Every Thing Will Be Fine

James Franco van become a great actor in the future. Has already proven to be not only comical. The film was good in its arthouse genre. At times predictable, but also with suprising elements, compelling acting and fine camera work a succesfull film. Beautiful locations btw! I can imagine that some may find it boring. I assume they are people who love Marvel movies, wich incidentally is nothing wrong with that!

Wim Wenders became known as one of the leaders of New German Cinema in the 1970s. His work includes "The American Friend", "Until the End of the World" and "Buena Vista Social Club". "Every Thing Will Be Fine" is a very different turn for him. This look at the effect that a tragedy has on a writer (James Franco) takes a while to get going. Wenders's previous movies often looked at political issues, but this is more of a psychological drama. It comes across as flat. It's not terrible, but I expect more from Wenders.

Basically, I recommend Wenders's other movies. "Until the End of the World" is his best. Probably one of the greatest movies ever made.

An artistic film about everyday life focusing on the popular writer Tomas Eldan and other artists and their close-ones whose paths cross upon each other when tragedy hits, unfolding a series of events that span over a decade. A small and realistic film by director Wim Wenders using brilliant 3D techniques centering around time and light that makes huge waves with the storytelling, the breathtaking cinematography and scenery with impressive performances, especially from James Franco and rising actor Robert Naylor. Charlotte Gainsbourg, Rachel McAdams, Peter Stormare, Patrick Bauchau, Marie-Josée Croze and the young Julia Sarah Stone, Lilah Fitzgerald and Jack Fulton also feature. There were a few question marks in the script that stood out for me but the overall film-production and the skills they used satisfied me totally.

Writer Tomas Eldan (James Franco) almost hits Christopher who sled onto the snow-covered road. Tomas carries him back up to the house where his mother Kate (Charlotte Gainsbourg) comes out looking for her other son. Tomas realizes that he had unknowingly ran him over. He is haunted by the death despite not being responsible. His relationship with Sara (Rachel McAdams) struggles as they clash over her wish for kids. Eventually, he finds love again with Ann (Marie-Josée Croze) and her daughter Mina. He tries to help Kate while Christopher is obsessed with Tomas and that fateful day.

The movie opens with a great incident but then it goes off into a series of rambling flat scenes. Everybody speaks in that flat Quebecois accented English. The story keeps skipping ahead a few years and jumping over the emotional flow. It's flat tonally. It's disjointed. There are one or two great scenes with McAdams but it's all very fleeting. The story would be more powerful staying with Sara and Kate.

Exceptionally well acted by James Franco. Beautifully layered storyline. Its storytelling is right on par with the story itself. Really modest in its presentation, but grand in its effect. Robert Naylor also deserves credit for some fine acting. I hope this piece of art won't be underrated, because the story really is just a plain portrait of life, without any fuss. It struck me, with all its characters in it. Please take note of James Franco reading his letter from teenager Christopher so beautifully human. And the score is beautiful! Its cinematography is well crafted, there to deliver. I can't see why people would think this is a pretentious presentation of camera styles.