In einer anderen Version des Märchens muss der Jäger Schneewittchen in den Wald bringen, um sie zu töten, bevor er zu ihrem Beschützer und Mentor wird, um die böse Königin zu besiegen.In einer anderen Version des Märchens muss der Jäger Schneewittchen in den Wald bringen, um sie zu töten, bevor er zu ihrem Beschützer und Mentor wird, um die böse Königin zu besiegen.In einer anderen Version des Märchens muss der Jäger Schneewittchen in den Wald bringen, um sie zu töten, bevor er zu ihrem Beschützer und Mentor wird, um die böse Königin zu besiegen.
- Für 2 Oscars nominiert
- 13 Gewinne & 33 Nominierungen insgesamt
Empfohlene Bewertungen
Now, I enjoyed this film a lot more than I thought I would, it reminded me a lot of Lord of The Rings, from the grand music to the mountain scenery, and it does feature a few spectacular fight scenes. Visually, this is an impressive film, however, the film focuses too much on visuals and not enough on characters, the Dwarfs are glossed over and never really given any time to engage with the audience, which is a shame, as the group contains excellent actors (Ray Winstone and Bob Hoskins, amongst others ). Kristen Stewart as Snow White seems to think she's still playing Bella from Twilight, (i.e no range of emotions, just a blank stare for the whole film), especially when opposite to her is Charlize Theron giving an amazingly dramatic performance as the Queen. To sum up, a good re-telling of a classic, but by no means as good as the Disney Classic which most of us remember.
7/10
However, although she has given good performances outside of 'Twilight', this reviewer doesn't care hugely for Kristen Stewart (though she is not a detractor either) and cares even less for the 'Twilight Saga'. So expectations prior to seeing the film, a live-action re-imagining of the classic fairy tale, were mixed.
Watching it finally at a film night with friends, 'Snow White and the Huntsman' wasn't as bad as feared and does have a good amount going for it, but it should have been much better than it was.
First and foremost, starting with the good assets, the best things about 'Snow White and the Huntsman' are the production values and Charlize Theron. The film is very beautiful to look at, with luscious but also atmospheric photography, Gothic but also elegant and rustic set and scenery design and lavish costumes (Ravenna's are a knockout). The special effects are mostly fine too. Ravenna is the one character that 'Snow White and the Huntsman' properly tries to develop (and it does so reasonably, but there are parts that could have been elaborated upon more), and Theron positively sinks her teeth into the character, giving a very enjoyably hammy (sometimes), sinister and also tragic interpretation.
James Newton Howard's score complements very well, it's beautifully orchestrated, rousing, elegiac, atmosphere-enhancing and very involving. Hemsworth is appropriately stone-faced and brooding as the Huntsman, displaying charisma and emotion. Sam Claflin does well too, though with an underwritten character.
Was mixed however on the dwarfs and Rupert Sanders' direction. The dwarfs are very enjoyably characterised, with all of them displaying much needed character, humour and charm, more so than their material deserved. Ian McShane is particularly noteworthy. However, they are written in a very glossed over and bland fashion, almost like they were written as an afterthought. The decision to scale down the actors may not work for some people, those who feel that casting real-life dwarfs would have fared better, personally enjoyed the performances but felt it would have been better if Warwick Davis played all of them. Sanders' direction exudes confidence visually, but in the chemistry between actors, direction of some of the actors and direction of the drama he seemed ill at ease.
The biggest problem with 'Snow White and the Huntsman' is Stewart (an opinion this reviewer well before reading the reviews for the film, so this is own opinion talking), she gives a very wooden, expressionless and one-note (constant surprise and "sucking on lemon"-like) performance that makes identifying and sympathising with Snow White incredibly difficult. A shame because her younger child counterpart was very believable. The story has moments (mainly with Theron), but flounders from a lack of chemistry in the pivotal relationship between Stewart and Hemsworth, a particularly dull middle act and stuff brought up but barely explored giving an incomplete and jumpy feel to the storytelling.
Action is episodic and lacking in tension and excitement generally, while the script clunks badly and the characters are bland with the exception of Ravenna. They do start trying to develop the Huntsman but the development is forgotten about once he becomes protector and lover.
Overall, looks great but fails to engage narratively. Not awful, not great, wildly uneven more like. 5/10 Bethany Cox
'Snow White and the Huntsman' Synopsis: In a twist to the fairy tale, the Huntsman ordered to take Snow White into the woods to be killed winds up becoming her protector and mentor in a quest to vanquish the Evil Queen.
'Snow White and the Huntsman' is gorgeous to look at. Each Frame looks magical thanks to the magnificent Cinematography by Greig Fraser & The Fantastic Graphics, that compliment the film.
Evan Daugherty, John Lee Hancock & Hossein Amini's Screenplay gives a twist in the tale of Snow White, making it dark & violent, but that works on its advantage, as its refreshing. Rupert Sanders Directs this fantasy-adventure superbly. His execution, in terms of visuals, is ovation worthy. Costume & Art Design are flawless.
Performance-Wise: Kristen Stewart as Snow White, delivers a sincere performance. Charlize Theron as Queen Ravenna, is purely evil. Chris Hemsworth as Eric the Huntsman, is fantastic. Ian McShane as Beith, Bob Hoskins as Muir, Johnny Harris as Quert, Toby Jones as Coll, Eddie Marsan as Duir, Ray Winstone as Gort & Brian Gleeson as Gus, are lovable as The Dwarfs.
On the whole, 'Snow White and the Huntsman' is a certainly a story worth watching.
Wusstest du schon
- WissenswertesRavenna's powers are based on the legend of Erszebet (or Elizabeth) Bathory, a 17th-century Hungarian potentate who allegedly consumed and bathed in the blood of murdered young girls in an attempt to rejuvenate herself.
- PatzerWhile fleeing the castle astride the white horse, despite having mounted and later mired the steed with neither saddle, blanket, nor reins, there are several shots where snow white's posture is much too straight for a bareback rider, but a rider in a saddle and stirrups which have been digitally removed, and where Snow White's hands are positioned exactly where digitally removed reins would be as well, and (at around 28 mins) the blanket has been left a bit too clearly visible to be all that easily missed.
- Zitate
The Huntsman: [to a sleeping Snow White] You deserved better. I once had a wife, Princess. Sara was her name. When I came back from the wars I carried with me the stench of death and the anger of the lost. I wasn't worth saving, that's for sure. She did so anyway. And I loved her so much. I loved her more than anyone or anything. Then I let her out of my sight and she was gone. And I became myself again. A self I never cared for. Until you. See, you remind me of her. Her heart, her spirit. But now you, too, have gone. You both deserved better and I'm so sorry I failed you. I'm so sorry. But you'll be a queen in Heaven now and sit among the angels.
[kisses Snow White]
- Alternative VersionenThe Extended Version contains 5 new scenes and runs ~4 minutes longer than the Theatrical Version.
- VerbindungenFeatured in The Tonight Show with Jay Leno: Folge #20.136 (2012)
- SoundtracksWhat Will You Do?
Written by June Tabor and Maddy Prior
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Blancanieves y el Cazador
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 170.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 155.332.381 $
- Eröffnungswochenende in den USA und in Kanada
- 56.217.700 $
- 3. Juni 2012
- Weltweiter Bruttoertrag
- 396.592.829 $
- Laufzeit2 Stunden 7 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1