Das letzte Opfer

Actors don't know their characters anymore. Professor T and Vincke are mixed up

This movie is one of the better Belgian crime movies I've seen so far. In the beginning the movie has its flaws with some unclear scenes or stereotypes, but the more you get involved in the murder case, the more clear it becomes how excellent the cinematography fits with some exciting action scenes. Towards the climax of the movie there are some very well directed action scenes and the movies becomes more tensive and the story as well proves to be more ingenious.

I loved DOSSIER K, ten years ago, from the same director and starring the same leads too. It was a bleak, dark, story about Albanese mafia. This one is one more serial killer scheme, as dozens of millions stories written for movie and TV industries. Not my basic cup of tea, but some of them are awesome, riveting, poignant, and above all, unusual, providing great surprises. This one is not worst than other ones, and at least better than most American that I have seen; and I admit that there were not batches of them. I repeat, I don't crave for serial killers. From Belgian, I could expect something gruesome and of course awesome in the same time. I remember WASTE LAND and THE BEAST several years ago, from Belgian too. Not for the squeamish and the whole family at supper time.....This one is a bit smoother, compared to the two previous movies, and closer to the German's LAND OF MURDERS ; itself the remake of the Spanish LA ISLA MINIMA.... But, I repeat, I am not a specialist of this kind of movie. Maybe I am wrong.

"Control" is a much better title than "Het Tweede Gelaat," which translates as "Double Face." The film is a police procedural / psychological thriller / bromance. Commanding officer Vincke is a bit of a control freak, while Chief Inspector Verstuyft goes by his instincts. Rina keeps her patients under control with psychoactive drugs, but is out of control personally. Various VIPs attempt to control the investigation. The investigating judge is frustrated in her attempts to control Verstuyft, as is Vincke.

It's a well-made film with a Byzantine plot, plenty of red herrings, credible performances, three-dimensional characters, solid production values, a good chase scene, an effective climax and poetic justice for the villain.

Otherwise... you can appreciate the drone's view from the Bruxelle's cathedral