen Elliott
    Ed Harris
    Ed Harris
    • Neil Elliott
    Amber Heard
    Amber Heard
    • Lana Edmond
    Jim Parrack
    Jim Parrack
    • Roger
    Timothée Chalamet
    Timothée Chalamet
    • Teenage Stephen
    Danny Flaherty
    Danny Flaherty
    • Teenage Roger
    Christian Slater
    Christian Slater
    • Hans Reiser
    Cynthia Nixon
    Cynthia Nixon
    • Jen Davis
    Elizabeth Hobgood
    • Kathleen
    Tamzin Brown
    Tamzin Brown
    • Miranda
    Rochelle Bostrom
    • Amanda
    Laura Frost
    Laura Frost
    • Nina Reiser
    Jake Katzman
    Jake Katzman
    • Cori Resier
    Adam LeFevre
    Adam LeFevre
    • Bill DuBois
    Michael Cristofer
    Michael Cristofer
    • Paul Hora
    Willie C. Carpenter
    Willie C. Carpenter
    • Judge Goodman
    Julienne Hanzelka Kim
    Julienne Hanzelka Kim
    • Juror #1
    • (as Julienne Kim)
    Raymond T. Williams
    • Doug
    • Regie
      • Pamela Romanowsky
    • Drehbuch
      • Pamela Romanowsky
      • Stephen Elliott
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen45

    5,16.3K
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    Empfohlene Bewertungen

    6subxerogravity

    Pretty good, overall. One of Franco's better performances

    This was a pretty good turn for Franco, one of his best attempts at drama in indi cinema.

    Franco is the protagonist, a writer who wrote a great book about his broken childhood, and the relationship with his abusive father, but it comes to life that what he's passing off as truth may not be all that, and he tries to redeem his career with a new book about a True Crime, evolving a father (played by Christian Slater, who I have not scene in forever) whose on trail for the murder of his wife.

    It's an Intriguing story about how sometimes we remember things differently than they actually happen. James Franco played this role well. It was not a matter of weather he was right or wrong, but just a matter of how he saw things that was not entirely accurate.

    Ed Harris and Franco had some really good scenes together as well. Harris played the abusive father who, like his son, remembers events differently. The father son connection felt very realistic.

    This is not the first time Franco has done a film on Child abuse (also not the fist time Amber Heard played an ex-punk rock bases with a few issues, she also did it in the recent but horrible film One More Time). Franco also tackled the trouble youth Topic in the film Yosemite, but that movie was a little more serious while this one is definitely better done.

    I can recommend.
    5ClaytonDavis

    There's a few too many ingredients that give Pamela Romanowsky's feature a bad taste...

    Writer/director Pamela Romanowsky's adaptation of "The Adderall Diaries" based on Stephen Elliott's memoir has so many great ideas. It's a blend of different genres that calls back to many different films from the past however, it's unfocused execution and narrative ultimately leaves you bewildered rather than intrigued.

    Starring Academy Award nominee James Franco as Stephen Elliott, an author whose world is turned upside down when his estranged father (played by Ed Harris) accuses him in public of fabricating his book which tells the story of his life. With a new relationship, drug relapse, and focusing on a very public murder trial, will Stephen be able to survive everything that life is throwing at him?

    As previously mentioned, there's A LOT going on in the story. We're getting elements of "Shattered Glass" then "Blue Valentine" then "The Basketball Diaries." Romanowsky isn't confident about what she wants her film to be. Does she want it to be a film about family relationships or dissection of the mind of an addict? Does she want to explore the ramifications of sex through violence or is she trying to make a statement about the perception of our lives within ourselves? She's saying so many things that it all ends up on blurred lines and in a haze. I will say that her abilities is a filmmaker is nothing to scoff at. She creates genuine moments and settles into her better written scenes with courage and ferocity. I'd still be very intrigued to see her next venture.

    James Franco's resume with independent cinema has left much to be desired. His performances are often self-indulgent or misguided by his own direction or any other filmmaker he's working with. His turn in "The Adderall Diaries" is one of his more impressive works that he's constructed as of late. Though his motivations and actions aren't always made abundantly clear, Franco sheds some of his barriers to allow some connection with his audience.

    You can't get much better than Ed Harris in terms of an actor that shines in just about anything he does, no matter how the film he inhabits turns out. As Neil, Stephen's father, Harris elevates the thin material and focuses on the emotion of a father's regret with near precision. I'm still anxiously awaiting his Oscar-winning role. This doesn't quite make the cut.

    Other aspects of the film include the beautiful Amber Heard, the multi-talented Cynthia Nixon, the oddly involved Christian Slater, and the scene-stealing abilities of Jim Parrack (Hoyt from "True Blood").

    Overall "The Adderall Diaries" is a misguided attempt by a director who has a keen eye for some things but lacks in others. Romanowsky's guidance on her actors are some of the film's biggest highlights but ultimately just falls short in too many spots. The opening sequence was quite good and there was a scene in which I nearly cried. Some may find some qualities to take home with them, others will simply leave it at the door.
    5km_staple

    Could have been better

    Great cast! Story was uneven and quite frankly boring at times. I'll watch Ed Harris in anything.
    6bkoganbing

    If we didn't edit

    Books on fiction and even more so autobiographical memoirs are always edited, self edited if you prefer. Even the most brutally frank of memoirs there is always a part so painful we don't want to tell the world and we hope that no one else is keeping track to tell it differently. That's what happens to James Franco on another of his quirky projects playing a writer who does his Adderall like peppermint candy.

    Franco is covering the trial of wife killer Christian Slater and as the testimony rolls he sees some of his own life especially in his relationship with his estranged father Ed Harris who sees the same incidents and others he prefers to remember a bit differently. Franco and Harris have some great scenes together they are the heart of the film.

    Editing our memories is the phenomenon this film chose to explore. If not the best of explanations it's a valiant attempt.
    5Seth_Rogue_One

    Just doesn't quite work for some reason

    Based on the book by Stephen Elliot by the same name, now although I haven't read it I assume that that did better at putting all the material together than the movie did.

    There are some standalone scenes that are pretty solid but there's also some questionable ones that feels a bit random.

    It's listed here as a crime/drama/thriller, but the crime elements is very limited and thriller even more so There is a subplot about a random murder-case involving a character played by Christian Slater but it doesn't have that big of importance in the long scheme of things, at least the movie didn't manage to convey it as it did.

    The movie is about memories and perceptions of reality and how that can change in time.

    The message and idea behind the movie is pretty clever and the acting is pretty good (save for maybe Amber Heard who feels a bit empty) and it's decent enough visually but for some reason it just doesn't quiet work as a whole.

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    • Wissenswertes
      Stephen Elliott (played by James Franco) reviewed the film negatively, stating that the final result had little in common with his memoir and wondering "why calling the character Stephen Elliott was necessary." Stephen Elliott, born December 3, 1971, is an American writer, editor, and filmmaker living in Los Angeles who has written and published seven books and directed two films.
    • Zitate

      [last lines]

      Stephen Elliott: You remember when you taught me to drive? I was 14. You let me drive out to Warren park in a '69 mustang. I loved that car. You used to take me out, let me drive. I remember feelin' so happy and free, full of hope and potential.

      Neil Elliott: I don't know why you always told people I taught you to drive in the mustang. It was a red 1968 Oldsmobile Delmont convertible, in Warren park in the parkin' lot. You were belligerent, and you were a terrible driver. So we only did it once.

      Stephen Elliott: Wanna go for a drive? I don't wanna see you for an hour.

      Neil Elliott: Nah, we'd just argue.

      Stephen Elliott: Fine. Then we'll just go. We'll agree not to talk. It doesn't matter. None of it matters.

      Neil Elliott: All right. You gotta help me up here. Help your old dad get up...

    • Verbindungen
      Featured in Half in the Bag: 2016 Movie Catch-up (2016)

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    Details

    Ändern
    • Erscheinungsdatum
      • 10. März 2016 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Spanisch
    • Auch bekannt als
      • True Deception
    • Drehorte
      • New York City, New York, USA(location)
    • Produktionsfirmen
      • Rabbit Bandini Productions
      • Windowseat Entertainment
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

    Ändern
    • Bruttoertrag in den USA und Kanada
      • 13.191 $
    • Eröffnungswochenende in den USA und in Kanada
      • 5.517 $
      • 17. Apr. 2016
    • Weltweiter Bruttoertrag
      • 15.364 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 27 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.35 : 1

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