Im Reich Veroka wird eine Elitegruppe von Monsterjägern aus aller Welt von König Samuel gerufen, um den uralten Knochenteufel zu besiegen, dessen Schreckensherrschaft das Königreich Remény b... Alles lesenIm Reich Veroka wird eine Elitegruppe von Monsterjägern aus aller Welt von König Samuel gerufen, um den uralten Knochenteufel zu besiegen, dessen Schreckensherrschaft das Königreich Remény bedroht.Im Reich Veroka wird eine Elitegruppe von Monsterjägern aus aller Welt von König Samuel gerufen, um den uralten Knochenteufel zu besiegen, dessen Schreckensherrschaft das Königreich Remény bedroht.
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I can't believe how much i been missing these types of films. It has a great story, interesting characters, and a little surprise twist. I hope this studio continues to grow and provide great entertainment. The actors did a pretty great performance, and the special effects & monsters are done pretty well. It's been far too long since we actually seen real quality films. Its been a long time seeing such a great cast assemble to deliver such a high level of entertainment. This is what Hollywood movies have been missing out on paper overing their films thinking a large budget and CGI can fix a broken script and poor directing.
Michael Mahal and Sonny Mahal are two of the hardest-working and most prolific producers in independent horror. They've mastered the art of crowd-funding, and as the saying goes, nobody does it better. Their latest project, Devil's Knight, is another hit in their growing catalog of films.
Coming hot off last year's Bermuda Island, Devil's Knight, directed by Adam Werth, takes us to medieval times, where monsters roam the land. The settings in this movie are elaborate and authentic, showing that the Mahals spared no expense in making their biggest production to date.
The movie opens with a group of trackers on a mission to kill a creature, setting the mood with a tense campfire scene that quickly turns into a bloodbath. The lighting and choreography in this sequence are excellent, with splatter effects that horror fans will appreciate. It's a strong start to the movie, promising bloodshed and action that only ramps up from there.
In Devil's Knight, the people live in fear of the monsters roaming the countryside. King Samuel (Kevin Hager) of Veroka hires an elite group of global monster hunters, known as the Lost Blades, to hunt and kill the ancient Bone Devil, whose reign of terror threatens the Kingdom of Remény. The Lost Blades are a ruthless, efficient group, and we get a taste of their skills early on. But, as in any good story, there are deeper layers-conspiracy and betrayal lurk behind every corner, and no one can be trusted in the Kingdom of Remény. The plot is rich with intrigue, and the writing by Vincent V. Gelsomino and Adam Werth is tight, giving the audience exactly what they want: monster action and political drama.
The Mahals know their audience well and have once again gathered a fantastic cast and crew to bring their vision to life. Tom Devlin's creature designs are terrifying, perhaps his best work yet, and the practical effects are top-notch. Fans of classic sword-and-sorcery films will find much to love here, with beautiful women, heroic knights, magic, beasts, and carnage galore. What sets Devil's Knight apart is the balance of power between good and evil-neither side stands out as predictable, which keeps the audience on their toes.
The film's technical aspects are worth noting as well. Vanessa Giacoletti's makeup, Joanna David's costumes, Terence J. Rotolo's stunt coordination, Tyler David Gilbert's score, and Michael Su's stunning cinematography all come together to create an immersive world that's both beautiful and terrifying.
Overall, Devil's Knight is another solid entry from the Mahal Empire. They continue to deliver films that please their core audience, and with four more projects in the pipeline-Alien Horde, Cursed Waters, Alien Storm, and Bikers vs. Werewolves-it's clear they have no plans of slowing down. I'm personally excited for what's next. Cheers to another great movie!
Coming hot off last year's Bermuda Island, Devil's Knight, directed by Adam Werth, takes us to medieval times, where monsters roam the land. The settings in this movie are elaborate and authentic, showing that the Mahals spared no expense in making their biggest production to date.
The movie opens with a group of trackers on a mission to kill a creature, setting the mood with a tense campfire scene that quickly turns into a bloodbath. The lighting and choreography in this sequence are excellent, with splatter effects that horror fans will appreciate. It's a strong start to the movie, promising bloodshed and action that only ramps up from there.
In Devil's Knight, the people live in fear of the monsters roaming the countryside. King Samuel (Kevin Hager) of Veroka hires an elite group of global monster hunters, known as the Lost Blades, to hunt and kill the ancient Bone Devil, whose reign of terror threatens the Kingdom of Remény. The Lost Blades are a ruthless, efficient group, and we get a taste of their skills early on. But, as in any good story, there are deeper layers-conspiracy and betrayal lurk behind every corner, and no one can be trusted in the Kingdom of Remény. The plot is rich with intrigue, and the writing by Vincent V. Gelsomino and Adam Werth is tight, giving the audience exactly what they want: monster action and political drama.
The Mahals know their audience well and have once again gathered a fantastic cast and crew to bring their vision to life. Tom Devlin's creature designs are terrifying, perhaps his best work yet, and the practical effects are top-notch. Fans of classic sword-and-sorcery films will find much to love here, with beautiful women, heroic knights, magic, beasts, and carnage galore. What sets Devil's Knight apart is the balance of power between good and evil-neither side stands out as predictable, which keeps the audience on their toes.
The film's technical aspects are worth noting as well. Vanessa Giacoletti's makeup, Joanna David's costumes, Terence J. Rotolo's stunt coordination, Tyler David Gilbert's score, and Michael Su's stunning cinematography all come together to create an immersive world that's both beautiful and terrifying.
Overall, Devil's Knight is another solid entry from the Mahal Empire. They continue to deliver films that please their core audience, and with four more projects in the pipeline-Alien Horde, Cursed Waters, Alien Storm, and Bikers vs. Werewolves-it's clear they have no plans of slowing down. I'm personally excited for what's next. Cheers to another great movie!
"This could have been so much better" was what my overall initial thought process was throughout this entire fantasy movie. It tried and for a low budget production it ticked most of the boxes, yet somehow I couldn't help but feel disappointed and unsatisfied with the Final Cut. Devil's Knight by Adam Werth is predictable and half-baked most of the time. There were some scenes I had to scratch my head at and the the action scenes were badly edited and cheorgraphed. Felt like I was watching a power rangers episode from the 90's. This definitely isn't one of Mahal Empire's best films. Arena Wars is better.
"Devil's Knight," Mahal Empire's latest, is a burning, twisting tapestry of the medieval world, smeared with blood and fire and love, tangled in the echoes of steel clashing and fate bending-alive, all at once, in a medieval crescendo that smashes through time. You watch it, and you feel it in your teeth, in your bones. The film moves like a furious jazz riff, one of those nights Kerouac himself would chase, alive with the roar of battle, the haunting silence of a hero's solitary stare.
Every character seems carved from some ancient, forgotten place. They don't walk so much as roam, driven by curses, oaths, and whispered legends, finding their paths through dark forests and kingdoms that feel so real you'd swear you could taste the cold iron in the air. Mahal's vision here isn't merely historical; it's mythological. Each scene unspools like a painter's masterstroke, a Van Gogh under midnight's ghostly light.
The cast? It's a kaleidoscope of grit, rawness, and aching humanity. These are characters cut from the bone, fierce and flawed, their stories swirling in the ancient dust of their world. You follow, entranced, as alliances shift, and swords slice through the very fabric of trust, betrayal, love, and loyalty. Mahal Empire has given us a film that grips tight and refuses to let go until you're breathless, teetering on the edge of some forgotten castle's cliffside, gasping for one more glimpse, one more taste of the adventure and danger.
Devil's Knight? Man, it's medieval jazz-a soulful, dark symphony, beautiful, brooding, wild. An experience as raw and ragged as a knight's rusted armor, and all you can do is feel it, man, feel every beat of that relentless, glorious heartbeat.
Every character seems carved from some ancient, forgotten place. They don't walk so much as roam, driven by curses, oaths, and whispered legends, finding their paths through dark forests and kingdoms that feel so real you'd swear you could taste the cold iron in the air. Mahal's vision here isn't merely historical; it's mythological. Each scene unspools like a painter's masterstroke, a Van Gogh under midnight's ghostly light.
The cast? It's a kaleidoscope of grit, rawness, and aching humanity. These are characters cut from the bone, fierce and flawed, their stories swirling in the ancient dust of their world. You follow, entranced, as alliances shift, and swords slice through the very fabric of trust, betrayal, love, and loyalty. Mahal Empire has given us a film that grips tight and refuses to let go until you're breathless, teetering on the edge of some forgotten castle's cliffside, gasping for one more glimpse, one more taste of the adventure and danger.
Devil's Knight? Man, it's medieval jazz-a soulful, dark symphony, beautiful, brooding, wild. An experience as raw and ragged as a knight's rusted armor, and all you can do is feel it, man, feel every beat of that relentless, glorious heartbeat.
This is a fun movie with cool fxs and creatures- not to mention a star studded cast including Eric Roberts, Daniel Baldwin, Kevin Sorbo and Angie Everhart - lots of great gore, great costumes and set pieces they actually filmed at a castle in the US that's pretty cool another home run from Mahal Empire and team! Well done cinematography by the legend Michael Su... a lot of other familiar faces from a team that constantly puts out great content and something a little different each time. If you're ever wanting to break into movies this is a great group to start with keep an eye out for their crowdfunding campaigns and help them back their next projects! Keep making them guys and we'll keep watching!
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- Дьявольский рыцарь
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- Bellville, Texas, USA(Castle/Forest)
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