On the Run

This almost comes across as a TV Movie but its standard is much higher.

The action is mostly but not entirely in the tension. There are some really nice entirely physical cliffhangers to pull you to the edge of your seat.

The characterisation is superb and the plot, while admittedly a cliché, is excellently implemented.

Anyone who likes police drama or investigative thriller will find this an unusually good film of its genre.

For those that like any amount of the above but also want some eye candy, the cast will appeal to male and female alike.

I'm not that big on cheap melodrama type stuff (preferring deeper movies) but this one got me with the clarity and definition of portrayal of each role in the film.

It shocks. A bit like a knife in the side ;)

It made me sit the whole hell of a movie without feeling the clock. If you did not watch this movie - go for it - it's time for one of the movies !! Especially when it's in language - that I did not believe the film would be so great.

French thriller that moves right along, incrementally closing down your brain as it does so. Albert Dupontel has the face to makes it work as a con on the lam but he's undermined by his nemesis - lady cop Alice Taglioni who looks likes she's just stepped off the catwalk. Her long, luxuriant arms look like they wouldn't trouble a fly of average strength but here they're knocking perps flat out. Even for the French, this is a bit de trop. The rest of the cast are the real deal with everyone playing their part to the hilt. It also looks good and the endless chases are well executed but in most aspects it's blown away by French TV cop shows like Spiral.

"La Proie" is a superbly tense and adrenalin-rushing thriller from Eric Valette, the director of the French horror sleeper "Malefique" and the hopelessly flopped Hollywood remake "One Missed Call". Although most unfortunate for them, I don't really mind when acclaimed European directors' debuts in Hollywood fail, because this usually means they return to their native country and strike back with a vengeance. In case of Eric Valette, he strikes back with a testosterone-packed thriller full of breathtaking stunts, convoluted plot lines, interesting characters and unexpected shock moments. Albert Dupontel profiles himself as a worthy successor of Jean-Paul Belmondo during the 70's and 80's; meaning a robust but charismatic and energetic hunk for whom you automatically develop feelings of sympathy regardless of whether he plays the hero or a villain. He plays Franck Adrien, a bank robber convicted for heist but still safekeeping the location of the loot. Within six months, he can return home to his beloved wife and daughter, but he makes the sad mistake of taking custody over his seemingly weak and vulnerable cell mate Jean-Louis Morel. Morel is wrongfully accused of child abuse and soon gets released from prison, but Franck painfully discovers that Morel is nevertheless a sadist serial killer who now knows the whereabouts of his family. Franck spectacularly escapes from prison and begins the pursue of Morel, yet meanwhile the most elite French police teams are pursuing him.

Okay, admittedly some of the action sequences are a tad bit grotesque and implausible. It's highly doubtful that anyone simply runs away at 20mph moments after he threw himself through the widow of a six-storey building onto the rooftop of a car. It's even less likely that someone walks around with a shot wound in his stomach for several days and then still goes out climbing rocks. But seriously, I couldn't care less about all the illogical stuff in "La Proie", simply because the film is so incredibly fast-paced and entertaining. Franck's continuous cat-and- mouse games with the police result in some of the best action I've seen in years, whereas the sub plot concentrating on Jean-Louis Morel generates authentic old-fashioned suspense and fear. Stéphane Debac depicts a petrifying nihilistic predator who relentlessly stalks his victims while his docile wife even assists him! The scenario contains several unpleasant (but highly efficient) surprises and remains unpredictable until the denouement. Furthermore, Eric Valette makes terrific use of the beautiful Southern France filming locations and the entire supportive cast delivers excellent work. Definitely a must-see if you dig non-stop action flicks like "The Transporter", "Crank", "Chaser", etc

A stylish , complex movie driven by main character, an innocent inmate on the run , being realized in ¨The fugitive¨ style and centers on a low-level crook who had to break out of jail in order to save his family from his former cellmate, who results out to be a brilliant but deranged serial killer . As a thief (Albert Dupontel) is condemned and imprisoned but before he gets caught he arranges to hide the loot and it's not just Gendarmerie that are looking for the bank cash . His cellmate is a creepy introvert , Jean-Louis Maurel (Stéphane Debac) , who results to be an alleged rapist/child molester but he claims his innocence and the court finds him not guilty ; Maurel promises him to find his wife (Caterina Murino) and mute daughter when he gets out . But one day, an ex-Gendarme called Manuel Carrega (Sergi Mateu) tells him that Jean-Louis Maurel is a suspicious serial murderer . Franck then plots a twisted plan , as he decides to break her out . As he starts planning and decides to carry out his scheme . Franck devises a daring plan to rescue his wife and daughter , but he is relentlessly pursued by an obstinate policewoman called Claire Linné (Alice Taglioni).

This exciting film contains high-octane action , violence , thrills , suspense , a gruesome escape , bone-crushing mayhem and plot twists . From the start to finish the action , chases and thrills are interminable . Excellent thriller in which nothing is the way it seems , the atmosphere is already tense and the twists and turns are the best part of this movie . In other ways, it feels like a tribute to Alfred Hitchcock , full of attractive characters and edge-of-your-seat intrigue . The film borrows from a handful of hit movies, there are plenty of short-cuts and inconsistencies such as ¨The fugitive¨ , ¨Seven¨ , ¨The Prey¨ , ¨Tell no one¨ , among others . Film's best asset is its brawny stars , who outperform a scenario that offers enough lasting surprises or sustainable characters . The flick was noteworthy for casting some of the finest actors in France including Albert Dupontel as a Bankrobber whose life is turned upside down when his family is kidnapped , as he serves a prison sentence after successfully robbing a national bank and gets escape to look for a sadistic killer . Dupontel is one of the only French players who can capably switch from comedian high jinks to noisy action . Furthermore , there appears Alice Taglioni as a tough police woman and the Spanish Sergi Mateu who usually plays in France . Good production design , the prison seen in the film is actually a combination of real locations and adequate sets ; in addition nice rural outdoors and local villages .

Laurent Turner and Luc Bossi , also producer, wrote a moving screenplay filled with surprises , twists and turns . This is a convincing foray into thriller territory for French director Eric Valette . Valette did formidable work in this picture and filming lasted various months . Eric proves that he can handle action sequences with panache, even if he doesn't really bring anything new to the table. Valette is a notorious writer/director who has achieved some successes . Eric Valette was born in 1967 in Toulouse, location where has filmed scenarios for his films . He is a director and writer, known for ¨State Affairs¨ , ¨one missed call (2008), ¨Maléfique¨(2002) , ¨the hybrid car¨(2010) and "The Prey" (2011). A remake of this Eric Valette's 2011 thriller La Proie is in development at DreamWorks and The Hollywood Reporter is saying that James Croker has been brought on board to pen the script , this U.S. adaptation, The Prey, is being produced by Charles S. Cohen.